For 392 reviews, this critic has graded:
  • 45% higher than the average critic
  • 1% same as the average critic
  • 54% lower than the average critic
On average, this critic grades 12.5 points lower than other critics. (0-100 point scale)

Tom Shales' Scores

Average review score: 52
Highest review score: 100 The Sopranos: Season 3
Lowest review score: 0 Head Cases: Season 1
Score distribution:
392 tv reviews
    • 87 Metascore
    • 100 Tom Shales
    Even if the new season's shows weren't the blah, bland blanks that most of them are, Ed would stand out. For one thing, it isn't often that the season's best new comedy is also its best new drama. Ed is. [8 Oct 2000, p.G01]
    • Washington Post
    • 83 Metascore
    • 100 Tom Shales
    So rousingly well done that it seems to come from a different solar system than most contemporary episodic television shows, and yet too many rapturous panegyrics could spoil some of the fun. The two-hour pilot for the series...is so terribly and industriously entertaining that you hate to see the program lumped in with things that are supposedly "good for you." This isn't a John Chancellor commentary. This is living, breathing matter -- clever, thoughtful, ribald and hard-boiled. [15 Sept 1986, p.B1]
    • Washington Post
    • 91 Metascore
    • 100 Tom Shales
    "The Larry Sanders Show" is brilliantly brilliant, wonderfully wonderful and hilariously hilarious, the next step in the evolution of the television talk show and a contribution to the betterment of viewerkind. [14 Aug 1992]
    • Washington Post
    • 90 Metascore
    • 100 Tom Shales
    "Larry Sanders" seems to be continuing waspishly along on track, blurring the line between reality and fantasy in wry, inventive ways, using a show biz milieu to comment on a lot more than just show biz. [2 Jun 1993]
    • Washington Post
    • 99 Metascore
    • 100 Tom Shales
    This brilliant and aching and achingly brilliant series is the best original sitcom in the history of cable TV. [15 Mar 1998]
    • Washington Post
    • 84 Metascore
    • 100 Tom Shales
    A compelling and sometimes harrowing hour of high-tension urban trauma, different from Bochco's "Hill Street Blues" and at least as good as any other drama series now on the air. It delivers a good, stiff shock now and then, and what's wrong with that? It's surely preferable to shows that lull you into numbness. [21 Sept 1993, p.D1]
    • Washington Post
    • 97 Metascore
    • 100 Tom Shales
    The story's a good one, all right, and beautifully related--but there's a lot more going on in "The Sopranos" than good storytelling. This is one of the most unpretentiously profound and troubling dramas in the history of American television. [16 Jan 2000]
    • Washington Post
    • 97 Metascore
    • 100 Tom Shales
    The show is as darkly gleeful as ever, shrewdly and even elegantly put together and, in a way that perhaps no other TV drama series has ever been, troublingly seductive and irresistible. [3 Mar 2001]
    • Washington Post
    • 96 Metascore
    • 100 Tom Shales
    Television's greatest drama series has only gotten greater.
    • 68 Metascore
    • 100 Tom Shales
    Sparse, tough, nuts-and-bolts, hit-and-run TV. You'd need a magnifying glass to find a nuance. But it works, and grippingly.
    • 100 Metascore
    • 100 Tom Shales
    A series that started out merely good and has now become, like NBC's "Cheers," a comedy essential, a good reason to stay home and laugh. [18 Sep 1989]
    • Washington Post
    • 96 Metascore
    • 100 Tom Shales
    A captivating blend of the existential and the pulpy, the surreal and the neo-real, the grim and the farcical, Twin Peaks is new age music for the eyes, a show that careens off the wall and out into left field and yet supplies some of the basic satisfactions we humans have demanded of our storytellers since we first wriggled out of primordial goop.
    • 74 Metascore
    • 100 Tom Shales
    Six Feet Under establishes from the start that it will be unflinching and brazen and, as it happens, scorchingly brilliant. [3 June 2001, p.G01]
    • Washington Post
    • 79 Metascore
    • 100 Tom Shales
    Even though Scrubs is the best of the season's new comedies, it may not have the most laughs. But oh mama, it has the most heart. Scrubs is to the average sitcom as a steak at the Palm is to a Big Mac. We are talking an entirely different, and superior, species. [2 Oct 2001, p.C01]
    • Washington Post
    • 93 Metascore
    • 100 Tom Shales
    Each episode of "Curb Your Enthusiasm" flies by in a dizzying blur of neurotic delight. [14 Sep 2002]
    • Washington Post
    • 72 Metascore
    • 100 Tom Shales
    Brings new energy and respectability to the "reality" genre popularized by the same network's "Survivor" -- and surpasses it in spectacle and human drama. Great TV lives. ... There is so much more to this show than there is to most of its ilk. [5 Sep 2001]
    • Washington Post
    • 98 Metascore
    • 100 Tom Shales
    So is "The Wire" as good as ever? Perhaps even better.
    • 66 Metascore
    • 100 Tom Shales
    An outstanding crime drama. It has all the trappings of a good show and then, of course, one staple of a great one: An absolutely terrific star in the lead role. Kathryn Morris can go through my files anytime. [27 Sept 2003, p.C01]
    • Washington Post
    • 89 Metascore
    • 100 Tom Shales
    Arrested Development is very animated but it is not a cartoon. Cartoonish, perhaps, but it is filled with real actors playing surreal people, all of whom have frighteningly identifiable traits and tics. Together they are the Bluths, the latest and at this moment greatest of TV's dysfunctional families. Dysfunctionalism has rarely been as ingratiating or, certainly, as hilarious.
    • 88 Metascore
    • 100 Tom Shales
    Arrested Development is, in fact, "Dynasty" as it might be rewritten for the Three Stooges if there were a dozen of them...Sly, wild, clever and just plain nuts, Arrested Development makes you think as it makes you laugh, and one of the things it makes you think is, "Why the hell am I laughing?" Deep in your subconscious, you know. You've slipped on the appeal of a frozen banana. [6 Nov 2004, p.C01]
    • Washington Post
    • 75 Metascore
    • 100 Tom Shales
    The most electrifying new main character to hit television in years. [16 Nov 2004, p.C01]
    • Washington Post
    • 58 Metascore
    • 100 Tom Shales
    The show truly teeters on wonderful. This is probably TV's most poignant half-hour comedy in years, a masterfully modulated combination of shrewd satire and a tender, even tearful, central story. [5 June 2005, p.N01]
    • Washington Post
    • 81 Metascore
    • 100 Tom Shales
    Wright says. "After the Vietnam War ended, the onus of shame largely fell on the veterans. This time around, if shame is to be had when the Iraq conflict ends--and all indications are there will be plenty of it--the veterans are the last people in America to deserve it." Generation Kill makes that point so powerfully as to stand among the truest and most trenchant war movies of all time.
    • 84 Metascore
    • 100 Tom Shales
    You needn't be the least bit interested in sports to enjoy Sports Night, the best new ABC sitcom of the season. [22 Sept 1998, p.E01]
    • Washington Post
    • 99 Metascore
    • 100 Tom Shales
    Calling Steven Bochco's Murder One the best new series of the season is too easy and over-understated. The episode airing tonight on ABC is one of the classiest, best-written and most assured dramatic pilots ever seen on television, and next week's installment, "Chapter Two," is nearly as good. This is super-gripping, diamond-bright, edge-of-your-couch TV.
    • 90 Metascore
    • 100 Tom Shales
    The Corner is strong, solid storytelling, but it's more than that. It's an act of enlightenment, raw and shattering and strangely, inexplicably, beautiful. [15 Apr 2000, p.C01]
    • Washington Post
    • 85 Metascore
    • 100 Tom Shales
    My love for Undeclared is unconditional... There are many different kinds of funny, and Apatow aims for one of the hardest kinds -- the humor of rueful recognition. You may not laugh till it hurts, but it'll hurt a little when you laugh, because you may recall your own awkward moments of defeat, embarrassment or disillusion. Undeclared is shrewdly observant and richly detailed, and the fact that it's funny, too, is the icing on the cake. Great cake! [25 Sept 2001, p.C01]
    • 79 Metascore
    • 90 Tom Shales
    The fact that Barr's show seems cut so authentically out of middle-class experience gives it a solid familiarity from first encounter. ... "Roseanne" is really different and really funny. [18 Oct 1988]
    • Washington Post
    • 79 Metascore
    • 90 Tom Shales
    Gripping ... It sure gets off to a spine-tingling, heart-pounding start. [19 Sep 1994]
    • Washington Post
    • 83 Metascore
    • 90 Tom Shales
    The reason it works so well is that performers and script are ideally matched; they join forces to obliterate resistance. [14 Sept 1985, p.C1]
    • Washington Post
    • 91 Metascore
    • 90 Tom Shales
    As full of wit and mischief as it was last year. [11 Oct 1990]
    • Washington Post
    • 60 Metascore
    • 90 Tom Shales
    Beyond its gimmicky concept and fantasy angle, Quantum Leap -- from "Magnum, P.I." creator Donald P. Bellisario -- touches on forms of alienation that grip everybody at one time or another. For Sam, it's one time or several others...The premise holds out a prospect even more attractive in the late '80s than it would be in many other eras: escape from the present. [25 Mar 1989, p.D1]
    • Washington Post
    • 81 Metascore
    • 90 Tom Shales
    Dharma & Greg goes beyond merely funny all the way to enchanting. There's nothing momentous or groundbreaking about the new ABC sitcom, but it's good-hearted, lightheaded and delightful, a kind of miracle cure for the blues -- especially the blues you might get from most of the other new sitcoms this season. [24 Sept 1997, p.D01]
    • Washington Post
    • 80 Metascore
    • 90 Tom Shales
    No one could maintain that the show deals in grueling realism. But the characters and their time do seem affectionately and thoughtfully portrayed, and genuineness along these lines is rare in TV. The Wonder Years is first-class time travel. [15 Mar 1998, p.1]
    • Washington Post
    • 97 Metascore
    • 90 Tom Shales
    Even though this is not the strongest season opener in the history of the series, it still makes most of the sitcoms on the broadcast networks look weak of knee and soft of head. [13 Nov 1996]
    • Washington Post
    • 88 Metascore
    • 90 Tom Shales
    "Malcolm" immediately, instantly, explosively achieves an identity all its own--a little bit like a live-action "Simpsons," but with a Bart who's a genius, not an underachiever. [8 Jan 2000]
    • Washington Post
    • 72 Metascore
    • 90 Tom Shales
    Another satiric triumph from Matt Groening. [27 Mar 1999]
    • Washington Post
    • 88 Metascore
    • 90 Tom Shales
    So much in the Freaks and Geeks premiere is shrewdly, tenderly and sagaciously observed that one wonders whether there'll be enough material left for additional episodes. Probably. [25 Sept 1999, p.C01]
    • Washington Post
    • 82 Metascore
    • 90 Tom Shales
    Former fans of "Twin Peaks" who feel that show has become too ridiculous to bear may find the snowy terrain of Northern Exposure a pleasing substitute. The series seems to have struck a happy balance: just ridiculous enough. [8 Apr 1991, p.C2]
    • Washington Post
    • 88 Metascore
    • 90 Tom Shales
    It's the most savory new series of the season, the one most likely to engage the emotions, stir the heart, touch the soul -- a comedy with tears that celebrates family and memory and the rich ingredients that make up the American melting pot. [20 Sep 1991]
    • Washington Post
    • 63 Metascore
    • 90 Tom Shales
    Queer as Folk gets off to a triumphantly provocative start. The least that can be said is that there's nothing else like it anywhere on the air. [2 Dec 2000, p.C01]
    • Washington Post
    • 81 Metascore
    • 90 Tom Shales
    You know you will laugh, but you know you will cringe. You know you will guffaw, but you'll also likely wince. It's hard to imagine comedy that's any edgier, without being topical, than this.
    • 88 Metascore
    • 90 Tom Shales
    Cleverly constructed and invigoratingly ambitious in design ... '24' has tension and density that set it well apart from the pack. [6 Nov 2001]
    • Washington Post
    • 75 Metascore
    • 90 Tom Shales
    The caliber is very, very high, a gangbusters idea executed with skill and sensitivity. [26 Sep 2002]
    • Washington Post
    • 98 Metascore
    • 90 Tom Shales
    Mike Judge, creator of "Beavis and Butt-head," made a darn good try at a seriously funny workplace comedy with his 1999 film "Office Space," but Gervais and Merchant have even greater success. "The Office" is hilarious in a very hip and flippant way. [30 Jan 2003]
    • Washington Post
    • 78 Metascore
    • 90 Tom Shales
    It's to the network's credit that it undertakes projects that aren't necessarily big crowd-pleasers but have a palpable artistic integrity and social significance. [1 June 2002, p.C01]
    • Washington Post
    • 89 Metascore
    • 90 Tom Shales
    The absence of gimmickry and the presence of respect for the story and the audience give The Wire organic advantages over nearly all other TV dramas, whether they deal with cops and crime or birds and bees. Which is to say: If you want to see the television of tomorrow, it's on HBO tonight.
    • 80 Metascore
    • 90 Tom Shales
    It's a grim, evocative look at some of this country's ruggedest but most disreputable roots -- a meticulously detailed portrait of a time, place and people that makes even today, with its punishing headlines about suicide bombs and other terrorist atrocities, seem almost safe and sane.
    • 93 Metascore
    • 90 Tom Shales
    As much as any other Western town in any other Western, Deadwood -- which is really a camp hoping to be a town hoping to be part of the United States -- seems really to exist, so vivid are the characters and so rich the texture. [5 Mar 2005, p.C01]
    • Washington Post
    • 58 Metascore
    • 90 Tom Shales
    You may groan at the premise -- a young woman helps the police solve crimes through use of her psychic intuition -- but it's brought off with so much storytelling skill and so few voguish gimmicks that it might as well be the first show of its kind. [3 Jan 2005]
    • Washington Post
    • 87 Metascore
    • 90 Tom Shales
    Lost actually gives every sign of knowing where it's going and what it's doing. It's solid, suspenseful and fraught with frights. The Big Scary Monster may be a corny touch, but who's to say what does and doesn't exist on those mysterious uncharted islands where, for example, King Kong once holed up. Lost has the capacity to bring out the kid in adults and the adult in kids. [22 Sept 2004, p.C.01]
    • Washington Post
    • 80 Metascore
    • 90 Tom Shales
    In visual style, witty language, borderline surrealism and overall mad attitude, "Desperate Housewives" stands on a mountaintop all its own, the best new drama of the season and perhaps the best new comedy, too. [3 Oct 2004]
    • Washington Post
    • 71 Metascore
    • 90 Tom Shales
    A stand-up, standout piece of work, one that works wonders on a seemingly tired genre.
    • 81 Metascore
    • 90 Tom Shales
    It's got edge galore, but it's the kind that sneaks up on you and proves again that Gervais has the subtlest kind of brilliance, hard to categorize but easy to enjoy.
    • 87 Metascore
    • 90 Tom Shales
    "Extras" lives up to expectations and to its own lunatic traditions.
    • 57 Metascore
    • 90 Tom Shales
    Big Bang is the funniest new sitcom of the season.
    • 78 Metascore
    • 90 Tom Shales
    Extraordinary in just about every conceivable way.
    • 86 Metascore
    • 90 Tom Shales
    The lovingly and imaginatively produced pilot has to be the most gorgeous piece of television airing anywhere tonight.
    • 66 Metascore
    • 90 Tom Shales
    Although Recount is a smashing success on almost every level, it's also a brutally disheartening experience for the story it tells.
    • 78 Metascore
    • 90 Tom Shales
    John Adams is the kind of classily intelligent production that can be happily recommended to everybody. The filmmakers, including executive producer Tom Hanks, have attempted to re-create and enliven history--and they succeed grandly.
    • 62 Metascore
    • 90 Tom Shales
    Working something of a miracle, Danny McBride, who plays Kenny and is one of the creative talents behind the show premiering tomorrow on HBO--the most recklessly funny comedy of the year--makes us kind of like Kenny Powers.
    • 64 Metascore
    • 90 Tom Shales
    Lie to Me seems an unusually meaty, thoughtful and thought-provoking crime drama--another police procedural, yes, but one with a dramatic and mesmerizing difference. The strength of the premise combined with first-class production make this easily one of the season's best new shows.
    • 77 Metascore
    • 90 Tom Shales
    Southland is a show of high caliber and riveting brilliance, instantly one of the finest hours of TiVo-worthy drama anywhere on the tube.
    • 77 Metascore
    • 90 Tom Shales
    Great Migrations lets us be amazed rather than telling us to be, and the amazement quotient is, yes, amazingly high.
    • 75 Metascore
    • 80 Tom Shales
    Angel abounds in the kinds of frills, luxuries and extras that make it a cheerfully guilty pleasure--and also, on occasion, a very bloody mess. [5 Oct 1999, p.C01]
    • Washington Post
    • 78 Metascore
    • 80 Tom Shales
    One weak link is fellow stand-up comic Michael Richards as Seinfeld's wacky neighbor. He isn't wacky or neighborly enough; it just doesn't work. But he's in the minority where "Seinfeld" is concerned. You may not convulsively guffaw, but you're bound to convincingly smile. Here's one that worked out just right.
    • 63 Metascore
    • 80 Tom Shales
    "The Drew Carey Show" bucks all the prevailing sitcom trends and does it endearingly. [17 Sep 1995]
    • Washington Post
    • 53 Metascore
    • 80 Tom Shales
    Woodward seems destined to become the season's most seasoned heartthrob. Women will adore him, men admire him. He gives his character an affecting worldly disenchantment, but at the same time brings out all the allure in the wish-fulfillment aspects of the role. [18 Sept 1985, p.D1]
    • Washington Post
    • 64 Metascore
    • 80 Tom Shales
    Nothing if not serious, and nothing if not good, NBC's Law & Order nevertheless seems a victim of one particular TV tyranny. Its stories are too long for the one-hour format into which they are stuffed. Otherwise the series... has all the ingredients associated with quality television: strong scripts, relevant themes and a cast that qualifies as first-rate-plus. [13 Sept 1990, p.D1]
    • Washington Post
    • 74 Metascore
    • 80 Tom Shales
    "The Practice" may not be perfect, but it certainly has a lot going for it -- including a cast that clicks instantly. [4 Mar 1997]
    • Washington Post
    • 66 Metascore
    • 80 Tom Shales
    It seems an imaginative improvement over previous sequels "Next Generation" and "Deep Space Nine." [16 Jan 1995]
    • Washington Post
    • 42 Metascore
    • 80 Tom Shales
    Benefits incalculably from the presence of Carroll O'Connor and Howard Rollins in the lead roles -- a stubborn old Southern sheriff and the young black professional dispatched to assist him...[It is] pedestrian as murder mysteries go, but what sustains interest are the clashes and the growing camaraderie of the two men. [5 Mar 1988, p.B1]
    • Washington Post
    • 72 Metascore
    • 80 Tom Shales
    "Murphy Brown" crackles, flashes and scintillates. [14 Nov 1988]
    • Washington Post
    • 74 Metascore
    • 80 Tom Shales
    An adventurous, whimsical and spectacular space series. ... "Farscape" doesn't plumb mysteries of the cosmos or boldly go into profound allegorical realms. But it is fun, and beautifully produced. [8 Jul 1999]
    • Washington Post
    • 54 Metascore
    • 80 Tom Shales
    The best thing about the show is that its cast is so overqualified for it. Vincent D'Onofrio is one of the most inspired and versatile young actors of our time. He was unforgettable in an episode of "Homicide: Life on the Street" in which he barely moved; he spent most of it trapped under a subway car.
    • 88 Metascore
    • 80 Tom Shales
    In the first of the new episodes, David seems all too eager to reach, and even stretch, for laughs. ... The good news is that as the weeks go on ... the show gets better and better, until the barnacles of self-consciousness fall off and David gets back to his old stride. It only requires a bit of patience, in other words, and viewers who find the first couple of episodes disappointing should stay with it, because at its lunatic best, "Curb Your Enthusiasm" is still one of the absolutely funniest half-hours on television. [3 Jan 2004]
    • Washington Post
    • 69 Metascore
    • 80 Tom Shales
    The premiere episode is smart and tense, the TV equivalent of the book you can't put down. [23 Sep 2002]
    • Washington Post
    • 75 Metascore
    • 80 Tom Shales
    An enticingly screwy and potentially addictive new crime series from the USA Network, normally not a hotbed of brilliance.
    • 67 Metascore
    • 80 Tom Shales
    One of the most endearing new comedies of the year.
    • 63 Metascore
    • 80 Tom Shales
    The L Word may in its way do some sort of good, in addition to being wickedly provocative drama and undeniably seductive TV.
    • 73 Metascore
    • 80 Tom Shales
    "Entourage" returns with feathers fully unfurled, zooming and soaring across the Sunday-night sky and elevating escapism to dizzy new altitudes and basically untroubled new attitudes.
    • 67 Metascore
    • 80 Tom Shales
    Lilley's script and performances are rife with recognizable personalities, neuroses and human absurdities.
    • 64 Metascore
    • 80 Tom Shales
    Smart, sassy and delightful.
    • 60 Metascore
    • 80 Tom Shales
    "Shark" is one of the season's best and fastest-moving new dramas.
    • 73 Metascore
    • 80 Tom Shales
    What it lacks in edge, it makes up for in charm.
    • 84 Metascore
    • 80 Tom Shales
    It still isn't quite the hugely confident, competent hit one longs for--especially considering that "Saturday Night Live" creator Lorne Michaels is an executive producer--but it's high in quality, as well as in spirit.
    • 75 Metascore
    • 80 Tom Shales
    Nearly everything is done right, most conspicuously in the casting of Glenn Close as Patty Hewes.
    • 75 Metascore
    • 80 Tom Shales
    It's sweet, touching and deliriously cheerful -- the best new show of the year and a great big blast of happiness.
    • 64 Metascore
    • 80 Tom Shales
    "The Knights of Prosperity" is knee-slappingly and side-splittingly funny stuff, or as close to that as TV gets these days.
    • 81 Metascore
    • 80 Tom Shales
    No matter how opulent this production, Mirren is never upstaged, and she is the best reason to keep watching.
    • 72 Metascore
    • 80 Tom Shales
    There's enough going on in Caprica to keep a sci-fi fan, or anyone who likes to settle into a good story, satisfied and even beguiled--and though it's shot too dark those watching on an upscale, big-screen TV will be treated to a visual spectacular.
    • 70 Metascore
    • 80 Tom Shales
    It isn't high literature nor even perhaps high television, but In Treatment does have a welcome, and occasionally riveting, pulpy streak, perhaps inevitable with its promise of peeks behind doors that usually remain closed.
    • 58 Metascore
    • 80 Tom Shales
    Tell Me You Love Me is not only more provocative than any of the broadcast networks' new fall shows, but also more sophisticated--even than those shows that aspire to be "adult."
    • 74 Metascore
    • 80 Tom Shales
    The show has a happily palpable likability going for it, a lot of that courtesy of Zachary Levi, who plays the unlikely and in fact unwilling hero.
    • 81 Metascore
    • 80 Tom Shales
    Reaper works on its own cleverly devilish level and proves one of the happier, snappier surprises of the season.
    • 57 Metascore
    • 80 Tom Shales
    NBC's lavish and splashy new version of Bionic Woman, is not, as one might fear, a BW stripped of everything that fans loved about the '70s original.
    • 38 Metascore
    • 80 Tom Shales
    Long story short: These girls are golden.
    • 67 Metascore
    • 80 Tom Shales
    Here and there, The Company is so evocatively dark and creepy it approaches the artistry of a John le Carré thriller, at least as adapted for TV back in the '80s and '90s.
    • 67 Metascore
    • 80 Tom Shales
    Whatever it is, it's fascinating, the television equivalent of the book you can't put down and maybe the jigsaw puzzle you never quite complete.
    • 64 Metascore
    • 80 Tom Shales
    True Blood isn't meant to be an exercise in good taste. Just a romp and a wallow--and a bloody good one.
    • 36 Metascore
    • 80 Tom Shales
    As superbly superior as Shannon is (a comparison to Lucille Ball, while inevitable, would not be overreaching), the whole cast shines, and not just in refracted glory.
    • 71 Metascore
    • 80 Tom Shales
    A new limited-run series from HBO that is engaging, charming and intoxicating entirely on its own.
    • 61 Metascore
    • 80 Tom Shales
    The fact is, Harper's Island is a cunningly constructed, habit-forming mystery that makes for an intriguing departure from normal episodic television.
    • 79 Metascore
    • 80 Tom Shales
    Men of a Certain Age proves a powerful yet mercifully amusing experience--bittersweet, poignant and wise. It's not just a series, but something of a tonic.
    • 63 Metascore
    • 80 Tom Shales
    Factory is the network's first try at a situation comedy and, surprisingly enough, it's neither perfunctory nor primitive. It is, in fact, one of the few pleasant surprises of the summer.
    • 62 Metascore
    • 80 Tom Shales
    A chilling and riveting essay on the evils that men do and continue doing, year after year, century after century, millennium after millennium.
    • 77 Metascore
    • 80 Tom Shales
    Grey Gardens is tragicomedy of a very rare and rarefied kind--priceless, precious and, thanks largely to Lange, potentially unforgettable.
    • 63 Metascore
    • 80 Tom Shales
    Whatever else it is, the show is supremely entertaining. Smartly edited and cleverly constructed--the George Washington Bridge serving as a visual transition--the series marks another auspicious entry to television's vast stockpile of Guilty Pleasures.
    • 76 Metascore
    • 80 Tom Shales
    The casting, like the writing and direction, is impeccable, and includes Eve Best as Jackie's doctor friend Eleanor; Peter Facinelli as cute but semi-competent ER physician Fitch "Coop" Cooper; Merritt Wever as a bleeding-heart novice; and Haaz Sleiman as a gay Muslim orderly.
    • 71 Metascore
    • 80 Tom Shales
    A smart and funny sitcom....Heaton is splendid as Heck, with a high-profile supporting cast.
    • 62 Metascore
    • 80 Tom Shales
    Unlike a raft of recent adult-themed cartoons, Ugly Americans offers surprising laughs with its premise, and it is profanely whip-smart in a way that recalls the network's much-missed "Drawn Together" series.
    • 87 Metascore
    • 80 Tom Shales
    [The mockumentary style is] used not to excess but to success, which is just what this wise, clever and bighearted comedy ought to be.
    • 76 Metascore
    • 80 Tom Shales
    The film is made skillfully enough that it could conceivably captivate both the most obsessive baseball fan and somebody who doesn't give a hoot but has a healthy curiosity--and the gratuitous extra minutes aren't by any means intolerable.
    • 69 Metascore
    • 80 Tom Shales
    The show seems weightless in the good sense, breezy and airborne, with a brisk and flippant style that's instantly attractive. [12 Sep 1992]
    • Washington Post
    • 55 Metascore
    • 80 Tom Shales
    The character and the show sneak up on you in clever, unexpected ways and prove a gratifying surprise. [25 Sept 2001, p.C01]
    • Washington Post
    • 60 Metascore
    • 80 Tom Shales
    It is a happy, sweet surprise, much more humane than almost any of the teen-age comedies that have broken out like acne on the movie screens of the nation during what seems like an interminable cinematic puberty. [5 Mar 1986, p.D1]
    • Washington Post
    • 48 Metascore
    • 80 Tom Shales
    Full of snap and sass -- and actual laughs, too -- and one wonders whether it's safe to become attached to it. [9 Sept 1996, p.]
    • Washington Post
    • 80 Metascore
    • 70 Tom Shales
    Frasier at this point seems much more amusing when he's at home contending with his father than when he's at the workplace fielding phoned-in woes. But wherever he is, he's clearly in good hands -- the hands of old pros who still have the brash enthusiasm of young Turks. [16 Sept 1993, p.C1]
    • Washington Post
    • 50 Metascore
    • 70 Tom Shales
    Sharp without being nasty and warm without being mushy...If sitcoms are a necessary evil, Boy Meets World at least manages to be as pleasant and painless as possible. [24 Sept 1993, p.C1]
    • Washington Post
    • 73 Metascore
    • 70 Tom Shales
    Ambitious, adult and sexually sophisticated, another signpost along the road toward increasingly serious, and much more personal television. [26 Apr 1988]
    • Washington Post
    • 71 Metascore
    • 70 Tom Shales
    Spin City is firing on all cylinders. It's a slick little contraption custom-built by professionals, and if it's not exactly full of surprises, at least it's roaringly competent. [17 Sept 1996, p.B01]
    • Washington Post
    • 68 Metascore
    • 70 Tom Shales
    For a cartoon, it's defiantly slow, sometimes a virtual still-life. And yet there's something curiously compelling about its utterly trivial everyday goings-on. [11 Jan 1997]
    • Washington Post
    • 49 Metascore
    • 70 Tom Shales
    Remarkable for one reason only: It achieves levels of warmth that are rare for such shows. It may not make everybody laugh, but a decent human being would have a hard time not smiling. [22 Sept 1989, p.B1]
    • Washington Post
    • 83 Metascore
    • 70 Tom Shales
    Viewers are in for another high-powered pulse-pounder. [29 Oct 2002]
    • Washington Post
    • 53 Metascore
    • 70 Tom Shales
    It's surprisingly sweet and cleverly hilarious. ... The show may not exactly blaze new trails, but it treads some old ones with finesse and veracity -- and even, thanks largely to Ritter, an endearingly rumpled charm. [17 Sep 2002]
    • Washington Post
    • 68 Metascore
    • 70 Tom Shales
    The production is nothing if not rich, awash in muted hues, populated with rivetingly complex characters and yet disappointingly low on spectacle.
    • 69 Metascore
    • 70 Tom Shales
    It may be a case of going too far but in such a crazy-daisy way that it can't help but be entertaining. [2 Oct 2004]
    • Washington Post
    • 40 Metascore
    • 70 Tom Shales
    What lifts "Evidence" well above the clamor of standard cop shows is the charisma between its two male leads.
    • 41 Metascore
    • 70 Tom Shales
    Most of the actors make their characters zesty and likable, if on occasion too glib for their -- and our -- own good.
    • 64 Metascore
    • 70 Tom Shales
    "Love Monkey" is easy to dismiss yet hard to dislike.
    • 62 Metascore
    • 70 Tom Shales
    Mamet offers a kind of thinking person's war movie for a nation that is, indeed, at war.
    • 45 Metascore
    • 70 Tom Shales
    The results are often wickedly amusing.
    • 68 Metascore
    • 70 Tom Shales
    "Sons & Daughters" turns the banalities of family life upside down and inside out and finds something new, and even something cherishable, in many of them.
    • 59 Metascore
    • 70 Tom Shales
    A persistently diverting journey by producers and camera crews in search of the glib, the flippant and the ostensibly hip of Southern California.
    • 68 Metascore
    • 70 Tom Shales
    For what it is, it's an extremely accomplished piece of work -- unsettling in ways that few suspense thrillers manage to be.
    • 57 Metascore
    • 70 Tom Shales
    Goldblum... gives the character of Raines a solid and gratifying humanity, enough to lift "just another" cop opera into a considerably more rarefied realm.
    • 57 Metascore
    • 70 Tom Shales
    A dazzling and gripping crime drama.
    • 40 Metascore
    • 70 Tom Shales
    A wickedly entertaining show.
    • 68 Metascore
    • 70 Tom Shales
    Steinberg... appears to be having a good time, and that helps a lot.
    • 56 Metascore
    • 70 Tom Shales
    The plot and subplots of the premiere eventually deteriorate into pandemonium, but McCormack remains the steadying center that makes the show intelligible and, more important, involving. And, perhaps more important still, fun.
    • 35 Metascore
    • 70 Tom Shales
    The overall effect is pleasing, light, cheerful.
    • 49 Metascore
    • 70 Tom Shales
    It's rather a bold, retro step for CBS to attempt this kind of show in the era of reality television and domestic fights that appear to be actual and spontaneous rather than cooked up by a writer. But the airwaves are so choked with reality that a return to fantasy seems strangely refreshing and, ironically, even more realistic.
    • 67 Metascore
    • 70 Tom Shales
    Margulies rises so grippingly to the challenge that whatever else it is, "just another" courtroom show Canterbury's Law most definitely is not.
    • 64 Metascore
    • 70 Tom Shales
    Do we ever feel as if we're really there, in Henry's court, half a millennium ago? Perhaps not, but a splendid cast and sumptuous production details make "The Tudors" a rollicking and resplendent show, if never a deeply affecting one.
    • 74 Metascore
    • 70 Tom Shales
    Viewers who like to tiptoe over to the dark side now and then--at least once a week--are bound to find Walt White's wonderland of woes worth a visit or two, or many more.
    • 65 Metascore
    • 70 Tom Shales
    Baker and his wily line readings and intimidatingly sly stares can snap the show out of occasional stupors.
    • 69 Metascore
    • 70 Tom Shales
    Although it starts out on a glib, dopey note--as "Mission: Preposterous" crossed with "Ocean's Eleven"--the new TNT series Leverage develops with surprising swiftness into a decent, watchable action drama about wrongs being righted and bad guys getting what's coming to them.
    • 61 Metascore
    • 70 Tom Shales
    Little Britain USA isn't precisely the same television show that's been slaying audiences and collecting awards in England and Australia for the past several years, but it's close.
    • 37 Metascore
    • 70 Tom Shales
    The two-zany formula still works for movie after movie, and the occasional TV show. Case in point: Tonight's Testees, airing on the risk-happy FX network; the comedy doesn't push boundaries so much as trounce and trash them.
    • 55 Metascore
    • 70 Tom Shales
    It sounds gimmicky and visually tedious, with most of the so-called action taking place in a conference room. It's all those things, but the moments of misery make it memorable.
    • 59 Metascore
    • 70 Tom Shales
    It isn't innovative or brilliant, but there's some kind of joy to be had from watching the parts of the machine fit together just right and operate slickly and smoothly.
    • 52 Metascore
    • 70 Tom Shales
    "Brewster" improves on the original and has the look of a warmhearted winner. ... It's corny, it's old-fashioned, it's predictable, and it works. [1 May 1990]
    • Washington Post
    • 68 Metascore
    • 70 Tom Shales
    If it isn't pure gold, it still has bright, shiny moments--and unlike so much of what's on TV these days, it's much more likely to make you laugh than cry.
    • 22 Metascore
    • 70 Tom Shales
    The fact that Meaney has a slightly Gleasonesque persona gives his exchanges with Meadows, so long ago Alice Kramden, a nostalgic oomph. Cheering memories of "The Honeymooners" hover over the proceedings -- the icing on a fast-frozen devil's-food cake. [10 Sept 1990, p.B1]
    • Washington Post
    • 60 Metascore
    • 70 Tom Shales
    It's superior to the movie. Both were produced by veteran Irwin Winkler. Brooke Langton, inheriting the role played in the film by Sandra Bullock, is more attractive and is able to project what Bullock lacks: warmth and vulnerability. [18 July 1998, p.E01]
    • Washington Post
    • 79 Metascore
    • 60 Tom Shales
    West Wing is not a dramatic powerhouse as it gets off the ground tonight but, indeed, it does get off the ground. There are good performances, crispy-crunchy lines of dialogue and a few sizzly sparks. Subsequent episodes will have to improve on the premiere, however, if there's really going to be anything must-see-ish about the show. [22 Sept 1999, p.C01]
    • Washington Post
    • 76 Metascore
    • 60 Tom Shales
    Very slick and very shiny, full of impassioned confrontations and noble utterances. [17 Sep 1994]
    • Washington Post
    • 62 Metascore
    • 60 Tom Shales
    In more exciting times, "Home Improvement" might barely pass muster as tolerable froth. But in a new TV season low on innovation and lean on potential hits, the happy competence of "Home Improvement" seems almost spectacular. [17 Sep 1991]
    • Washington Post
    • 31 Metascore
    • 60 Tom Shales
    Demonstrates plenty of marksmanship in the old aim-to-please department. It has a nice convivial camaraderie going for it, and one fail-safe ingredient in reserve: the proverbial cute baby. [22 Sept 1987, p.D1]
    • Washington Post
    • 72 Metascore
    • 60 Tom Shales
    Menace so permeates the atmosphere that a certain glum predictability has set in to the scenes. [28 Oct 2003]
    • Washington Post
    • 59 Metascore
    • 60 Tom Shales
    Basically a smart and sophisticated situation comedy -- and yet it is still not as good or endearing as its star. [26 Feb 2003]
    • Washington Post
    • 29 Metascore
    • 60 Tom Shales
    The laughs generated are not subtle, but at least they're there.
    • 62 Metascore
    • 60 Tom Shales
    Largely faithful in tone to the BBC series, which concentrates on the maddening banality of workplace-as-microcosm, NBC's Office still fails to score a direct hit, settling instead for an amusing approximation.
    • 48 Metascore
    • 60 Tom Shales
    "Lucky Louie" is not a runaway smash right out of the gate, but neither does it stumble or implode.
    • 71 Metascore
    • 60 Tom Shales
    There are, in fact, simply too many characters chasing each other up and down the seven hills, and viewers who try to keep track are in for maddening frustration. If only people would address one another by name once in a blue moon, that would help a little. [28 Aug 2005, p.N01]
    • Washington Post
    • 72 Metascore
    • 60 Tom Shales
    It's not an easy task to figure out where the thing is going, but it is intriguing watching it go there.
    • 59 Metascore
    • 60 Tom Shales
    There isn't much in "Supernatural" to engage viewers older than Sam and Dean, but it's certainly not the worst of the new troop of spookers.
    • 48 Metascore
    • 60 Tom Shales
    Despite the limitations, and there are a bundle, "Emily's Reasons Why Not" logs a happy high on the delightful meter -- fresh and frisky much of the time.
    • 53 Metascore
    • 60 Tom Shales
    Boasts the strongest cast of any new sitcom.
    • 69 Metascore
    • 60 Tom Shales
    It is a little better than most other sitcoms, past and present -- especially those featuring wacky urban friends in their twenties experiencing the bittersweet mysteries of life.
    • 40 Metascore
    • 60 Tom Shales
    Even if many elements of "Vampire Bats" seem, to say the least, familiar, director Eric Bross and writer Doug Prochilo still deliver some darn good frights.
    • 75 Metascore
    • 60 Tom Shales
    Sorkin aspires to "importance," which can sometimes curdle into pretentiousness.
    • 53 Metascore
    • 60 Tom Shales
    Minor but deftly done.
    • 53 Metascore
    • 60 Tom Shales
    The show... can easily be enjoyed simply as a fairly proficient thriller, pushing the kind of buttons that Alfred Hitchcock used to push with such films as "North by Northwest" -- although here they're pushed with much less artfulness and finesse.
    • 54 Metascore
    • 60 Tom Shales
    There's no question that "Dog Bites Man"... scales heights of hilarity, more than one might have a right to expect. But there's a problem: Virtually all the characters are detestable in one way or another, and partly as a result, the show never seems grounded.
    • 70 Metascore
    • 60 Tom Shales
    While the film could not be called a rollicking success, it seldom if ever pauses long enough to be ordinary, complacent or conventionally minded.
    • 62 Metascore
    • 60 Tom Shales
    Maybe it should be considered substitute programming, until more solid and substantial dramas return. On that level, it doesn't totally blow, bro; it's actually quite tolerable.
    • 44 Metascore
    • 60 Tom Shales
    " 'Til Death Do Us Part" would be sort of ultimately ordinary, the very definition of a negligible trifle, if Waters weren't lurking around.
    • 53 Metascore
    • 60 Tom Shales
    For all its shortcomings and flat flourishes, Crusoe has one very significant thing going for it, a virtue that can be summarized in four reassuring words: At Least It's Different.
    • 61 Metascore
    • 60 Tom Shales
    Horton may in fact reach too frequently into his bag of editing and photographic bells and whistles, but for the most part his approach helps sustain interest when the teleplay falters, sputters or just plain poops out.
    • 66 Metascore
    • 60 Tom Shales
    Since the show steadily improves as the first few episodes progress, Hung can hardly be written off as a failure.
    • 57 Metascore
    • 60 Tom Shales
    Stylista is--what is the phrase?--like a little tick that you want to flick off, but it's no worse than other reality games that have come before and will come after.
    • 67 Metascore
    • 60 Tom Shales
    Moving up to the big time, and relocating to the earlier time slot, seems to have robbed Conan of much of his charm. Much--but not all.
    • 47 Metascore
    • 60 Tom Shales
    Like the homeliest puppy in the pound, there's something lovable about this clanky ode to romantic love; maybe it's just that the cast is so determined to put it over, no matter how foolish even the actors might find the material.
    • 67 Metascore
    • 60 Tom Shales
    The pace is languid and the ambiance laconic. Easy Money isn't the kind of show likely to clean up at Emmy time. But it has the same sort of eccentric, addled charm that marks an increasing number of current television shows.
    • 46 Metascore
    • 60 Tom Shales
    Like "Twin Peaks," it raises questions that it doesn't necessarily answer--but even the raising took a bit of daring, and "a bit" is more than one usually gets from television.
    • 41 Metascore
    • 60 Tom Shales
    Looking for a show to stave off "ER" withdrawal? Have Mercy; it's (you'll pardon the expression) strong medicine.
    • 64 Metascore
    • 60 Tom Shales
    Distracting and annoying as some of its bad habits are, "John Doe" is still hauntingly distinctive enough to warrant further investigation. Who knows but that eventually we may even find -- yes, I'm going to say it -- Doe a dear.
    • 51 Metascore
    • 60 Tom Shales
    A first-rate movie thriller has been turned into a second-rate TV show, but upper-second-rate, not lower. And among this season's new entries, with one or two exceptions, second-rate is about as good as things get. [16 Sept 1995, p.D01]
    • Washington Post
    • 45 Metascore
    • 60 Tom Shales
    An agreeable comedic hour that makes no intimidating demands. [18 Sep 1985]
    • Washington Post
    • 51 Metascore
    • 50 Tom Shales
    The crew of the new Starship Enterprise doesn't seem as intriguingly colorful as the original bunch. ... "Star Trek" aims to fill the eye and engage the mind; it has a long way to boldly go at both. But the new beginning is not without its rejuvenating properties, and there's nothing else on the air quite like it. [3 Oct 1987]
    • Washington Post
    • 57 Metascore
    • 50 Tom Shales
    More of a let-down than a pick-me-up. [19 Apr 1990, p.E9]
    • Washington Post
    • 71 Metascore
    • 50 Tom Shales
    Helen Hunt's bright and flinty performance makes Jamie the kind of person one might like to get to know; she's spontaneous and fresh. But hangdog comic Paul Reiser... is tiresome and mechanical as Paul, and his stand-up comedy rhythms are monotonous. [23 Sep 1992]
    • Washington Post