Troy Patterson
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For 206 reviews, this critic has graded:
  • 33% higher than the average critic
  • 0% same as the average critic
  • 67% lower than the average critic
On average, this critic grades 11.7 points lower than other critics. (0-100 point scale)

Troy Patterson's Scores

Average review score: 53
Highest review score: 90 Pushing Daisies: Season 1
Lowest review score: 0 Dance Moms: Season 1
Score distribution:
  1. Positive: 69 out of 206
  2. Negative: 43 out of 206
206 tv reviews
    • 51 Metascore
    • 60 Troy Patterson
    It takes us to the South and to a class-conscious frame of mind and then introduces a web of complicated relationships that the eye recognizes as cross-racial but the dialogue does not. For now, it seems that this is a tale of collegiate self-discovery and hand-spring liberation that just happens to be set in the post-racial America I keep hearing about it.
    • 67 Metascore
    • 60 Troy Patterson
    Watching these post-Lost sci-fi-mytho-mystery series, you also watch yourself watching, and the thrill of alertness passes for decent entertainment even when other pleasures are in short supply. When Sean returned from a day trip to find that his girlfriend had vanished as if redacted from the file of life, I was kind of glad to see her gone. With her murky disappearance out of the way, we were on our way to achieving clarity-or at least toward failing to achieve it.
    • 55 Metascore
    • 60 Troy Patterson
    The Fairy Jobmother, adapted from a British show of the same name, follows the model of Supernanny--that child-rearing-rehab spectacular--with a diligent slavishness.
    • 49 Metascore
    • 60 Troy Patterson
    Judged by the standards of the form, it is totally OK. There is a soothing mundanity to it, and voyeurs will come away gratified. Though this is hardly an intimate portrait.
    • 58 Metascore
    • 60 Troy Patterson
    Storage Wars--trivial and magnetic, sociologically peculiar and elementally creepy-gives the reality-show treatment to a class of merchants slinking beneath the radar of many a solvent citizen.
    • 54 Metascore
    • 60 Troy Patterson
    On average, the viewer must wait through two tossed-off fart jokes in order to savor one lovingly crafted one. Bob's Burgers is done medium well.
    • 64 Metascore
    • 60 Troy Patterson
    Indeed, it is hard to knock Terra Nova overall, such does it succeed on its own terms, which involve working over the pituitary brain and the sympathetic soul.
    • 69 Metascore
    • 60 Troy Patterson
    Preferring to redomesticize Mildred Pierce, Haynes arrives at a film--a five-part, five-hour miniseries--that is merely pretty good.
    • 74 Metascore
    • 60 Troy Patterson
    It plays, for better and worse, like a slightly elevated version of one of those issue-of-the-week telefilms of the old school, with their teen traumas and kitchen-sink melodramas.
    • 58 Metascore
    • 60 Troy Patterson
    The Voice (NBC) is a horrifically entertaining vocal competition produced by Mark Burnett.
    • 68 Metascore
    • 60 Troy Patterson
    It is a show about a high-school superheroine--a Catwoman without the camp or the S&M gear--and it enables longtime fans of the subgenre to watch with pride as their children digest its venerable tropes for only the fourth or fifth time.
    • 67 Metascore
    • 60 Troy Patterson
    Too Big To Fail adapted by director Curtis Hanson and screenwriter Peter Gould from a book by journalist Andrew Ross Sorkin, is a decent movie with a stellar title.
    • 61 Metascore
    • 60 Troy Patterson
    The very special scheduling is one of several ways the network has been signaling that it means serious business with this light and passably witty supernatural drama.
    • 63 Metascore
    • 60 Troy Patterson
    Alphas proceeds with a relative sobriety that will prove attractive to some and simply unintoxicating to others. If there are any grown-up fanboys left in America--people who can bring themselves to admit that this summer's blockbusters-in-tights are meager gruel--then Alphas may have enough beta charm to see them through the season.
    • 63 Metascore
    • 60 Troy Patterson
    Not content to exploit their subject's inherent themes, the series' fraternal creators, Joe and Tony Gayton, have adhered them promiscuously, pasting neon Post-it indications of symbolic import in a way that obscures moments of straightforward drama.
    • 65 Metascore
    • 60 Troy Patterson
    The show, warm and cheesy, fits right in as another nacho plate on the network's menu of comfort food, another new sitcom that plays like a re-enactment of an old one.
    • 66 Metascore
    • 60 Troy Patterson
    This HBO original [is] clean and smart and dull.
    • 62 Metascore
    • 60 Troy Patterson
    When the show talks about crime literature, it's quite dull, but when it shows instead of tells, it's something to see.
    • 60 Metascore
    • 50 Troy Patterson
    Diggs has considerable magnetism, but it would take the charisma of a cult leader to disguise the fact that this show sometimes reads like a '70s conspiracy thriller as interpreted by the makers of Bad Boys II.
    • 74 Metascore
    • 50 Troy Patterson
    In a time span shorter than a T.G.I. Friday's commercial, we saw a pungent contrast between two sets of cultural values. This was all very funny and more than a bit embarrassing.
    • 66 Metascore
    • 50 Troy Patterson
    "Six Feet Under's" Peter Krause plays the role with a sense of detachment that represents either the artistic choice of an actor playing it straight amid interminable clowning or the weary resignation of a dude who didn't know what he was getting into.
    • 38 Metascore
    • 50 Troy Patterson
    The show rises to mediocrity on the strength of the occasional snappiness of the dialogue.
    • 81 Metascore
    • 50 Troy Patterson
    It plays like it's been built for antisocial boys--mchair heroes in love with guns and in search of demented adventure.
    • 54 Metascore
    • 50 Troy Patterson
    Eleventh Hour is ambitiously shameless in patterning its counterintuitive crank of an ill-socialized hero on the Hugh Laurie character. We sent it down after nine minutes as yet another generic detective drama.
    • 61 Metascore
    • 50 Troy Patterson
    The show's success may depend on whether the public's fascination with Slater trumps its collective attention-deficit disorders.
    • 67 Metascore
    • 50 Troy Patterson
    Indeed, if the show is to have the symbolic import that we expect from a science-fiction story, this is the only possible way to read V as a coherent text. The only problem with this analysis lies in its generous presupposition that the text is, in fact, coherent.
    • 50 Metascore
    • 50 Troy Patterson
    A tolerably flavorsome ball of crimson bubblegum.
    • 76 Metascore
    • 50 Troy Patterson
    With the drama so thin, it must be the richness of Alicia's situation that makes 13 million people a week want to enjoy her company.
    • 53 Metascore
    • 50 Troy Patterson
    Naturally, Happy Town is excessively sudsy in its soap-opera aspect, just as its atmosphere is a bit too atmospheric.
    • 55 Metascore
    • 50 Troy Patterson
    Once you get past the fact of the producers' milking more than the usual volume of pathos from scenes of pre-elimination anxiety and post-dismissal distress, More To Love is much the same as its slimmer sisters.