For 1,994 reviews, this critic has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 5.3 points higher than other critics. (0-100 point scale)

Ty Burr's Scores

  • Movies
  • TV
Average review score: 65
Highest review score: 100 Afghan Star
Lowest review score: 0 The Nutcracker
Score distribution:
1,994 movie reviews
    • 41 Metascore
    • 38 Ty Burr
    All the pieces are in place for an incisive tale of Brit-pop ego and madness, but filmmaker Stephen Woolley -- a celebrated UK producer ("The Crying Game") making his directing debut -- lets the story get away from him.
    • 63 Metascore
    • 38 Ty Burr
    Even a fan, however, might prefer the excellent, recently released concert DVD "Pixies: Live at the Paradise in Boston" to this tepid behind-the-scenes experience.
    • 54 Metascore
    • 38 Ty Burr
    Behind the familiar hits, Jersey Boys is a story about the pressures and rewards of professionalism. Far too little of that has made it into this biopic. It’s just too mediocre to be true.
    • 38 Metascore
    • 38 Ty Burr
    As B-level suspensers go, though, The Return isn't actively awful -- just slow and cursed with a lead who acts with her t-shirt.
    • 55 Metascore
    • 38 Ty Burr
    Aggressive visual invention is rarely its own reward, and this movie does nothing to better the odds.
    • 51 Metascore
    • 38 Ty Burr
    All the good intentions in the world can't save White Irish Drinkers from playing like the baldest of retreads.
    • 36 Metascore
    • 38 Ty Burr
    It's another one of those loud, penis-obsessed bro farces, lazily written (by actor Seth Rogen, among others) and haphazardly directed.
    • 52 Metascore
    • 38 Ty Burr
    Meant to be an insider's tale, but it feels like it comes from the cinema of hangers-on.
    • 17 Metascore
    • 38 Ty Burr
    Generic teen dice-and-slice with interior design by way of ''Saw." The movie's tight and reasonably well shot, though, and there are flashes of nasty invention between the ritual guttings.
    • 45 Metascore
    • 38 Ty Burr
    Sydney White makes "Mean Girls" look like Shakespeare.
    • 52 Metascore
    • 38 Ty Burr
    Wilde is stuck with the harder job of simultaneously playing sexy, innocent, conniving, and heartsore, and the effort appears to give her a headache. "This is kind of like an old movie," Liza says to Jay in one scene. Lady, don't you wish.
    • 52 Metascore
    • 38 Ty Burr
    There are rich issues at play here, about the nature of attraction and whether individual will is or isn't pinned to the wheel of physiology. But Decena hasn't dramatized them; he's used them as talking points set to an indie-film guitar strum, and the result is both earnest and passionless.
    • 27 Metascore
    • 38 Ty Burr
    A dunderheaded comic melodrama with clothes to die for and dialogue to shrink from. It’s downright depressing.
    • 57 Metascore
    • 38 Ty Burr
    I say kill off everybody else and bring back Farrell for the sequel.
    • 39 Metascore
    • 38 Ty Burr
    The results are -- there’s no other word for it -- a disaster.
    • 42 Metascore
    • 38 Ty Burr
    As history it's bunk; as inappropriate historical fiction, it's awfully close to comedy.
    • 62 Metascore
    • 38 Ty Burr
    Despite a frisky soundtrack that starts off with James Brown’s “Sex Machine” — trust me, it’s downhill from there — this is the visual equivalent of Muzak. You don’t have to see it to have seen it.
    • 30 Metascore
    • 38 Ty Burr
    JUST worth your children's time, and hardly worth yours.
    • 33 Metascore
    • 38 Ty Burr
    The feel-bad movie of the summer.
    • 49 Metascore
    • 38 Ty Burr
    There's a great movie somewhere in The Good German, but it's buried under three tons of run-amok formalism.
    • 48 Metascore
    • 38 Ty Burr
    She's like Bob Hope with fake breasts and a wig. Now, that's scary.
    • 34 Metascore
    • 38 Ty Burr
    Bewitched presents a phony and cynical look at how Hollywood might make or remake a television show. It's as grating, laughless, and narcissistic (though, to its credit, not as cruel) as that new Lisa Kudrow show-within-a-show-within-a-show, "The Comeback."
    • 38 Metascore
    • 38 Ty Burr
    And So It Goes looks like it was shot on outdated video equipment and has a forced, jokey script by Mark Andrus (”As Good As It Gets,” “Georgia Rule”).
    • 57 Metascore
    • 38 Ty Burr
    I could pile on the cooking metaphors until you cried "uncle," but the fact remains that there's a very good movie in here that its makers have failed to bring off.
    • 30 Metascore
    • 38 Ty Burr
    The movie's cleverest idea is to give the Octopus identical clone henchmen with names like Phobos, Logos, and Huevos, all played by Louis Lombardi with a marvelous fat-boy idiot grin.
    • 66 Metascore
    • 38 Ty Burr
    Sure, go ahead and take the kids. But, for pity's sake, read them the book first.
    • 30 Metascore
    • 38 Ty Burr
    Has the distinction of being much dumber and pulpier than the comic book on which it's based -- the ink practically comes off on your fingers as you watch it.
    • 48 Metascore
    • 38 Ty Burr
    Where "Nemo" was clever, soulful, and marvelous to look at, "Tale" is manic and surprisingly ugly, with a script that leans on the shallowest aspects of hip-hop street cred while pimping for corporate product placement at every turn.
    • 32 Metascore
    • 38 Ty Burr
    Genially terrible, Lost is lazy, sloppy multiplex filler, good for a few solid giggles and not much more.
    • 36 Metascore
    • 38 Ty Burr
    Abandon is this CLOSE to being good, juicy, bad-movie fun.

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