For 1,686 reviews, this critic has graded:
  • 56% higher than the average critic
  • 2% same as the average critic
  • 42% lower than the average critic
On average, this critic grades 5.2 points higher than other critics. (0-100 point scale)

Ty Burr's Scores

  • Movies
Average review score: 65
Highest review score:
Lowest review score:
Critic Score 0
Score distribution:
1,686 movie reviews
    • Metascore: 100
    • Ty Burr 100
    To see Au Hasard Balthazar is to understand the limits of religious literalism in movies -- the limits, even, of movies themselves. Bresson pares everything away until all that's left are the things we do and the hole left by the things we could have done but didn't.
    • Metascore: 99
    • Ty Burr 100
    Moves like hot mercury, and it draws a viewer so thoroughly into its world that real life can seem thick and dull when the lights come up.
    • Metascore: 99
    • Ty Burr 88
    Why revisit Shoah 25 years after it was first released? Because it matters more a quarter century on, just as it will matter even more in a hundred years, and 200, and - if it and we survive - a thousand.
    • Metascore: 99
    • Ty Burr 100
    The results bear witness to a time when sacrifice was bleached of everything but itself.
    • Metascore: 97
    • Ty Burr 100
    Writer-director Cristian Mungiu confirms the Romanian cinema renaissance while creating a paradoxical marvel: a bleak tale of illegal abortion that powerfully affirms one's faith in people.
    • Metascore: 97
    • Ty Burr 100
    The one aspect of the original Producers that still stuns is the roaring, over-the-top, in-your-face thereness of its two lead performances.
    • Metascore: 96
    • Ty Burr 100
    Days of Being Wild shows Wong discovering his own cinematic language, and he's as astonished as we are.
    • Metascore: 96
    • Ty Burr 100
    Is ''Dr. Strangelove" Kubrick's best movie? Along with ''Paths of Glory," absolutely.
    • Metascore: 96
    • Ty Burr 100
    Chaplin's sentimental politics and peerless comic invention dovetailed more perfectly in this film than in any other he made.
    • Metascore: 95
    • Ty Burr 100
    On the level of craft, the movie's just absurdly enjoyable. Sorkin's dialogue dazzles; the photography is burnished and sleek; the editing confidently sorts out a complex narrative.
    • Metascore: 95
    • Ty Burr 100
    It's a movie made with the same coolly fanatical attention to craft the lead character displays in her work. Bigelow is now recognized as one of our true filmmaking naturals.
    • Metascore: 94
    • Ty Burr 88
    The film, dazzling and poignant and five years in the making, retells the ancient Indian epic "The Ramayana" from a gentle but insistent feminist perspective.
    • Metascore: 94
    • Ty Burr 100
    The best American film of the year to date.
    • Metascore: 94
    • Ty Burr 100
    The Battle of Algiers is a thinking person's action film in which there are winners -- but no heroes.
    • Metascore: 94
    • Ty Burr 100
    It's a performance (Giamatti's) so nuanced and so real in its everyday pain that it doesn't stand a chance of winning an Oscar. But it should.
    • Metascore: tbd
    • Ty Burr 100
    So clear-eyed and three-dimensional that it makes the recent ''Pearl Harbor'' look like a bunch of kids playing dress up. Aspects of the film have dated, but in the important things it's more mature than anything proposed lately by modern Hollywood.
    • Metascore: 94
    • Ty Burr 88
    Yet what I felt when the lights came up at the end of this visionary, titanic, relentless experience was something different: a strange relief that it was, at last, over.
    • Metascore: 94
    • Ty Burr 88
    Carlos moves like a greyhound out of the gate, fleet and assured and focused on the business at hand. It's a subtle, ultimately staggering portrayal of a bloody-minded ideologue who convinced only himself.
    • Metascore: 94
    • Ty Burr 100
    What happens between two people? Only the chemistry that keeps us from stumbling through the chaos by ourselves. Is that an illusion, too? Amour says it doesn't much matter. There is no dignity in life except love.
    • Metascore: 93
    • Ty Burr 88
    As much as this tale of bent love runs in the ruts of its maker’s obsessions, it has an undertow that’s impossible to shake. [22 Nov. 2012]
    • Metascore: 93
    • Ty Burr 88
    Stories We Tell is one of those movies you watch on a screen and replay in your head for days, moving between its many levels of inquiry and touched, always, by Polley’s compassion toward her relatives in particular and people in general.
    • Metascore: 92
    • Ty Burr 100
    The film that many consider the finest of its decade, Raging Bull, has aged well, and not just because it was filmed in black and white.
    • Metascore: 92
    • Ty Burr 88
    Remains worth seeing as an achingly nostalgic farewell to youthful idealism, tinged with a kind of loving contempt.
    • Metascore: 92
    • Ty Burr 88
    It’s when Toy Story 3 becomes a jailbreak movie that it comes into its own.
    • Metascore: 91
    • Ty Burr 100
    It's worth stressing how deeply pleasurable Moolaad is to watch.
    • Metascore: 91
    • Ty Burr 100
    For some of us, this constitutes a religious event.
    • Metascore: 91
    • Ty Burr 100
    All you really need to enjoy "Triplets" is a taste for the weird and the wonderful.
    • Metascore: 91
    • Ty Burr 100
    A subtle, often very funny, ultimately touching tragedy of royal manners and meaning.
    • Metascore: 91
    • Ty Burr 88
    Waltz With Bashir not only breathes but it howls - and sobs and curses and croons and, in the end, when sound proves useless in the face of calamity, falls into awful silence.
    • Metascore: 91
    • Ty Burr 100
    The Coens also understand the stark immediacy of this tale, and they visualize it with brilliantly judged details.
    • Metascore: 91
    • Ty Burr 100
    It’s about spycraft, but it goes to the source. If for no other reason, it deserves to be seen for arranging decades of events in the Middle East into a chronology that, to an outsider, makes dreadful sense.
    • Metascore: 90
    • Ty Burr 100
    It's those noir bones that give this social-realist drama its punch, as if Humphrey Bogart had been recast as a 17-year-old girl and dropped into the poorest corner of America.
    • Metascore: 90
    • Ty Burr 100
    Gorgeously stoic art film.
    • Metascore: 90
    • Ty Burr 88
    Pixar is so good at what it does that every other kiddie-entertainment purveyor -- including parent company Disney -- flounders in comparison.
    • Metascore: 90
    • Ty Burr 100
    In short, This Is Not a Film is the world within an apartment, and it is quietly devastating.
    • Metascore: 90
    • Ty Burr 100
    That rose in the desert, a sequel that improves in every way upon its beloved predecessor and a romance that slowly builds a fire from embers thought dead.
    • Metascore: 90
    • Ty Burr 88
    Such smart, whiz-bang fun that you may not realize what it's about until you're safely home.
    • Metascore: 90
    • Ty Burr 100
    The movie is pricelessly comic -- the Harvey/Joyce scenes catalog the couple's neuroses with glee -- but it just as often reaches for something richer.
    • Metascore: 90
    • Ty Burr 88
    The movie is hard going, not least in the sense of powerlessness it leaves in an audience that knows exactly what will happen. And yet you come out feeling that the filmmakers have done the right thing by these people, and by this day.
    • Metascore: 90
    • Ty Burr 100
    As the Friedmans split apart like fissile neutrons, their story becomes five stories, none of which is remotely like the others.
    • Metascore: 90
    • Ty Burr 100
    What's most shocking about The Passenger 30 years later? Seeing Jack Nicholson at the lean, sardonic height of his youthful powers? Finding a Michelangelo Antonioni movie with an actual plot?
    • Metascore: 90
    • Ty Burr 88
    They're both tales of growing up in the shadow of Islamic fundamentalism, but Persepolis is everything "The Kite Runner" is not. It's a personal memoir rather than fiction, coolly observant instead of melodramatic, female rather than male in sensibility and sense of humor - it has a sense of humor.
    • Metascore: 89
    • Ty Burr 100
    Longer on atmosphere and observation than on story, but you don't mind: Coppola maintains her quietly charged tone with a certainty that would be unbelievable in a second film if you didn't suspect genetics had a hand.
    • Metascore: 89
    • Ty Burr 88
    A slowly flowering miracle: an epic of normal life.
    • Metascore: 89
    • Ty Burr 88
    The Lives of Others has similarities to Francis Ford Coppola's 1974 classic "The Conversation" but with undercurrents that resound across an entire century of European political history.
    • Metascore: 89
    • Ty Burr 75
    It's a perfect example of how far production design and editing WON'T take you when the story's not there.
    • Metascore: 89
    • Ty Burr 100
    The sight is magical and heartbreaking in equal measure. Look, the movie says: Where so many would fall, a man walks on air.
    • Metascore: 89
    • Ty Burr 100
    A comic put-on of awe-inspiring crudity and death-defying satire and by a long shot the funniest film of the year. It is "Jackass" with a brain and Mark Twain with full frontal male nudity.
    • Metascore: 89
    • Ty Burr 100
    Michael Hazanavicius's love letter to classic cinema isn't perfect but it's close enough to make just about anyone who sees it ridiculously happy - and that includes children and grown-ups who have never come across a silent film.
    • Metascore: 89
    • Ty Burr 75
    This is the art-film Carrey: repressed, lovesick, unshaven. Essentially he's doing the same intellectual sad sack played by John Cusack in "Malkovich" and Nicolas Cage in "Adaptation"
    • Metascore: 89
    • Ty Burr 100
    A film noir? A backstage musical? A whodunit? A comedy? In truth, it's all of the above -- plus a kinky love story, an absorbing melodrama, and a mordantly jaded snapshot of postwar Paris -- and all of them are wonderful.
    • Metascore: 89
    • Ty Burr 100
    Eloquent, bloody, and daringly simple.
    • Metascore: 88
    • Ty Burr 100
    Once is the first rock musical that actually makes sense. People don't burst into song in this movie because the orchestra's swelling out of nowhere. The guy and the girl are working musicians -- or they'd like to be, if they could make a living at it -- and they're played by working musicians.
    • Metascore: 88
    • Ty Burr 88
    Richly provocative entertainment, as heady as a cocktail party with the Manhattan literati and as vaguely troubling as the morning after.
    • Metascore: 88
    • Ty Burr 88
    In the tradition of ethnographic dramas from "Nanook of the North" to "The Fast Runner," Tulpan drops us in the middle of a godforsaken nowhere and marvels at the people who live there.
    • Metascore: 88
    • Ty Burr 100
    It's the only film that exists of the Ghetto, and it's both revelatory and profoundly suspect.
    • Metascore: 88
    • Ty Burr 100
    The chance to watch a four-star classic the way it was meant to be seen -- fresh print, big screen -- is so rare as to be worth the trip.
    • Metascore: 88
    • Ty Burr 88
    With a tranquil fearlessness, it goes beyond the death of memory, to see what might be found in the unexplored country beyond. The answer is both frightening and comforting: More love. Unspecified love. Universal love.
    • Metascore: 88
    • Ty Burr 88
    Formally, the movie's a lasting pleasure: Reed's incisive direction; Greene's easy yet weighted dialogue; the farseeing deep-focus photography of Georges Perinal; Vincent Korda's luxuriant sets.
    • Metascore: 88
    • Ty Burr 100
    The miracle is that 'The Lord of the Rings: The Two Towers is better: tighter, smarter, funnier.
    • Metascore: 88
    • Ty Burr 63
    The movie isn't badly done, just overdone - a cozy art-house crowd-pleaser coasting on the expectations of its genre.
    • Metascore: 88
    • Ty Burr 100
    Up
    On the most basic level the new film is pure vaudeville: a loopy flyaway fantasy that's hysterically funny if only to keep the darkness at bay.
    • Metascore: 88
    • Ty Burr 88
    Spare and elegant and harrowing, it's an ode to childhood trust being stretched until it snaps.
    • Metascore: 87
    • Ty Burr 88
    Even more than "Chicken Run," Were-Rabbit is a tiny plasticine masterpiece.
    • Metascore: 87
    • Ty Burr 88
    Elena reveals a filmmaker in full command of his art and not much interested in catering to an audience. If you want this film, you have to meet it more than halfway.
    • Metascore: 87
    • Ty Burr 88
    Fateless looks man's inhumanity to man square in the eye and pronounces it standard operating procedure, and that may be the greater horror.
    • Metascore: 87
    • Ty Burr 88
    Brokeback may be too polished for some people, too elegantly dispassionate in its study of choked passion.
    • Metascore: 87
    • Ty Burr 100
    The Dardennes achieve lyricism without seeming to try.
    • Metascore: 87
    • Ty Burr 88
    A fitting, expertly made final chapter, freighted with hard-won emotions, shot through with a sense of farewell, and fully aware of the epic stakes involved.
    • Metascore: 87
    • Ty Burr 88
    Wake in Fright is a monster movie, and the monster is us.
    • Metascore: 87
    • Ty Burr 100
    Murderball is a paradox: a movie about quadriplegics that insists we look beyond their disability.
    • Metascore: 87
    • Ty Burr 88
    Moneyball is a hilarious and provocative change-up, entertaining without feeling the need to swing for the fences.
    • Metascore: 87
    • Ty Burr 88
    Epic in scope, ambition, and execution, it's a classic swords-and-samurai film with postmodern blood and guts, and it's completely satisfying.
    • Metascore: 86
    • Ty Burr 88
    It makes politics exciting again.
    • Metascore: 86
    • Ty Burr 88
    As taut and suspenseful as any fictional mystery.
    • Metascore: 86
    • Ty Burr 100
    You may even feel like dancing in the aisles yourself. Sure, the real world doesn't always work this way. Have you forgotten that this is one of the reasons why we go to movies in the first place?
    • Metascore: 86
    • Ty Burr 100
    More than "Unforgiven," more than "Mystic River," it is Clint Eastwood's autumnal masterpiece.
    • Metascore: 86
    • Ty Burr 100
    Movies like The Kids Are All Right -- beautifully written, impeccably played, funny and randy and true -- don't come along very often.
    • Metascore: 86
    • Ty Burr 88
    Like the best spiritual movies, of whatever faith, "Of Gods and Men" moves us toward a union with the infinite, and when we come to the monks' last supper, the moment is staggeringly powerful.
    • Metascore: 86
    • Ty Burr 88
    It isn't often you get to meet the devil in all his glory, but here he is in Deliver Us From Evil, and his name is Father Oliver O'Grady.
    • Metascore: 86
    • Ty Burr 75
    Odd, moving, strained cinematic poetry.
    • Metascore: 86
    • Ty Burr 100
    As its title implies, This Is England isn't a hyperstylized head-trip a la "Trainspotting" but a straightforward calling to account.
    • Metascore: 86
    • Ty Burr 88
    Compston's performance and the downer milieu, presented with appropriate paint-peeling profanity, are more than enough to keep an audience riveted and ultimately moved close to tears.
    • Metascore: 86
    • Ty Burr 88
    When The Departed roars to life, as it does in so many of its scenes, you feel like nobody understands movies -- the delirious highs, the unforgiving moral depths -- as well as this man does. Welcome back, Marty.
    • Metascore: 86
    • Ty Burr 88
    A miniature masterpiece of documentary observation.
    • Metascore: 86
    • Ty Burr 100
    She's (Hushpuppy) trying to make sense of this world, and the movie, pitched between realism and fable, is the story of how she finally does. That balance is the key to the movie's magic.
    • Metascore: 86
    • Ty Burr 88
    The subject is the privileged state of childhood itself - how we're all lucky to have had it and how it so easily floats away from our grasp.
    • Metascore: 85
    • Ty Burr 100
    There are three Poles in The Pianist -- Szpilman, Polanski, and Frederic Chopin. Of the three, fittingly, Chopin speaks the loudest.
    • Metascore: 85
    • Ty Burr 88
    Smartly written and beautifully played, The Savages is about that point in life where you look around and realize that where you are is probably as far as you're going to get. In spite of this, the movie's a comedy, dry and humane.
    • Metascore: 85
    • Ty Burr 88
    Lebanon gives us viscerally violent, intensely distressing glimpses into war's annihilation of people, places, and communities.
    • Metascore: 85
    • Ty Burr 100
    One of the best, most karmically satisfying comedies of the year, much to the chagrin of the people who are in it.
    • Metascore: 85
    • Ty Burr 100
    Ghobadi shows us a world where a village pond can hold both rare goldfish and unforgivable evil, and where every step is onto booby-trapped terrain.
    • Metascore: 85
    • Ty Burr 88
    The film is as spare and unvarnished as a wooden temple floating on a lake, but its reflections run deep, and it can ripple your thoughts for months.
    • Metascore: 85
    • Ty Burr 75
    Best of all, An Education isn’t alarmist. It knows other people can’t seduce us if we don’t seduce ourselves first and that Jenny is level-headed enough to handle it and learn.
    • Metascore: 85
    • Ty Burr 88
    In its attention to detail and awareness of betrayals both political and human, "Tinker Tailor'' is a movie for grown-ups.
    • Metascore: 85
    • Ty Burr 88
    Gosling may be the soul of Half Nelson, but Epps is the film's heart.
    • Metascore: 85
    • Ty Burr 75
    How you feel about About Schmidt may depend in large part on how you feel About Jack.
    • Metascore: 85
    • Ty Burr 88
    That film remains an electrifying testament to pop music as a communal creative act.
    • Metascore: 85
    • Ty Burr 88
    Take Shelter plays Curtis's unraveling at daring length. The film will be too slow and dark for some, and it's definitely overlong.
    • Metascore: 85
    • Ty Burr 88
    Just don't expect the truth. An extremely bent, highly amusing form of the truth, maybe, but not the truth. 24 Hour Party People shares with the current Robert Evans documentary ''The Kid Stays in the Picture'' an awareness that a good anecdote often trumps the facts, but here the cheats are cheekily laid bare.