For 1,988 reviews, this critic has graded:
  • 56% higher than the average critic
  • 2% same as the average critic
  • 42% lower than the average critic
On average, this critic grades 5.5 points higher than other critics. (0-100 point scale)

Ty Burr's Scores

  • Movies
  • TV
Average review score: 65
Highest review score: 100 Citizenfour
Lowest review score: 0 The Nutcracker
Score distribution:
1,988 movie reviews
    • 54 Metascore
    • 38 Ty Burr
    Zwigoff's overdue for a turkey, in other words. Art School Confidential is it.
    • 53 Metascore
    • 38 Ty Burr
    Handsomely shot and with a likable lead in Kuno Becker, it also suffers from a script so outrageously generic you could buy it at Costco.
    • 17 Metascore
    • 38 Ty Burr
    Generic teen dice-and-slice with interior design by way of ''Saw." The movie's tight and reasonably well shot, though, and there are flashes of nasty invention between the ritual guttings.
    • 45 Metascore
    • 38 Ty Burr
    The biggest unresolved question here is why we're paying $9.50, plus popcorn, for something we can presumably get at home for free.
    • 40 Metascore
    • 38 Ty Burr
    The film's biggest miracle is the straight face Nick Nolte maintains in his role as Socrates.
    • 53 Metascore
    • 38 Ty Burr
    A noisy and lazy stopgap movie that goes absolutely nowhere and takes 2 1/2 hours to get there.
    • 42 Metascore
    • 38 Ty Burr
    Speaking as both a parent and a critic, I do believe I'd rather drive rusty railroad spikes through my eyes than have to sit through one more computer generated family film about talking animals. The bad news for Hollywood is that after seeing Barnyard my kids feel the same way.
    • 26 Metascore
    • 38 Ty Burr
    Pure Saturday matinee kiddie fodder and this close to going straight to DVD.
    • 30 Metascore
    • 38 Ty Burr
    Earnest and predictable, Crossover deserves more than the horselaughs that will probably greet it in theaters -- but not a lot more. The movie is harmless, which is both its strength and its weakness.
    • 19 Metascore
    • 38 Ty Burr
    The Covenant is dopey, formulaic stuff for the Friday night fright crowd. Worse for them, it's never remotely scary.
    • 44 Metascore
    • 38 Ty Burr
    It achieves something previously thought impossible: It renders Billy Bob Thornton unfunny.
    • 63 Metascore
    • 38 Ty Burr
    Even a fan, however, might prefer the excellent, recently released concert DVD "Pixies: Live at the Paradise in Boston" to this tepid behind-the-scenes experience.
    • 38 Metascore
    • 38 Ty Burr
    The result is movie goulash: made with love, impossible to digest.
    • 32 Metascore
    • 38 Ty Burr
    The bad news, for those looking forward to The Santa Clause 3: The Escape Clause with anything like enthusiasm, is this: Bernard the Elf is history.
    • 38 Metascore
    • 38 Ty Burr
    As B-level suspensers go, though, The Return isn't actively awful -- just slow and cursed with a lead who acts with her t-shirt.
    • 49 Metascore
    • 38 Ty Burr
    There's a great movie somewhere in The Good German, but it's buried under three tons of run-amok formalism.
    • 22 Metascore
    • 38 Ty Burr
    Silly, obvious, clumsy, and just gruesome enough to keep jaded genre fans from angrily throwing popcorn at the screen.
    • 39 Metascore
    • 38 Ty Burr
    Watching Arthur and the Invisibles is like sticking your head in a Gallic pinball machine: It's hectic, technically impressive, and your skull starts to pound after a while.
    • 45 Metascore
    • 38 Ty Burr
    Factory Girl is not, strictly speaking, a bad movie. It's something worse: an irredeemably banal drama about some of the most protean, contradictory creative forces of the 1960s.
    • 35 Metascore
    • 38 Ty Burr
    Primeval is a hoot if you're in the mood, though, and it gets points for trying to stuff a little globo-think into the minds of Friday night mayhem fans (who will probably rebel, since only one skull pops like a grape).
    • 34 Metascore
    • 38 Ty Burr
    The Messengers is textbook, and the course it's teaching is HSL: Horror as a Second Language.
    • 35 Metascore
    • 38 Ty Burr
    Ghost Rider is the kind of movie that's great stupid fun as long as someone else is buying the tickets.
    • 43 Metascore
    • 38 Ty Burr
    And that dog -- or, rather, that digitally enhanced replicant -- is just plain creepy.
    • 39 Metascore
    • 38 Ty Burr
    The dialogue is brightly self-conscious, and sometimes it clicks. Just as often it curdles into an entitled whining.
    • 48 Metascore
    • 38 Ty Burr
    Faced with a limited location and concept, Renfroe points his camera everywhere: The movie's seriously overshot, never settling for one angle when five would do.
    • 53 Metascore
    • 38 Ty Burr
    Too many cliches and not enough energy have come along for the ride.
    • 52 Metascore
    • 38 Ty Burr
    Meant to be an insider's tale, but it feels like it comes from the cinema of hangers-on.
    • 52 Metascore
    • 38 Ty Burr
    An overstuffed turkey that's entertaining for all the wrong reasons.
    • 33 Metascore
    • 38 Ty Burr
    Watching the movie is a little like picking up issue #42 of a comic book after you've skipped the first 41: There's an entire back story mythos hovering in the background like a phantom limb.
    • 13 Metascore
    • 38 Ty Burr
    Innocuous amusement for 5- to 8-year-olds and other people stuck in the anal stage of development.

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