For 2,158 reviews, this critic has graded:
  • 55% higher than the average critic
  • 3% same as the average critic
  • 42% lower than the average critic
On average, this critic grades 4.5 points higher than other critics. (0-100 point scale)

Ty Burr's Scores

  • Movies
  • TV
Average review score: 65
Highest review score: 100 Mrs Palfrey at The Claremont
Lowest review score: 0 Gigli
Score distribution:
2158 movie reviews
    • 50 Metascore
    • 50 Ty Burr
    It's just another happily idiotic Will Ferrell comedy, ably directed by Jay Roach ("Meet the Parents," "Dinner for Schmucks") and tossing its bawdy jokes at the side of the barn.
    • 56 Metascore
    • 50 Ty Burr
    The movie has a pleasing skinned-knee innocence that makes you wish everything else about it wasn't so shoddy.
    • 50 Metascore
    • 50 Ty Burr
    Of the two French films opening in the Boston area today - "Beloved" is the other - Little White Lies is the less ambitious, more watchable, and ultimately more annoying.
    • 62 Metascore
    • 50 Ty Burr
    A sweet, splattery bit of in-jokery; if it’s not actually a good movie, on some level you have to admire the chutzpah of a film set in 1850s Ireland but shot on Staten Island.
    • 47 Metascore
    • 50 Ty Burr
    It's the sort of thing you'll either find enchanting or an excellent reason to reach for the Scotch.
    • 57 Metascore
    • 50 Ty Burr
    This Equalizer is a brooding, brutal origin tale, one that starts well but steadily caves into genre clichés. It’s a B-movie sheep in A-movie clothing, acceptable meathead mayhem as long as you know what you’re paying for.
    • 20 Metascore
    • 50 Ty Burr
    Ultimately, the problem with An American Carol is the problem with far too much political discourse in this country, left or right: It highlights the worst excesses of the opposition for the sole purpose of discrediting the vast middle.
    • 47 Metascore
    • 50 Ty Burr
    Blandly noisy and inoffensively average.
    • 60 Metascore
    • 50 Ty Burr
    I know the opening credits for a James Bond movie are supposed to be silly, but the start of Spectre achieves almost orgasmic levels of kitsch.
    • 45 Metascore
    • 50 Ty Burr
    To press the point, there is absolutely no need for a fourth Pirates of the Caribbean.
    • 49 Metascore
    • 50 Ty Burr
    This is back-to-basics stuff, which turns out to be not such a bad idea.
    • 68 Metascore
    • 50 Ty Burr
    As documentaries go, it's an able introduction that doesn't make its subject nearly as relevant to our current discontents as it could.
    • 63 Metascore
    • 50 Ty Burr
    The Hunter becomes turgid with corporate conspiracies, hired assassins, and offscreen tragedies, and the appealing leanness of the early scenes gets lost.
    • 53 Metascore
    • 50 Ty Burr
    The film is unobjectionable, sentimental, and not a little dull.
    • 56 Metascore
    • 50 Ty Burr
    Like Jolie's public persona, Blood and Honey is both strong and headstrong, equally invested in grit and glamour with a hazy understanding of the line separating the two.
    • 37 Metascore
    • 50 Ty Burr
    I'm not the first observer, or even the second, to liken the star's (Penn) portrayal of fictional Louisiana governor Willie Stark to the late John Belushi's impersonation of Joe Cocker.
    • 51 Metascore
    • 50 Ty Burr
    There are good performances and fleeting moments of exquisite moviemaking, but the experience as a whole is an evolutionary dead end.
    • 43 Metascore
    • 50 Ty Burr
    There's a funkier and more interesting movie in Maureen, a character played by Juliette Lewis. Maureen is a single mom, a massage therapist, and a dimwit California follower of every new-age theory out there. She's a nasal, needy wreck, and Catch and Release is torn between adoring her and making ruthless fun of her.
    • 51 Metascore
    • 50 Ty Burr
    Only Jane, as the cop who knows exactly what Mrs. Collins’s wayward daughter needs, has the sense of threat the movie is seeking. His and Woodley’s scenes together are dirty and alive.
    • 59 Metascore
    • 50 Ty Burr
    The movie has a problem, too: Spall is likable, Kazan is adorable, Driver is amusing enough as the blowhard best friend, and Radcliffe as Wallace is . . . a passive-aggressive lump.
    • 44 Metascore
    • 50 Ty Burr
    It’s entertaining enough if you turn your brain off.
    • 58 Metascore
    • 50 Ty Burr
    There’s a line between enjoyably stupid and stupid-stupid, and Nerve sails over it right around the halfway mark.
    • 66 Metascore
    • 50 Ty Burr
    Here is where All Is By My Side runs into trouble. The real Etchingham has said, forcibly, that this didn’t happen — not the beating nor her subsequent attempted suicide, shown in the film.
    • 63 Metascore
    • 50 Ty Burr
    A mostly lumbering, occasionally rousing epic that walks a bizarre line between historical fact and Hollywood wishful thinking.
    • 36 Metascore
    • 50 Ty Burr
    Old story, new beat: That sums up Feel the Noise, an acceptable if resolutely average low-budget drama set in the New York/Puerto Rican musical melting pot known as reggaeton.
    • 39 Metascore
    • 50 Ty Burr
    The Sitter pushes the envelope with such sloppy gusto that you have to give in occasionally, and its comic timing finds its rhythm about every fifth joke.
    • 58 Metascore
    • 50 Ty Burr
    Does have the enclosed, slightly overheated feel of a family theatrical.
    • 63 Metascore
    • 50 Ty Burr
    Shallow and proud of it, an antic cartoon that lacks the comic inspiration to go the distance.
    • 47 Metascore
    • 50 Ty Burr
    Like many of us who cherish the safe harbor of old movies, Rose and Cary mourn the fact that they don't make 'em like they used to. If they'd paused to ponder why not, they might have a better movie.
    • 54 Metascore
    • 50 Ty Burr
    Leave it to the French to take the joy back out of sex. The high-minded erotic drama Exterminating Angels has heat but little light; it speaks of pleasure while treating it as a dirty word. The cast huffs and puffs but the exercise, sadly, remains academic.

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