For 2,298 reviews, this critic has graded:
  • 55% higher than the average critic
  • 3% same as the average critic
  • 42% lower than the average critic
On average, this critic grades 3.3 points higher than other critics. (0-100 point scale)

Ty Burr's Scores

  • Movies
  • TV
Average review score: 66
Highest review score: 100 Carol
Lowest review score: 0 Gigli
Score distribution:
2298 movie reviews
    • 58 Metascore
    • 50 Ty Burr
    The movie is both stunning on the level of visual pageantry and curiously inert as cinema.
    • 38 Metascore
    • 50 Ty Burr
    One of the prime laws of the multiplex states that any action or horror movie series will devolve into ritualized violence, self-mocking camp, and egregious silliness by part three. Blade: Trinity is right on schedule.
    • 75 Metascore
    • 50 Ty Burr
    This payback-revenge storyline, told mostly at night with minimal dialogue, is tense but familiar, and Bruno's quick-draw costume changes are fun to watch.
    • 57 Metascore
    • 50 Ty Burr
    The problem with Flash of Genius isn't that the subject is dull but that the movie is.
    • 57 Metascore
    • 50 Ty Burr
    The movie looks great and sounds better, and its status as a pioneering work of cinematic eye candy seems secure. For one thing, it's hard to imagine ''Moulin Rouge'' without it. As a movie about recognizable human beings, however, One From the Heart remains a failure.
    • 52 Metascore
    • 50 Ty Burr
    Elsa & Fred does graze against an interesting idea: that the vitality of our youths lives on in the prison of aging bodies.
    • 51 Metascore
    • 50 Ty Burr
    Mike and Dave Need Wedding Dates lopes along with bumptious likability but no real energy, urgency, structure, or wit.
    • 53 Metascore
    • 50 Ty Burr
    The Book of Eli is “The Road’’ with twice the plot, four times the ammunition, and half the brains; it’ll probably make 10 times the money.
    • 54 Metascore
    • 50 Ty Burr
    Has its moments of visual invention and self-aware humor — mostly when the hero’s trickster brother Loki (Tom Hiddleston) is around — but otherwise it’s an awkwardly plotted extravaganza.
    • 74 Metascore
    • 50 Ty Burr
    The film's a minuet fetishistically repeated until either the audience or the lovers go crazy. I'd say it was a tie.
    • 73 Metascore
    • 50 Ty Burr
    The movie trades the paranoia of modern omni-cam culture for a tighter, more personal drama, and while it sticks with you, you feel the missed opportunity like a phantom leg.
    • 38 Metascore
    • 50 Ty Burr
    Invites us to both hate King David and admire his style, and there will probably be some hand-wringing about that.
    • 56 Metascore
    • 50 Ty Burr
    What you might call conditional whimsy, predicated on the audience overlooking so many plot implausibilities that it might get tuckered out from all the charity.
    • 42 Metascore
    • 50 Ty Burr
    G
    If the movie's not as bad as it sounds, it's not all that great, either.
    • 39 Metascore
    • 50 Ty Burr
    It just plonks down the actress and a handful of stellar co-stars without much in the way of a script, storyline, or actual jokes. Yet you may still come out with a smile on your face. It’s very odd.
    • 52 Metascore
    • 50 Ty Burr
    Visually dazzling and dramatically trite -- it's virtuoso piffle.
    • 74 Metascore
    • 50 Ty Burr
    With mother!, Aronofsky throws caution to the winds and delivers his most abstract cinematic experience yet. It’s also arguably his worst.
    • 76 Metascore
    • 50 Ty Burr
    The film's case against overdevelopment needs to be, and could be, aggressive, airtight. It should play to the unconverted. Instead, The Unforeseen gives us . . . poetry.
    • 61 Metascore
    • 50 Ty Burr
    The main, if not only, reason to see The Machinist is for Christian Bale's title performance, and even then you have to be a fan of hardcore martyrdom in the service of craft.
    • 70 Metascore
    • 50 Ty Burr
    The parts, in other words, promise a brilliant whole. So why is this movie one of the signal disappointments of the year? You have to go back to the basics: Public Enemies has everything going for it except a reason and a script.
    • 59 Metascore
    • 50 Ty Burr
    Carell's performance is enjoyable but safe, and while he and Knightley play well enough together, there's no genuine chemistry - no zap to convince us these two deserve to be the last lovers on Earth.
    • 48 Metascore
    • 50 Ty Burr
    Scoop is distinctly minor Allen, with less weight to it than one of his old humor doodles in The New Yorker.
    • 69 Metascore
    • 50 Ty Burr
    Fair Game takes one of the more shameful sub-chapters in modern US politics - and turns it into a strident, condescending Hollywood melodrama.
    • 58 Metascore
    • 50 Ty Burr
    With The Invention of Lying, the British comic actor Ricky Gervais has come up with a wickedly funny idea for a movie - and then purged the wickedness right out of it.
    • 50 Metascore
    • 50 Ty Burr
    At the end, under the closing credits, Freeheld shows us photos of the real Hester and Andree, and we sense an immediacy the rest of the film lacks. These are the people we want to watch and not a movie simulacra, no matter how capably performed and earnestly felt.
    • 65 Metascore
    • 50 Ty Burr
    In short, there’s plenty of spectacle in Beauty and the Beast, which will be enough for many if not most young audiences. But there isn’t much magic, and what there is coasts on 26-year-old fumes.
    • 55 Metascore
    • 50 Ty Burr
    Breezily enjoyable for about 10 minutes, until you realize the entire movie is going to be pitched at the same exuberantly manic pace. It's like being trapped in an elevator with a performing poodle that doesn't know when to quit.
    • 48 Metascore
    • 50 Ty Burr
    Movies can convey the fever of new love more intensely than almost any other medium, and Song One is best when it shrinks the world down to James and Franny alone together in a crowded city.
    • 64 Metascore
    • 50 Ty Burr
    Thriller fans might remember a terrific 1987 B flick called ''The Stepfather.'' One Hour Photo is that film, directed by an art student.
    • 48 Metascore
    • 50 Ty Burr
    Ends with a curious whimper instead of the bang it has been pointing toward; the filmmaker's reverence for his heroine seems to bind his hands.

Top Trailers