For 2,317 reviews, this critic has graded:
  • 55% higher than the average critic
  • 3% same as the average critic
  • 42% lower than the average critic
On average, this critic grades 3.4 points higher than other critics. (0-100 point scale)

Ty Burr's Scores

  • Movies
  • TV
Average review score: 66
Highest review score: 100 The Queen
Lowest review score: 0 The Nutcracker
Score distribution:
2317 movie reviews
    • 80 Metascore
    • 50 Ty Burr
    Watching Melancholia is like being stuck next to a brilliant depressive at a dinner party. The food is exquisite, the conversation scintillating, and the longer you sit there the more trapped you feel in another man's all-encompassing gloom.
    • 50 Metascore
    • 50 Ty Burr
    Little kids, of course, will swallow it whole without thinking twice.
    • 39 Metascore
    • 50 Ty Burr
    The Sitter pushes the envelope with such sloppy gusto that you have to give in occasionally, and its comic timing finds its rhythm about every fifth joke.
    • 48 Metascore
    • 50 Ty Burr
    It's an enjoyably demented meta-finale, the rivals showing what they could do if they ever bothered to actually do it.
    • 58 Metascore
    • 50 Ty Burr
    A sweet-natured, terribly unthreatening drama about redemption and renewal, and it may matter more to the man who made it than the audiences who see it.
    • 68 Metascore
    • 50 Ty Burr
    As documentaries go, it's an able introduction that doesn't make its subject nearly as relevant to our current discontents as it could.
    • 56 Metascore
    • 50 Ty Burr
    Like Jolie's public persona, Blood and Honey is both strong and headstrong, equally invested in grit and glamour with a hazy understanding of the line separating the two.
    • 44 Metascore
    • 50 Ty Burr
    Hot gospel singing and earnest family squabbles are all that distinguish Joyful Noise.
    • 55 Metascore
    • 50 Ty Burr
    What it is is watchable, a thoroughly professional piece of Great Man hackwork that lacks the invention and spirit of its obvious model, "Shakespeare in Love.''
    • 37 Metascore
    • 50 Ty Burr
    W.E., her second effort after 2008's "Filth and Wisdom,'' tries awfully hard. In the end it tries our patience.
    • 70 Metascore
    • 50 Ty Burr
    Something to see and little to remember, an acrid character study undone by narrative implausibilities and its own lack of purpose.
    • 53 Metascore
    • 50 Ty Burr
    Mostly, though, Being Flynn is memorable for the sight of a once-great actor rousing himself to a performance the movie itself isn't prepared to handle.
    • 46 Metascore
    • 50 Ty Burr
    Just a limp, jokey family film that wants to have its fairy tale magic and its hip irony, too.
    • 60 Metascore
    • 50 Ty Burr
    The movie never fully clicks.
    • 48 Metascore
    • 50 Ty Burr
    It does give believers and those tottering on the edge something to chew on, and it steadfastly refuses to demonize everybody else.
    • 43 Metascore
    • 50 Ty Burr
    It can't be easy to turn one of the most stirring human rights dramas of the past quarter century into stultifying screen pageantry, but director Luc Besson and writer Rebecca Frayn have managed the trick with The Lady.
    • 62 Metascore
    • 50 Ty Burr
    It's predictable fluff, sometimes pleasantly so, at others times irritatingly.
    • 50 Metascore
    • 50 Ty Burr
    Both provocative and muddled, the film's a moody, passive-aggressive tract that's buoyed by superior performances and sunk by its own uncertainties. An alternate title might be "The Joylessness of Sex."
    • 63 Metascore
    • 50 Ty Burr
    The Hunter becomes turgid with corporate conspiracies, hired assassins, and offscreen tragedies, and the appealing leanness of the early scenes gets lost.
    • 63 Metascore
    • 50 Ty Burr
    The first Guy Maddin movie that feels as if it got only halfway out of the director's head and onto the screen.
    • 65 Metascore
    • 50 Ty Burr
    Watching Prometheus is like opening a deluxe gift box from Tiffany's to find a mug from the dollar store.
    • 42 Metascore
    • 50 Ty Burr
    Robert Pattinson isn't all that bad in Bel Ami. He just isn't right.
    • 53 Metascore
    • 50 Ty Burr
    The problem with Hysteria is that it keeps patting itself and us on the back for knowing better.
    • 49 Metascore
    • 50 Ty Burr
    A well-intentioned indie that tries to be a "real" version of a Hollywood romantic comedy and ends up feeling more ersatz than ever.
    • 59 Metascore
    • 50 Ty Burr
    Carell's performance is enjoyable but safe, and while he and Knightley play well enough together, there's no genuine chemistry - no zap to convince us these two deserve to be the last lovers on Earth.
    • 49 Metascore
    • 50 Ty Burr
    People Like Us is neither optimal nor prime.
    • 57 Metascore
    • 50 Ty Burr
    Trishna should move the soul and engage the tear-ducts, yet it passes by as distant as it is lovely. And the blame must fall on the movie's star, Freida Pinto.
    • 43 Metascore
    • 50 Ty Burr
    The only laugh to be had in Total Recall, a ripsnorting sci-fi action extravaganza that starts well and works its way down to average, is in the opening credits, where we learn that the movie's primary production company is called Original Film. Really?
    • 50 Metascore
    • 50 Ty Burr
    It's just another happily idiotic Will Ferrell comedy, ably directed by Jay Roach ("Meet the Parents," "Dinner for Schmucks") and tossing its bawdy jokes at the side of the barn.
    • 47 Metascore
    • 50 Ty Burr
    It's the sort of thing you'll either find enchanting or an excellent reason to reach for the Scotch.

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