For 2,380 reviews, this critic has graded:
  • 55% higher than the average critic
  • 3% same as the average critic
  • 42% lower than the average critic
On average, this critic grades 2.8 points higher than other critics. (0-100 point scale)

Ty Burr's Scores

  • Movies
  • TV
Average review score: 66
Highest review score: 100 Beasts of the Southern Wild
Lowest review score: 0 Gigli
Score distribution:
2380 movie reviews
    • 61 Metascore
    • 50 Ty Burr
    The main, if not only, reason to see The Machinist is for Christian Bale's title performance, and even then you have to be a fan of hardcore martyrdom in the service of craft.
    • 84 Metascore
    • 58 Ty Burr
    A sumptuous two-and-a-quarter-hour emotional epic built on one lachrymose climax after another. What little plot there is exists only to set up the next Big Cry.
    • 55 Metascore
    • 50 Ty Burr
    Breezily enjoyable for about 10 minutes, until you realize the entire movie is going to be pitched at the same exuberantly manic pace. It's like being trapped in an elevator with a performing poodle that doesn't know when to quit.
    • 54 Metascore
    • 50 Ty Burr
    Genocide is hard to decorate with the trimmings of dark farce. The Hunting Party wants to get at political truths through audaciousness, but it keeps bumping into that problem of taste, only to back down.
    • 80 Metascore
    • 50 Ty Burr
    A textbook case of filmmakers who can't make up their minds about their characters; it's a failure of nerve disguised as dramatic ambiguity.
    • 80 Metascore
    • 50 Ty Burr
    Watching Melancholia is like being stuck next to a brilliant depressive at a dinner party. The food is exquisite, the conversation scintillating, and the longer you sit there the more trapped you feel in another man's all-encompassing gloom.
    • 80 Metascore
    • 50 Ty Burr
    The result is a clattery, unfocused affair that at times is more irritating than fun.
    • 63 Metascore
    • 50 Ty Burr
    This is no corporate project made to squeeze a few more dollars from a fading cash cow. No one else has been asking for another "Rocky," other than maybe Burt Young . No, this is a rarer beast -- an auteur sequel -- and it's so wrapped up in its maker's personal mythology and psychic needs that it becomes a hall of mirrors to which we're given a slack-jawed ringside seat.
    • 45 Metascore
    • 50 Ty Burr
    Isn't just lame; it's neutered.
    • 33 Metascore
    • 50 Ty Burr
    Flatters its audience by dividing the grown-up world into mean idiots and nice idiots, which might be interestingly subversive if the movie had anything on its mind. Instead, it's just a Hollywood crash course: Heist Films 101.
    • 75 Metascore
    • 50 Ty Burr
    This payback-revenge storyline, told mostly at night with minimal dialogue, is tense but familiar, and Bruno's quick-draw costume changes are fun to watch.
    • 25 Metascore
    • 50 Ty Burr
    Deeply, proudly average..."Mean Girls" it's not; a plastic butter knife has more edge. But sometimes it's nice to know your kids won't cut their fingers.
    • 76 Metascore
    • 50 Ty Burr
    The film's case against overdevelopment needs to be, and could be, aggressive, airtight. It should play to the unconverted. Instead, The Unforeseen gives us . . . poetry.
    • 49 Metascore
    • 50 Ty Burr
    Turns out to be rather less than the sum of its headlines.
    • 43 Metascore
    • 50 Ty Burr
    Reilly gives it his all, and he’s both very enjoyable and about as scary as a stubbed toe.
    • 75 Metascore
    • 50 Ty Burr
    With mother!, Aronofsky throws caution to the winds and delivers his most abstract cinematic experience yet. It’s also arguably his worst.
    • 74 Metascore
    • 58 Ty Burr
    Judging by the title, though, Sprecher made the movie she wanted to make, and if you're in the right damp-wool mood, you may connect with it too.
    • 74 Metascore
    • 50 Ty Burr
    Primarily a one-man show for Darroussin, and the actor, a longtime pro in the French film industry, comes through with a scarifyingly believable portrayal.
    • 69 Metascore
    • 50 Ty Burr
    Wants to be as shocking as its title, but it doesn't have the nerve.
    • 16 Metascore
    • 50 Ty Burr
    Will parents be able to sit through Kangaroo Jack without plunging sharp sticks into their eyes? The short answer? Yes. Barely.
    • 74 Metascore
    • 50 Ty Burr
    The film's a minuet fetishistically repeated until either the audience or the lovers go crazy. I'd say it was a tie.
    • 74 Metascore
    • 50 Ty Burr
    Barrels along on a diverting enough sugar high, but in the hangover that follows you may wonder where the wonder was.
    • 73 Metascore
    • 50 Ty Burr
    The movie trades the paranoia of modern omni-cam culture for a tighter, more personal drama, and while it sticks with you, you feel the missed opportunity like a phantom leg.
    • 73 Metascore
    • 50 Ty Burr
    An earnest, extremely grueling, prodigiously crafted true-life drama that takes one of the worst natural disasters in recorded history and reduces it to a bad day at Club Med.
    • 72 Metascore
    • 50 Ty Burr
    A structural mess that turns contrived just when it should be hitting home.
    • 72 Metascore
    • 50 Ty Burr
    It's pure plastic product from plot line to the pro forma 3-D to the tidy moral lessons - ersatz family entertainment as disposable as it is diverting. It made me want to go read a book.
    • 72 Metascore
    • 50 Ty Burr
    ParaNorman is supposedly for kids, but it's really aimed at their snarky older brothers, and it illustrates the limits of the new family creepshows.
    • 72 Metascore
    • 50 Ty Burr
    These are some of the questions raised and left on the table in the fascinating but frustratingly murky Author: The JT Leroy Story, a documentary by Jeff Feuerzeig that’s worth seeing if only to argue with the movie and with yourself.
    • 72 Metascore
    • 50 Ty Burr
    An amiable if not especially urgent celebration of the life and work of Wayne White.
    • 72 Metascore
    • 50 Ty Burr
    12
    The new film's not only almost double the length of the original, it's four times as ambitious - a sprawling, surrealist, ultimately disturbing portrait of a society lurching uncertainly toward democracy. What's really on trial in this movie? Just the Russian soul.

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