For 2,266 reviews, this critic has graded:
  • 55% higher than the average critic
  • 3% same as the average critic
  • 42% lower than the average critic
On average, this critic grades 3.5 points higher than other critics. (0-100 point scale)

Ty Burr's Scores

  • Movies
  • TV
Average review score: 66
Highest review score: 100 The Illusionist
Lowest review score: 0 Gigli
Score distribution:
2266 movie reviews
    • 60 Metascore
    • 50 Ty Burr
    An opaque kidnapping drama that features three expertly crafted performances operating on three different planets.
    • 60 Metascore
    • 50 Ty Burr
    A watchable disappointment. Sumptuous to look at, tastefully dull, and ultimately rather silly.
    • 60 Metascore
    • 50 Ty Burr
    The movie is extremely well produced, it features two excellent lead performances, and it is dull.
    • 60 Metascore
    • 50 Ty Burr
    RED
    "The Expendables" trotted out the concept this summer, and it was good dumb fun - a nudge-nudge wink-wink '80s movie on steroids. RED is more self-consciously wacky, more stridently in your face, and more disappointing.
    • 60 Metascore
    • 50 Ty Burr
    Director/co-writer Ariel Vromen has made a grimly passable crime drama in the sub-“GoodFellas”/“Sopranos” vein, and if you’re looking for something to order up on a slow Saturday night, it’ll do.
    • 60 Metascore
    • 50 Ty Burr
    For the record, Rare Birds doesn't even fly as a birder's special, since Tasseter's Sulfurious Duck is a fictional species. Now, if they'd seen a Eurasian Wigeon, then we'd be talking.
    • 60 Metascore
    • 50 Ty Burr
    The movie never fully clicks.
    • 59 Metascore
    • 50 Ty Burr
    Sarah Silverman is far and away the best part of I Smile Back, a strained entry in the Mad Housewife genre.
    • 59 Metascore
    • 50 Ty Burr
    Carell's performance is enjoyable but safe, and while he and Knightley play well enough together, there's no genuine chemistry - no zap to convince us these two deserve to be the last lovers on Earth.
    • 59 Metascore
    • 50 Ty Burr
    The carnage is cartoonishly graphic, but the onlookers watching through binoculars from a nearby sandy bluff are impressed.
    • 59 Metascore
    • 50 Ty Burr
    A stylish, watchable, very familiar future-cop action thriller. What was once original is now almost completely derivative.
    • 59 Metascore
    • 50 Ty Burr
    The movie has a problem, too: Spall is likable, Kazan is adorable, Driver is amusing enough as the blowhard best friend, and Radcliffe as Wallace is . . . a passive-aggressive lump.
    • 58 Metascore
    • 50 Ty Burr
    The director’s first real misfire, a meditation on love and lost paradise that starts with breathtaking assurance and slowly crumbles into self-parody.
    • 58 Metascore
    • 50 Ty Burr
    The Mist doesn't provoke further thought; it provokes active annoyance at being punished in the service of a pulp morality tale with pretensions.
    • 58 Metascore
    • 50 Ty Burr
    Does have the enclosed, slightly overheated feel of a family theatrical.
    • 58 Metascore
    • 50 Ty Burr
    An acrid family affair that has been aggressively over-directed by the talented Oren Moverman (“The Messenger”) and brought to intermittent life by a very good cast.
    • 58 Metascore
    • 50 Ty Burr
    Depressingly predictable in its dialogue and dramatic beats, Defiance is most interesting as a study of unlikely leaders.
    • 58 Metascore
    • 50 Ty Burr
    There’s a line between enjoyably stupid and stupid-stupid, and Nerve sails over it right around the halfway mark.
    • 58 Metascore
    • 50 Ty Burr
    A sweet-natured, terribly unthreatening drama about redemption and renewal, and it may matter more to the man who made it than the audiences who see it.
    • 58 Metascore
    • 50 Ty Burr
    Ice Age: The Meltdown is pure sequel product that should make children and undemanding grown-ups happy even as it lacks anything resembling storytelling inspiration.
    • 58 Metascore
    • 50 Ty Burr
    When the new movie wings it, it sputters but clears the runway. When it sticks to the script, it crashes and burns.
    • 58 Metascore
    • 50 Ty Burr
    iIf you can ignore a ridiculously overbearing soundtrack - a big if - the film's a pleasant bauble. Still, those coming in cold may be forgiven for thinking they've wandered into "Atonement" remade as a farce.
    • 58 Metascore
    • 50 Ty Burr
    You realize the movie isn’t nearly as clever as it looks.
    • 58 Metascore
    • 50 Ty Burr
    So appallingly slipshod in all the usual departments is this sequel to the engaging martial-arts comedy Western ''Shanghai Noon'' that you're tempted to cite its makers for contempt.
    • 58 Metascore
    • 50 Ty Burr
    The movie is both stunning on the level of visual pageantry and curiously inert as cinema.
    • 58 Metascore
    • 50 Ty Burr
    With The Invention of Lying, the British comic actor Ricky Gervais has come up with a wickedly funny idea for a movie - and then purged the wickedness right out of it.
    • 57 Metascore
    • 50 Ty Burr
    Trishna should move the soul and engage the tear-ducts, yet it passes by as distant as it is lovely. And the blame must fall on the movie's star, Freida Pinto.
    • 57 Metascore
    • 50 Ty Burr
    A meticulously observed, rapturously directed account of World War III and its aftermath as seen from the point of view of a spoiled young woman. The movie’s pretty fascinating before it goes bonkers.
    • 57 Metascore
    • 50 Ty Burr
    Benton has laid bare a great author's creaky plotting only to deliver a melodrama with bookish pretensions.
    • 57 Metascore
    • 50 Ty Burr
    The immediate problem with making a movie based on Potter's life is that it doesn't seem to have been very interesting.

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