For 811 reviews, this critic has graded:
  • 65% higher than the average critic
  • 3% same as the average critic
  • 32% lower than the average critic
On average, this critic grades 3.6 points higher than other critics. (0-100 point scale)

Verne Gay's Scores

Average review score: 69
Highest review score: 100 Mad Men: Season 6
Lowest review score: 0 The Choice: Season 1
Score distribution:
  1. Negative: 69 out of 811
811 tv reviews
    • 73 Metascore
    • 75 Verne Gay
    Shore has written this adroitly enough and Winters and Duhamel are two good and seasoned actors who easily locate what's most endearing, or at least what's most amusing about their respective characters.
    • 65 Metascore
    • 75 Verne Gay
    The formula--must find murderer of beautiful woman before last commercial break--predates the dinosaurs, but also incorporates some satisfying twists.
    • 54 Metascore
    • 75 Verne Gay
    Bassett refuses to cast blame for the troubles, and we're left with a portrait that has plenty of love--just not a whole lot of insight or edge.
    • 60 Metascore
    • 75 Verne Gay
    Not a lot new here, but Cheney gets a fair hearing--even though a tougher one is occasionally warranted.
    • 82 Metascore
    • 75 Verne Gay
    Executive producer Frank Darabont ("The Shawshank Redemption") is wonderfully skilled at framing shots to achieve maximum horror effect. But the middle stretch tends to bog down. My advice--watch the first 25 minutes (they're really good), then go trick-or-treating.
    • 64 Metascore
    • 75 Verne Gay
    All this is to say, simply, that Passmore is an intriguing screen presence who holds a well-constructed if otherwise boilerplate cop show together.
    • 57 Metascore
    • 75 Verne Gay
    The opening episode--already posted online--is a bit sluggish, but Power gets better in subsequent episodes. Starz, and Fitty, appear to have a winner.
    • 56 Metascore
    • 75 Verne Gay
    Sure, the plot's ridiculous, but the film's mostly fun, while the pleasure of watching Burstyn play a homicidal wacko is not to be denied anyone.
    • 75 Metascore
    • 75 Verne Gay
    Fresh Off the Boat is charming, convivial, even--gasp--at times cute.
    • 53 Metascore
    • 75 Verne Gay
    A quick summary makes it sound schlocky, but William & Catherine is pretty slick schlock.
    • tbd Metascore
    • 75 Verne Gay
    "Johnny's" back to corrupt the locals, and if you liked last season, there's no apparent reason not to go along for this ride.
    • 64 Metascore
    • 75 Verne Gay
    The opener is marred by a conventional plot. The producers--who include Steven Spielberg--show almost complete indifference to science (or sci-fi). That said, TV's most ambitious new series has some promise.
    • 64 Metascore
    • 75 Verne Gay
    Skies fans should be pleased.
    • 79 Metascore
    • 75 Verne Gay
    Another Discovery/BBC beauty, but short on answering obvious questions.
    • 35 Metascore
    • 75 Verne Gay
    There's some very funny stuff here, but the serious question before NBC is this: How long can it stretch the joke before viewers go stark raving mad?
    • 66 Metascore
    • 75 Verne Gay
    What's new here? Nothing, really. Jane is likable, Adams is, too, and so--believe it or not--is Hung. That's another problem. Hung needed to be scabrously funny. Instead, it's just middlebrow amusing.
    • 67 Metascore
    • 75 Verne Gay
    Admirers of the novel probably will be pleased. Average viewers who never read the novel (or any historic fiction) will be either confused or bored--possibly both.
    • 45 Metascore
    • 75 Verne Gay
    A competently made soap with some good actors and nicely staged musical numbers.
    • 55 Metascore
    • 75 Verne Gay
    Grimm has real promise if NBC has real patience.
    • 75 Metascore
    • 75 Verne Gay
    At least in the first three episodes provided for review, what the Kesslers and Zelman don't seem to quite realize is how much of a narcotic this setting actually turns out to be. The story is also often languid to the point of stationary.
    • 79 Metascore
    • 75 Verne Gay
    It's almost a shrug of an opener, a bit diffident, a bit unfocused (not unlike Brett, in his less lucid moments). But Togetherness does gets better, and funnier.
    • 74 Metascore
    • 75 Verne Gay
    Liv is more goth than zomb, more punk than spunk. She's also as appealing as anyone who eats human brains for a living could possibly be. Her supporting cast is good, too.
    • 86 Metascore
    • 75 Verne Gay
    Richly documented, but tends to become long-winded--or just plain winded--by the end.
    • tbd Metascore
    • 75 Verne Gay
    The story has been told many times before, and is told competently--if not always with dazzling or unexpected insight--again Wednesday.
    • 73 Metascore
    • 75 Verne Gay
    A very good-looking pilot. That leaves Gustin, which is where nagging doubts crop up.... Gustin's Allen is blue of eye and clear of conscience. Sweet and gentle, he's immensely likable but not particularly intriguing, unlike Stephen Amell's Oliver Queen or even Tom Welling's Clark Kent.
    • 52 Metascore
    • 75 Verne Gay
    Noisy, silly, occasionally obnoxious, sporadically funny and ultimately sweet.
    • 58 Metascore
    • 75 Verne Gay
    Old-fashioned and a bit placid, but Stults and Duncan save the day, and maybe the series.
    • 56 Metascore
    • 75 Verne Gay
    An oddity with additional oddness in the form of Malkovich. But as summer diversions go, this looks to be a good one.
    • 79 Metascore
    • 75 Verne Gay
    Mr. Dynamite instead works best as musical biography, only fitfully as a comprehensive one.
    • 71 Metascore
    • 75 Verne Gay
    Extremely raunchy, and often quite funny.

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