For 314 reviews, this critic has graded:
  • 46% higher than the average critic
  • 6% same as the average critic
  • 48% lower than the average critic
On average, this critic grades 4.1 points higher than other critics. (0-100 point scale)

Walter Addiego's Scores

  • Movies
Average review score: 63
Highest review score: 100 Alexandra
Lowest review score: 0 Deck the Halls
Score distribution:
  1. Negative: 22 out of 314
314 movie reviews
    • 87 Metascore
    • 100 Walter Addiego
    This is a vision of hell conveyed in a simple, documentary style, far removed from the sumptuous American Mafia fables.
    • 92 Metascore
    • 100 Walter Addiego
    As French crime thrillers go, this is about as good as it gets.
    • 78 Metascore
    • 100 Walter Addiego
    The silence captured in this documentary -- a meditative look at life in the Carthusian monastery of the Grande Chartreuse in the French Alps -- may be the most eloquent you'll ever hear.
    • 77 Metascore
    • 100 Walter Addiego
    An old-fashioned prisoner-of-war movie that becomes much more because of writer-director Werner Herzog's admiration for the remarkable true story of its protagonist, Dieter Dengler.
    • 85 Metascore
    • 100 Walter Addiego
    In the hands of visionary filmmaker Alexander Sokurov, this simple material makes for a haunting drama about war, generational relationships and the human condition.
    • 72 Metascore
    • 100 Walter Addiego
    Both very funny and a bit of a tearjerker, with an on-the-money performance from Ricky Gervais.
    • 74 Metascore
    • 100 Walter Addiego
    Though the material might lend itself to heavy-handedness, director Ole Christian Madsen is steady, and he gets fine performances from the two leads and Stengade.
    • 89 Metascore
    • 100 Walter Addiego
    The director has said that, though the story was inspired by the deaths of his parents, he hoped to make a film "brimming with life." He's succeeded.
    • 90 Metascore
    • 100 Walter Addiego
    This Is Not a Film isn't just a film, it's a strong one. It's also an act of political defiance, a moving personal document and a meditation on what film is and can be.