For 14 reviews, this critic has graded:
  • 21% higher than the average critic
  • 0% same as the average critic
  • 79% lower than the average critic
On average, this critic grades 6.2 points lower than other critics. (0-100 point scale)

Wes Greene's Scores

  • Movies
  • TV
Average review score: 53
Highest review score: 88 Northern Light
Lowest review score: 12 After
Score distribution:
  1. Positive: 7 out of 14
  2. Negative: 4 out of 14
14 movie reviews
    • 84 Metascore
    • 88 Wes Greene
    The film has an atmosphere of endless experimentation, which compliments the constant revision the subjects apply to their lives in the wake of their economic insecurity.
    • 52 Metascore
    • 75 Wes Greene
    Like their earlier Trouble the Water, Carl Deal and Tia Lessin portray men and women yearning for a simple place in society as they become casualties to the self-involvement of larger forces.
    • 81 Metascore
    • 75 Wes Greene
    In its visionary dream and flashback sequences, the film becomes a comment on the rapidly diminished state of traditional animation.
    • 70 Metascore
    • 63 Wes Greene
    Daniel Patrick Carbone's pensive style, so dotted with ethnographic detail, is interested in revealing a world in flux, but his fixation on death is so incessant that it situates the film as a morose fetish object.
    • 67 Metascore
    • 63 Wes Greene
    The material and resources are certainly substantial, but the filmmakers clumsily weave separate stories together without detailing anything beyond a tangential relation.
    • 72 Metascore
    • 63 Wes Greene
    The unbalanced appraisal of Vidal's life and work in Nicholas Wrathall's documentary diminishes the effect of the writer's engaging dissension of American political policy.
    • 69 Metascore
    • 63 Wes Greene
    It offers a realistic portrayal of Momo's emotional state, but this comes at the expense of a deeper exploration into both the story's lush supernatural landscape and its inhabitants.
    • 64 Metascore
    • 50 Wes Greene
    Even though the subtext about the past and modernity constantly being at odds throughout the setting's changing times is intriguing, the director presents this in a clunky, almost didactic fashion.
    • 71 Metascore
    • 50 Wes Greene
    A well-intentioned story of an impoverished father searching for his missing child is muddled by an ambitious sociological agenda in Richie Mehta's film.
    • 49 Metascore
    • 50 Wes Greene
    Its offbeat aesthetic largely flaunts for appeal, suffocating character and thematic ambition underneath its flashiness.
    • 28 Metascore
    • 38 Wes Greene
    It borders on parody as it tries to portray its hero as martyrdom-bound genius, which makes the film feel as if it was made by Franco's vain, art-fetishizing character from "This Is the End."
    • 45 Metascore
    • 38 Wes Greene
    As the film is focused solely through the lens of the titular characters' cameras, this limits the exploration of the story's worldview outside of Hank and Asha's perspective.
    • 45 Metascore
    • 25 Wes Greene
    Red is the kind of lazily written, thankless curmudgeon role that uses the trials of advanced age for cheap laughs rather than harnessing a veteran actor's talent to engage our empathy.
    • 25 Metascore
    • 12 Wes Greene
    Throughout After, the filmmakers crank the trials of the film's Valentino family up to 11, sans irony or subversion.