Wesley Morris

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For 1,825 reviews, this critic has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this critic grades 0 points lower than other critics. (0-100 point scale)

Wesley Morris' Scores

  • Movies
  • TV
Average review score: 60
Highest review score: 100 The Straight Story
Lowest review score: 0 The Human Centipede II (Full Sequence)
Score distribution:
1,825 movie reviews
    • 45 Metascore
    • 50 Wesley Morris
    Mediocre-TV-drama-load of formulas.
    • 50 Metascore
    • 50 Wesley Morris
    Less like watching a movie than it is like being accosted by one.
    • 34 Metascore
    • 50 Wesley Morris
    The movie's not bad enough to be world-ending, merely clumsy.
    • 47 Metascore
    • 50 Wesley Morris
    The film has a persuasive murkiness and one extended mythopoetic final sequence that's almost moving in its silence.
    • 63 Metascore
    • 50 Wesley Morris
    A feat of droll, refractive, melodramatic self-portraiture.
    • 46 Metascore
    • 50 Wesley Morris
    If you want to watch a gaggle of pretty faux-neurotic people hang out and throw quips, you're probably better off watching "Friends."
    • 57 Metascore
    • 50 Wesley Morris
    Osmosis is really an occasion for the brothers to take their culture- debasing scatology to a PG crowd.
    • 47 Metascore
    • 50 Wesley Morris
    What should have been 90 zippy minutes of jingling, giggling, winking fakery adds up to only about 20 minutes of fun.
    • 48 Metascore
    • 50 Wesley Morris
    For a little while, comedy ensues.
    • 48 Metascore
    • 50 Wesley Morris
    It's a fact that becomes riotously evident in the reel of outtakes that caps the picture and incites wonder about why no one thought to give us 90 minutes of those instead.
    • 29 Metascore
    • 50 Wesley Morris
    A pure Frankenstein flick -- ugly, profane, terror-inducing, clumsy, nasty, desperate, stupid, contemptible, horny and brought to life by schlocky, shoddy science and an electric wish to prove that its makers still matter.
    • 74 Metascore
    • 50 Wesley Morris
    The Others is great as a collection of acknowledgments, but a ghost story made of a bunch of ghoulish thank-yous isn't that haunting.
    • 71 Metascore
    • 50 Wesley Morris
    Moreover, what the film lacks in temporal credibility, it amply makes up for in sheer rawness -- the rawness being literal.
    • 59 Metascore
    • 50 Wesley Morris
    The World Is Not Enough, like a 19th version of anything, is inanely self-parodic. So much so that one wonders why Austin Powers need have bothered in the first place.
    • 38 Metascore
    • 50 Wesley Morris
    Little Nicky is but a meek gross-out cousin of "The Waterboy."
    • 42 Metascore
    • 50 Wesley Morris
    Blakeney can't decide if this is a quirky romantic comedy or a quirky mob essay, and you can see the movie thinking itself into a rhythmless hole with cement shoes.
    • 44 Metascore
    • 50 Wesley Morris
    Works as a quixotic study of emotional quirks.
    • 44 Metascore
    • 50 Wesley Morris
    Its finest moments come in sequences such as Alice and Darlene's prison break and the girls' final wrenching plea for freedom.
    • 55 Metascore
    • 50 Wesley Morris
    It feels like a trumped up trifle, disinterested in narrative exercises, using instead technique (cinematography, editing and, omigod, a soundtrack!) to swing moods and heighten reality, then send it crashing to earth.
    • 35 Metascore
    • 50 Wesley Morris
    An arthritic failure, genuine only when the two outcast lovers' eyes dart toward each other, then retreat.
    • 44 Metascore
    • 50 Wesley Morris
    Right up to its deliberate thud of a closer, Polanski had me.
    • 62 Metascore
    • 50 Wesley Morris
    Determined to be inoffensively tidy and cute above all else.
    • 74 Metascore
    • 50 Wesley Morris
    What remains is Washington's volcanic and contemplative work at the core of a film packed to the rafters with raging bull.
    • 64 Metascore
    • 50 Wesley Morris
    Not entirely persuasive, not entirely schmaltzy, "The Tic Code" is one of those well-meant dramatizations... that mysteriously made it all the way to a theater near you.
    • 52 Metascore
    • 50 Wesley Morris
    If I wanted a Nora Ephron cuddle-ganza, I'd rent one.
    • San Francisco Examiner
    • 43 Metascore
    • 50 Wesley Morris
    A laughably disconnected hostage drama that rails against the perceived nightmare of inner-city public schools.
    • 41 Metascore
    • 50 Wesley Morris
    Not the sweaty midnight stroll through the garden of carnal delights that its title wants you to believe.
    • 51 Metascore
    • 50 Wesley Morris
    A lazy, torpid piece of animated tourism.
    • 41 Metascore
    • 50 Wesley Morris
    Often grating in its presentation.
    • 49 Metascore
    • 50 Wesley Morris
    An au natural (read: graphic) tryst-a-thon whose fashion sense is outweighed only by its bulky sexual intellectualism.

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