Metacritic Features and Reports
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Published: April 30, 2013We reveal the 10 best-reviewed iOS games released over the past month.
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Published: April 29, 2013Find dates for upcoming movie and TV releases on home video, including Upstream Color, Jack Reacher, Cloud Atlas, Side Effects, and more.
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Published: April 29, 2013Get a full rundown of this week's album releases, stream new music from artists such as Deerhunter, She & Him, Savages, !!!, and Iggy Pop, catch up on the week's music news, and watch the latest music videos (from Muse, Shout Out Louds, Crystal Castles, and more).
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Published: April 28, 2013The week ahead brings the start of the summer movie season--and with it, the year's first potential summer blockbuster in "Iron Man 3." Plus, comedian Marc Maron moves from podcasting to TV, and Iggy and the Stooges try to make us forget their previous comeback.
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Published: April 26, 2013Watch new trailers for "Thor: The Dark World," Sofia Coppola's "Bling Ring," Michel Gondry's "Mood Indigo," Wong Kar-Wai's "The Grandmaster," "Monsters University," and more, and catch up on the latest movie news.
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Published: April 25, 2013With only a few weeks left until the networks announce their fall schedules, we look at the renewal chances for every remaining bubble show, including Community, Happy Endings, Vegas, Beauty and the Beast, and more.
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Published: April 21, 2013Notable releases and premieres this week include a highly anticipated new album from Phoenix, a Michael Bay-directed action-comedy, a new Star Trek game, and more.
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Published: April 16, 2013For the fourth straight year, we're inviting our users to predict the final Metascores for 30 of summer's biggest movies. Make your picks inside!
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Published: April 14, 2013Notable releases and premieres this week include the sci-fi film Oblivion, new albums from the Yeah Yeah Yeahs and Flaming Lips, a fighting game featuring DC Comics characters, a new Netflix horror series, and more.
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Published: April 9, 2013No critic has been as influential over the past few decades as Roger Ebert. Inside, we remember him through his reviews: specifically, those instances where he sided with movie audiences, rather than his fellow professional critics.









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