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15 Minutes
New Line Cinema

15 Minutes reviews
Critic Score
Metascore: 34 Metascore out of 100
User Score  
4.2 out of 10
based on 32 reviews
Read critic reviews
How did we calculate this?
based on 10 votes
Read user comments
Rate this movie

MPAA RATING: R for strong violence, language and some sexuality

Starring Robert De Niro, Edward Burns, Vera Farmiga, Kelsey Grammer, Melina Kanakaredes, Tygh Runyan, and Janean Christine Mariani

A thriller seen through an eye-popping new lens - that of the media's hunt for shocking imagery, no matter the cost. In 15 Minutes, as the cops chase the murderers, the media chases the cops, and the whole thing fuels an escalating firestorm. (New Line Cinema)


GENRE(S): Suspense/Thriller  
WRITTEN BY: John Herzfeld  
DIRECTED BY: John Herzfeld  
RELEASE DATE: DVD: August 14, 2001 
Video: August 14, 2001 
Theatrical: March 9, 2001 
RUNNING TIME: 120 minutes, Color 
ORIGIN: USA 

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

75
Chicago Tribune Mark Caro
The surprise here isn't that 15 Minutes isn't a masterpiece; it's that the movie works at all.
75
Chicago Sun-Times Roger Ebert
A cynical, savage satire about violence, the media and depravity. It doesn't have the polish of "Natural Born Killers" or the wit of "Wag the Dog," but it's a real movie, rough edges and all, and not another link from the sausage factory.
Read Full Review
75
San Francisco Chronicle Mick LaSalle
The picture is more impressive as it goes along, revealing a symmetry of construction underneath the rudiments of a thriller.
Read Full Review
70
Los Angeles Times Kenneth Turan
Both audacious and unwieldy, exciting and excessive, this dark thriller is too long, too violent and not always convincing. But at the same time, there's no denying that it's onto something, that its savage indictment of the nexus involving media, crime and a voracious public is a cinematic statement difficult to ignore.
Read Full Review
70
Mr. Showbiz Larry Terenzi
Boasts a fine cast and makes enough cogent points that it rises above standard cop fare.
Read Full Review
70
Chicago Reader Jonathan Rosenbaum
A first-rate Hollywood entertainment--at least if one can accept the schizophrenia of combining a cop/buddy action thriller with an angry satire about the shamelessness of the media.
Read Full Review
70
Dallas Observer Andy Klein
It's a fast, entertaining ride.
Read Full Review
63
Boston Globe Jay Carr
In a season mostly given over to unwatchable movies being cleared off studio shelves, it's at least about something. And there's no denying the lurid urgency with which it jumps off the screen.
60
Rolling Stone Peter Travers
Big, loud and lurid, but no less entertaining for that.
Read Full Review
58
Seattle Post-Intelligencer William Arnold
A fairly hypocritical exercise -- and one that's so flamboyant and overbearing that it comes perilously close to being a classic awful.
Read Full Review
50
Christian Science Monitor David Sterritt
The premise is promising, but Herzfeld cares more about sensationalism than substance, and portions of the picture are far nastier than they had to be.
Read Full Review
50
Philadelphia Inquirer Carrie Rickey
Less the blistering satire it imagines itself than a blustering, bloody, blundering melodrama about bottom feeders nibbling each other.
50
New York Daily News Jack Mathews
The Czech Republic and Russia, the respective homes of Emil and Oleg, should sue.
Read Full Review
50
Salon.com Stephanie Zacharek
Less a movie for intelligent moviegoers than a suggestion that we're all brainless chickens.
Read Full Review
40
Variety Todd McCarthy
A thriller more contrived than it is exciting.
Read Full Review
40
TV Guide Maitland McDonagh
Herzfeld's sophomore movie is one long howl of rage over the relationship between criminals, journalists and thrill-hungry audiences.
Read Full Review
40
Washington Post Stephen Hunter
Too busy trying to make remarks to be much fun in the end. But it really only has one remark, which it reiterates about a thousand times, and it's not all that remarkable: Fame is overrated.
Read Full Review
38
USA Today Mike Clark
Clumsy urban thriller.
Read Full Review
38
New York Post Jonathan Foreman
Works just fine as a generic but fast-paced - and rather ugly - cop buddy flick.
38
Baltimore Sun Michael Sragow
The unearned air of moralism that wafts through 15 Minutes pollutes its entertainment value.
Read Full Review
30
Village Voice Michael Atkinson
15 Minutes settles into Richard Donner-style goulash.
Read Full Review
30
Austin Chronicle Marc Savlov
Herzfeld also wrote the screenplay, and so its leaden and obvious tone and the resulting dearth of delicacy rests squarely on him.
Read Full Review
25
Charlotte Observer Lawrence Toppman
It's the poster child for bad taste, not to mention bad construction.
Read Full Review
25
Miami Herald Rene Rodriguez
It takes a concerted effort to make a movie as relentlessly stupid and grating as 15 Minutes.
25
Entertainment Weekly Owen Gleiberman
Is less an end in itself than an excuse, a jumping off point for showy, contrived, borderline exploitation sequences that fail to tie together because they're not really there to do anything but sell themselves as money shot thrills.
Read Full Review
20
New York Magazine Peter Rainer
John Herzfeld, the writer-director, attacks America's lust for voyeuristic sensationalism by aping the very tactics he decries.
Read Full Review
20
Film.com Ernest Hardy
15 Minutes is simply a bad movie.
Read Full Review
20
The New York Times A.O. Scott
It's fleet- footed, merciless entertainment. But the mixture of laughs, bathos and brutality is a big turnoff.
Read Full Review
20
Washington Post Desson Thomson
They (De Niro, Burns) look good together. But what a staggering pity they chose such a nasty, hackneyed movie to demonstrate their chemistry.
Read Full Review
0
LA Weekly Manohla Dargis
Isn't just rotten -- badly acted, badly written, badly conceived -- it's dead inside.
Read Full Review
0
Slate David Edelstein
It all adds up to one of the most brazen pieces of blame-shifting in exploitation-picture history.
Read Full Review
0
Wall Street Journal Joe Morgenstern
If Detroit had produced an equivalent lemon, we might have been seeing the world's first one-wheeled, square-tired car with no cooling system, steering wheel or brakes.

What Our Users Said

Vote Now!The average user rating for this movie is 4.2 (out of 10) based on 10 User Votes
Note: User votes are NOT included in the Metascore calculation.

Captain C. gave it a3:
If you like sensless violence and a pointless plot, then this is a great move for you.

Andrew M. gave it a 6:
An unpleasant film but a fairly well made one. Brooding with malice and cynicism, it trudges miserly along to its topical finale. What gets it a 6 from me is I thought the acting was very good, though I couldn't highly recommend this film. There is better entertainment and better points to make elsewhere.

Dan F. gave it a 0:
Miserable.

Jim L. gave it a 0:
A total piece of junk and waste of time. Why would De Niro get himself involved with such crap? Could it be he's only in it for the money?

Michael F. gave it a 4:
Terrible screenplay, great potential. Ed Burns thinks he's SO cool in this movie and so many others. DeNiro is DeNiro, good. There is fun to be had, but it is a junky movie.

Ryan M. gave it a 4:
Has some okay scenes between Burns and De Niro, but overall it misses the point it's trying to make.

Read more user comments...

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