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16 Blocks

Generally favorable reviews
Based on 34 critic reviews
How did we calculate this?
Based on 49 votes
Read user comments
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Movie Info
Genre(s): Action | Adventure | Crime | Drama | Suspense/Thriller
Written by: Richard Wenk
Directed by: Richard Donner
Release Date:
Theatrical: March 3, 2006
DVD: June 13, 2006
Running Time: 105 minutes, Color
Origin: USA
Summary
RATING: PG-13 for violence, intense sequences of action, and some strong language
Starring Bruce Willis, Mos Def, David Morse, Cylk Cozart, David Sparrow, and David Zayas
The story of how two men change -- and change each other -- during a tense 16 block struggle between life and death. (Warner Bros.)
Also On Metacritic
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Also On The Web: Internet Movie Database View The Trailer Official Studio Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Entertainment Weekly Lisa Schwarzbaum
A helluva lot happens in 16 Blocks - an outrageous amount, really, along with a coda that deposits the audience squarely at a movieland finale. Who knew that looking both ways before crossing is where the real action is?
Read Full Review >LA Weekly Scott Foundas
This is some of the best filmmaking ever done by director Richard Donner, a longtime Hollywood journeyman known more for his proficient deployment of three long-running movie franchises (The Omen, Superman and Lethal Weapon) than for his lyricism.
Read Full Review >The New York Times Manohla Dargis
Mr. Willis has always been an acquired taste, but for those who did acquire that taste, riding shotgun on his good times and bad, it's a pleasure to see him doing what comes naturally.
Read Full Review >Wall Street Journal Joe Morgenstern
A mismatched-buddy movie that's endearing, funny and affecting in equal measure.
Los Angeles Times Kevin Crust
A ticking clock scenario and a terrific performance by Willis as an alcoholic NYPD detective make up for the film's occasional missteps and some strange pop culture references.
Read Full Review >Chicago Reader J.R. Jones
Def and Willis are both good, but Donner's lethal weapon here is Morse, a chronically overlooked character actor whose combined tenderness and ruthlessness make him the most fascinating heavy since Robert Ryan.
Read Full Review >TV Guide Maitland McDonagh
A throwback to an age when action movies had room between shoot-outs and car chases for dialogue - real dialogue, not rim-shot-ready one-liners - and character development.
Read Full Review >Chicago Sun-Times Roger Ebert
The bedrock of the plot is the dogged determination of the Bruce Willis character. Jack may be middle-aged, he may be tired, he may be balding, he may be a drunk, but if he's played by Bruce Willis you don't want to bet against him.
Read Full Review >Christian Science Monitor Peter Rainer
Mos Def makes it work. It's a truly daring piece of acting because it skirts racial stereotyping and is so out of key with everything else in the movie. But that's just why it is so good.
Read Full Review >Charlotte Observer Lawrence Toppman
16 Blocks is a burger movie, served by an old pro: 76-year-old director Richard Donner, who hasn't done work this interesting since the other Bush was president but who knows his way around a thriller.
Read Full Review >Philadelphia Inquirer Carrie Rickey
Richard Wenk's script, taut and enjoyable, pays homage to those police procedurals, with a nod to the Brazilian hostages-on-mass-transit documentary, "Bus 174."
Read Full Review >New York Post Lou Lumenick
Achieves the odd distinction of being the first post-9/11 NYPD corruption movie - complete with a shootout in the Criminal Courts building. Cool.
Read Full Review >Salon.com Stephanie Zacharek
This is a sturdy little cop thriller, and even when it stretches the bounds of plausibility, you go with it, partly because you believe -- almost against your better judgment -- in what the characters are doing.
Read Full Review >Film Threat Pete Vonder Haar
Thanks to a compact story and some economical direction, it actually ends up better than it has any right to be.
Read Full Review >The Hollywood Reporter Sheri Linden
Although much of the plot defies credulity, Richard Donner directs the odd-couple action drama with a nimble facility that draws viewers in.
Read Full Review >Variety Robert Koehler
Not that it ever rises to the level of Sidney Lumet's Gotham police pics ("Serpico," "Prince of the City"), but 16 Blocks does raise the banner for the tradition of the textured urban cop drama, spurred by action but made substantial by characters at crossroads.
Read Full Review >New York Magazine David Edelstein
A happier surprise is the smart work of director Richard Donner: 16 Blocks is all jumble and jangle--crowds, snarled traffic, and discordant car horns. The scariest moments have no music.
Read Full Review >Austin Chronicle Marc Savlov
It's still just cops and robbers, but with Donner at the helm, it feels like so much more.
Read Full Review >Seattle Post-Intelligencer Sean Axmaker
Never quite transcends its origins as a high-concept action thriller, but the clean professionalism of Donner's direction, the low-key turn by Willis and the street-level heroics make it a satisfying piece of genre filmmaking.
Read Full Review >Portland Oregonian Shawn Levy
Has a sweaty, weary, often intimate feel, with the human aspect dominating the mechanistic. Donner can't help but push it over the top now and again, like a bodybuilder flexing his muscles when he spots a potential mate. But he contents himself with aiming for small virtues more often than grand impact.
Read Full Review >Rolling Stone Peter Travers
Until Richard Wenk's script drives the characters into a brick wall of pukey sentiment, it's a wild ride.
Read Full Review >New York Daily News Jack Mathews
The action sequences that follow are routine to the point of monotony, involving chases through crowded streets and store fronts, a commandeered bus, a woman in peril, and so on. But Donner wisely devotes long spells in between to the evolving relationship between Jack and Eddie.
Read Full Review >The Globe and Mail (Toronto) Rick Groen
No one can dismiss 16 Blocks as a mere formula flick -- it's a mere two or three formula flicks all fighting for top billing.
Read Full Review >Chicago Tribune Allison Benedikt
Willis never develops a rapport with Def, and in the end it's not the predictable action but this lack of chemistry and camaraderie that sinks 16 Blocks.
Read Full Review >San Francisco Chronicle Mick LaSalle
Another urban action thriller that's better than some, worse than most and so forgettable that it's possible to forget it while watching it?
Read Full Review >USA Today Claudia Puig
Willis' performance mystifies, while Mos Def's mesmerizes.
Read Full Review >ReelViews James Berardinelli
It's a cobbled together mess of clichés that fails to surprise at any of its turns.
Read Full Review >Village Voice Michael Atkinson
It's a small movie trying to seem epic, or a bloated monster trying to seem lean (real B movies don't have 14 producers), but it's clear that at 99 minutes, 16 Blocks should've been at least 20 minutes shorter still.
Read Full Review >The Onion (A.V. Club) Nathan Rabin
Richard Wenk's familiar screenplay laboriously establishes Willis as an exhausted, limping shell of a man rotting internally from decades of alcoholism and self-hatred. Yet whenever the film requires it, Willis magically morphs into a super-cop with the lightning-fast reflexes of an 18-year-old Navy SEAL.
Read Full Review >Washington Post Stephen Hunter
It seems such a waste to go onto the actual streets of Lower Manhattan and shoot a movie this stupid. Think of the money, the logistics, the interruptions in the city's life -- all that trouble for what? For this? For shame.
Read Full Review >Miami Herald Connie Ogle
This noisy, formulaic film turns out to be immediately forgettable, except for the parts that are so ridiculous they leave you shaking your head in wonder hours later.
Read Full Review >What Our Users Said
The average user rating for this movie is 6.5 (out of 10) based on 49 User Votes
Note: User votes are NOT included in the Metascore calculation.
Marcus L. gave it a10:
I don't get how you people give this great movie a score below a 7. I think it was very good and Mos Def and Bruce Willis did a very good job acting in it.
Matt A gave it an8:
Not horrible at all. A classic cop-caper that had a fair share of tension, and gun fights, with little blood and guts. Bruce Willis plays a great drunken cop, who keeps you guessing about the justification of his actions. Mos Def surprised me by playing such a stereotypical character so well, and making himself seem so believable compared to the actor he is. The plot was safe if not a bit predictable and far-fetched, but it keeps one interested for the full 99 minutes.
Zift K gave it an8:
Very good movie. Bruce and def were great, and def's voice is so entertaining, lol. A lot of suspense and action, and the acting is great. Any Bruce fan, or a fan of good movies will do good to try out 16 blocks out.
[Anonymous] gave it a6:
Mos Def and Bruce Willis are very talented as actors and in this movie they don't disappoint. But the movie was confusing and seemed little unreal to me.
Trond D. gave it a9:
A very very good movie, and like cannot believe that it has got these bad ratings.
Akeem G. gave it a10:
I think that the everyone gave this movie a low rating for ridiculous reasons. I really don't understand why people has to let something as simple as mos def's voice get in their way of enjoying the movie, personally I thought that his voice was kinda funny. I really liked the story and script for this movie, the directing was pretty good and the casting was perfect, no other actors in the whole wide world could have played any of the parts better than any of the actors in this movie. 16 blocks is one of the best action thrillers that my eyes have ever gazed upon. Why can't there be more movies like this in the theaters.
Jason S. gave it a3:
A film made for no other reason than to make money. A waste of everyone's time and talent.
