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Stars indicate the most critically-acclaimed movies.

67
$9.99
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66
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56
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82
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Boys: The Sherman Brothers' Story, The
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Brothers Bloom, The
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Burma VJ: Reporting from a Closed Country
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58
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70
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64
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38
Gigantic
56
Girl from Monaco, The
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89
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63
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Rudo y Cursi
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Seraphine
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Sex Positive
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Shall We Kiss?
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Song of Sparrows, The
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What Goes Up
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57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Manderlay
IFC Films
FILM:
MPAA RATING: Not Rated
Starring
Bryce Dallas Howard,
Isaach De Bankolé,
Danny Glover,
Willem Dafoe,
Jeremy Davies,
Lauren Bacall,
Chloë Sevigny,
and
Jean-Marc Barr
The second installment in Lar Von Trier's United States trilogy, Manderlay centers on a plantation in 1933 Alabama.
| GENRE(S): |
Drama
|
| WRITTEN BY: |
Lars von Trier
|
| DIRECTED BY: |
Lars von Trier
|
| RELEASE DATE: |
Theatrical: January 27, 2006
|
| RUNNING TIME: |
139 minutes, Color |
| ORIGIN: |
Denmark / Sweden / Netherlands / France / Germany / USA |
Nominated, Golden Palm, 2005 Cannes Film Festival

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
67
The Onion (A.V. Club)
Scott Tobias
It's an extremely cynical perspective, enforced by some disappointingly turgid melodrama, but keep in mind, this movie was made before an almost uniformly poor and black population was left to rot in New Orleans floodwaters. Even at his worst, von Trier can still strike a nerve.

60
Chicago Reader
J.R. Jones
Lars von Trier is back, so to speak--he's never visited the States, which makes his snide anti-American allegories even more infuriating to some….But the story holds up well enough to deliver a pointed critique of establishing self-rule at gunpoint.

60
Film Threat
Michael Ferraro
If you hated "Dogville" because of the overage of narration or the length of time it took to finally get to a point, you'll be pleased to know that von Trier has lessened both those elements. With that said, it still has some of the same flaws.

40
The Hollywood Reporter
Kirk Honeycutt
Nothing von Trier presents here, whether real or imagined, is fresh or new.

40
Variety
Todd McCarthy
The subject being race relations, Manderlay is bound to stir considerable debate in intellectual circles, but given the director's abstract style and use of characters to enact an agenda, it's a discussion that will exclude the general public, who will ignore it as they did "Dogville."

40
Village Voice
J. Hoberman
All of this plays out as flat, didactic, and lazy.


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