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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
57
Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
About a Boy
MCA/Universal Pictures
FILM:
MUSIC:
MPAA RATING: PG-13 for brief strong language and some thematic elements
Starring
Hugh Grant,
Toni Collette,
Rachel Weisz,
Isabel Brook,
Sharon Small,
Victoria Smurfit,
Nicholas Hoult,
and
Nicholas Hutchison
About a Boy is about a man (Grant) -- a handsome, rich, shallow, self-absorbed, irresistible cad -- and the unexpected relationship he develops with a boy he meets while trying to pick up another boy's mother. (Universal Pictures)
| GENRE(S): |
Romance
|
| WRITTEN BY: |
Peter Hedges
Chris Weitz
Paul Weitz
Nick Hornby (novel)
|
| DIRECTED BY: |
Chris Weitz
Paul Weitz
|
| RELEASE DATE: |
DVD: January 14, 2003
Video: January 14, 2003
Theatrical: May 17, 2002
|
| RUNNING TIME: |
102 minutes, Color |
| ORIGIN: |
UK / USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Washington Post
Ann Hornaday
That rare romantic comedy that dares to choose messiness over closure, prickly independence over fetishized coupledom, and honesty over typical Hollywood endings.

100
Portland Oregonian
Shawn Levy
The timing and cutting of the film are terrific, the build-up to an absurdly hilarious climax is just right, and the performances are near perfect.
90
New York Magazine
Peter Rainer
Sophisticated and nuanced, and every character is bursting with emotional contradictions.

90
Wall Street Journal
Joe Morgenstern
Better than a feelgood movie, it's a feelgreat movie -- genuinely clever, affecting when you least expect it to be and funny from start to finish.
90
Salon.com
Stephanie Zacharek
As close to mainstream perfection as I've seen all year. It gives us everything we want, need and deserve without batting an eye.

90
Newsweek
David Ansen
Movie purists will tell you that a heavy reliance on voice-over is a sin (show, dont tell), but when the words are this funny, to hell with purity.
90
Slate
David Edelstein
It's irresistible, damn it. Mainstream comedies should all be this funny and tender and deftly performed.

90
Washington Post
Desson Thomson
Hilarious, touching and wonderfully dyspeptic.

89
Austin Chronicle
Marc Savlov
About a Boy knows exactly what it wants to do: It wants to make you smile, and grin, and then laugh with recognition, and it manages all three, again and again.

88
USA Today
Claudia Puig
About a Boy is a rarity in many ways. It's a well-written, witty film whose memorable characters grapple with the nature of family, love, friendship and despair. Even its soundtrack, by Badly Drawn Boy, is perfectly pitched.

88
Chicago Sun-Times
Roger Ebert
We have all the action heroes and Method script-chewers we need right now, but the Cary Grant department is understaffed, and Hugh Grant shows here that he is more than a star, he is a resource.

88
Miami Herald
Rene Rodriguez
The summer movie season has barely begun, and already we have its first big surprise.

88
Philadelphia Inquirer
Steven Rea
The film is a sharp, funny, touching tale.

88
Chicago Tribune
Mark Caro
It's funny, moving and true, and it respects the audience's intelligence as much as the characters'. That combination, no matter the movie's label, deserves to be treasured.

83
Entertainment Weekly
Owen Gleiberman
Hugh Grant has grown up, holding on to his lightness and witty cynicism but losing the stuttering sherry-club mannerisms that were once his signature. In doing so, he has blossomed into the rare actor who can play a silver-tongued sleaze with a hidden inner decency.

80
New Times (L.A.)
Robert Wilonsky
Perhaps the most remarkable aspect of About a Boy is how substantial it plays -- as a feel-good film with weight, a knowing comedy with dramatic depth.
80
Chicago Reader
J.R. Jones
Illuminating with their energy and wit.

80
The New York Times
Dana Stevens
The Weitz brothers -- notorious as the authors of the "American Pie" series -- handle the sentimentality of the story with a light, sweet touch.

80
The Onion (A.V. Club)
Scott Tobias
Few scenarios are more cliched than the curmudgeonly father-figure who takes in the precocious imp -- irritation in the first two acts, love in the third -- but Hornby infuses it with warmth and honesty, not to mention his obvious gift for wry observation.

75
Seattle Post-Intelligencer
William Arnold
Hugh Grant is one of the true phenomena of new millennium moviemaking. In an era in which the broadest and most scatological comedy imaginable rules, he's built a career for himself as a sophisticated light comedian very much in the style of his hero, David Niven.

75
The Globe and Mail (Toronto)
Rick Groen
The love that blooms is essentially between the boys. They both have some considerable growing up to do, but theirs is a true romance and it's awfully sweet. Funny, too.

75
ReelViews
James Berardinelli
Not a daring film, but it is immensely likable. Every once in a while, a movie comes along that, despite traversing familiar terrain, is made with enough all-around skill that it overcomes its clichéd origins. About a Boy is such a movie.

75
San Francisco Chronicle
Mick LaSalle
In addition to being a smart comedy and an excellent showcase for Grant, it's an honest movie about childhood that avoids sappiness and sentiment and goes in unexpected directions.

75
New York Post
Jonathan Foreman
Hilarious, acidic Brit comedy.

75
Charlotte Observer
Lawrence Toppman
If the brothers Weitzes) don't yet have a defined style, they do seem at ease with this more sophisticated material.

75
New York Daily News
Jami Bernard
A comedy hit, but its secret is that it delves deeper than the usual summer fare.
70
Film Threat
Rich Cline
As these characters all move from isolated loners to relying on each other, the film never pounds its point in -- even the big set pieces are slightly askance, just giving more insight into the characters without preaching.

70
Rolling Stone
Peter Travers
The acid comedy of Grant's performance carries the film. It helps also that newcomer Hoult is that rare child actor who mercifully underplays the pathos of his role.

70
Los Angeles Times
Kenneth Turan
Because a gradually thawing Will plays more to Grant's strengths, the second part of the film, helped as well by Rachel Weisz as a love interest, is much more fun. But it is still hard not to feel that this film is pushing us too hard, slickly trying to seem more honest than it actually is.

63
Baltimore Sun
Michael Sragow
It's hard to stomp on a movie that pulls together a rich lay-about, hippies, a punk girl and an Amnesty International worker in a sort of Peaceable Kingdom, but About a Boy shows the limits of affability.
63
Boston Globe
Renee Graham
Renders what should have been a wholly entertaining film into a timid, soggy near miss.

60
TV Guide
Tanya L. Edwards
Wickedly funny and surprisingly sweet film may be the perfect star vehicle for Grant. He's full of piss and vinegar and has at long last set aside the wobbly, stammering persona best left at "Four Weddings and a Funeral."

60
Variety
Derek Elley
Pleasant and engaging, rather than laugh-out-loud funny or emotionally involving.

60
Film Threat
Michael Dequina
Will warm your heart without making you feel guilty about it.

60
The New Yorker
David Denby
The other Grant, the irresistible but slippery Cary, was called to account by such strenuous and willful mates as Irene Dunne, Katharine Hepburn, and Ingrid Bergman. But Hugh Grant has never been matched with a woman who directly challenged his oddly recessive charm. [3 June 2002, p. 100]
50
LA Weekly
Manohla Dargis
There's not much more to this adaptation of the Nick Hornby novel than charm -- effortless, pleasurable, featherweight charm.

30
Village Voice
Jessica Winter
Since the central odd couple have no rapport, their bond never seems to progress past mutual usury.

25
Christian Science Monitor
David Sterritt
Was this spiritless stuff really directed by Paul and Chris Weitz of "American Pie" fame? How the rebels have mellowed!


The average user rating for this movie is 8.1 (out of 10) based on 52 User Votes
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