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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
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74
Afghan Star
48
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56
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82
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Beaches of Agnes, The
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Brothers Bloom, The
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Burma VJ: Reporting from a Closed Country
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Cheri
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Cherry Blossoms
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Dead Snow
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Departures
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Easy Virtue
70
End of the Line, The
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Every Little Step
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Examined Life
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Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
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Gomorrah
89
Goodbye Solo
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Great Buck Howard, The
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Harvard Beats Yale 29-29
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New York
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Paris 36
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Pontypool
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Pressure Cooker
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Revanche
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Rudo y Cursi
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Seraphine
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Sex Positive
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Shall We Kiss?
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Sin Nombre
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Sleep Dealer
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Song of Sparrows, The
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Stoning of Soraya M., The
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Sugar
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Summer Hours
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U2 3D
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Under Our Skin
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Unmistaken Child
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Valentino: The Last Emperor
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What Goes Up
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Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Absolute Wilson
New Yorker Films
MPAA RATING: Not Rated
Starring
Robert Wilson,
Susan Sontag,
Philip Glass,
David Byrne,
William S. Burroughs,
Charles Fabius,
Jessye Norman,
and
Tom Waits
Absolute Wilson chronicles the epic life, times and creative genius of Robert Wilson, intimately revealing for the first time one of the most controversial, rule-breaking and downright mysterious artists of our era. More than a biography, the film becomes an exhilarating exploration of the transformative power of creativity itself - and the inspirational tale of a boy who grew up as a troubled and learning-disabled outsider in the American South only to become a fearless artist with a profoundly original perspective to share with the world. (New Yorker Films)
| GENRE(S): |
Documentary
|
Foreign
|
| WRITTEN BY: |
Katharina Otto-Bernstein
|
| DIRECTED BY: |
Katharina Otto-Bernstein
|
| RELEASE DATE: |
Theatrical: October 27, 2006
|
| RUNNING TIME: |
105 minutes, Color / B/W |
| ORIGIN: |
Germany |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Chicago Reader
Jonathan Rosenbaum
An excellent introduction to the singular vision of avant-garde stage director Robert Wilson.

80
Village Voice
John Pritcher
The real value of this film is its treasure trove of archival footage, rare clips that document this genius of an artist as a young man.

80
Los Angeles Times
Carina Chocano
Impressive as is Wilson's output and oeuvre, it's the fully-engaged, aesthetically driven life that fascinates. And Otto-Bernstein's movie is a portrait of an artist at his most essential, in every sense.

75
Seattle Post-Intelligencer
Bill White
Katharina Otto-Bernstein's oral history of Wilson's life and work, narrated by Wilson, with a handful of sycophants joining in on the choruses, is monstrously one-sided. It does, however, offer insights into the director's methods and motivations.

75
Entertainment Weekly
Lisa Schwarzbaum
Surprisingly square portrait of avant-garde artist and director Robert Wilson.

75
Chicago Tribune
Chris Jones
Not only does this film offer a comprehensive portrait of a fascinating and underexplored leader of the American avant-garde in the late 20th Century, it ends up making some compelling connections between his works and the rich, occasionally self-destructive trajectory of the life that forged them.

70
Variety
Eddie Cockrell
A surprisingly conventional portrait of a decidedly unconventional man.

70
The New York Times
A.O. Scott
There is plenty of substance in Absolute Wilson, as it provides a concise and absorbing portrait of a powerful creative personality.

70
The Hollywood Reporter
Kirk Honeycutt
The film penetrates the myth and mythos surrounding Wilson, making his works more accessible and open to those of us who sometimes puzzle over the methods and meanings in his cerebral, psychologically complex expressionism. The film should engender an art house following in sophisticated urban venues before its HBO broadcast.

70
The New Republic
Stanley Kauffmann
This film is a valuable signet of Wilson's carefully articulated independence.

63
TV Guide
Ken Fox
The result is a rather conventional, Biography Channel-style portrait of a man who helped change the face of theater in the last quarter of the 20th century.

63
Boston Globe
Louise Kennedy
Absolute Wilson may not be original, but Wilson absolutely is. And for the glimmers of that originality that shine through here, the film is worth watching.

60
LA Weekly
Steve Mikulan
Wilson is articulate and ironic, and Otto-Bernstein mostly shields us from his tantrums and critics.

60
Salon.com
Andrew O'Hehir
Absolute Wilson changed my views of Wilson as a person tremendously, and at least gave me some useful context for his art.

50
San Francisco Chronicle
Mick LaSalle
Befuddling.

50
Washington Post
Peter Marks
Although the film shows many photographs and videos of his performances, it never allows a particularly coherent assessment of any of them.


The average user rating for this movie is 9.0 (out of 10) based on 1 User Votes
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