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Stars indicate the most critically-acclaimed movies.

64
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69
Ashes of Time Redux
68
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54
Battle in Seattle
76
Betrayal - Nerakhoon, The
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Dear Zachary: A Letter to a Son About His Father
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27
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51
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34
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xx
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34
Otto; or Up with Dead People
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77
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56
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RocknRolla
57
Sixty Six
85
Slumdog Millionaire
57
Special
79
Stranded: I Have Come from a Plane That Crashed on the Mountains
67
Synecdoche, New York
82
Tell No One
83
Trouble the Water
43
Tru Loved
83
U2 3D
59
We Are Wizards
55
What Just Happened?
89
Man on Wire
85
Slumdog Millionaire
84
Momma's Man
84
Christmas Tale, A
84
Happy-Go-Lucky
83
Trouble the Water
83
U2 3D
82
Tell No One
82
Rachel Getting Married
82
Frozen River
82
Let the Right One In
81
Dear Zachary: A Letter to a Son About His Father
79
Stranded: I Have Come from a Plane That Crashed on the Mountains
78
I've Loved You So Long
77
Pray the Devil Back to Hell
76
Betrayal - Nerakhoon, The
75
Pool, The
73
Girl Cut in Two, A
72
I Served the King of England
70
I.O.U.S. A
69
Ashes of Time Redux
69
Fear(s) of the Dark
68
August Evening
67
Synecdoche, New York
64
Appaloosa
63
JCVD
63
Eden
63
Changeling
62
Duchess, The
59
We Are Wizards
57
Special
57
Sixty Six
56
Religulous
55
Boy in the Striped Pajamas, The
55
What Just Happened?
54
Battle in Seattle
54
Good Dick
53
RocknRolla
51
Morning Light
50
Breakfast with Scot
47
How About You
47
Choke
46
Dukes, The
43
Tru Loved
43
Gardens of the Night
41
Cthulhu
40
Igor
40
Other End of the Line, The
34
My Name Is Bruce
34
Otto; or Up with Dead People
32
Repo! The Genetic Opera
31
Hounddog
30
Guitar, The
28
Fireproof
27
Lake City
26
House of the Sleeping Beauties
26
Filth and Wisdom
xx
Dostana
xx
Nobel Son
Stars indicate the most critically-acclaimed movies.
|
Alamo, The
FILM:
MPAA RATING: PG-13 for sustained intense battle sequences
Starring
Dennis Quaid,
Billy Bob Thornton,
Jason Patric,
Patrick Wilson,
Emilio Echevarría,
Jordi Mollà,
Laura Clifton, Leon Rippy,
and
Kevin Page
The dramatic true story of one of the most momentous battles in American history, this is the tale of a handful of men who stood up for their passion and ideals against an overwhelming force. (Touchstone Pictures)
| GENRE(S): |
Action
|
Adventure
|
Drama
|
War
|
| WRITTEN BY: |
Leslie Bohem
Stephen Gaghan
John Lee Hancock
|
| DIRECTED BY: |
John Lee Hancock
|
| RELEASE DATE: |
DVD: September 28, 2004
Video: September 28, 2004
Theatrical: April 9, 2004
|
| RUNNING TIME: |
137 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
91
Seattle Post-Intelligencer
William Arnold
It's a well-crafted, intelligent, no-nonsense western epic that zips us through the famous siege and the birth of Texas with style, verve and impressive historical accuracy.

88
Chicago Sun-Times
Roger Ebert
It somehow succeeds in taking those pop-culture brand names like Davy Crockett and Jim Bowie and giving them human form.

75
New York Daily News
Jami Bernard
Alamo buffs will be delighted, and everyone else will be treated to something that feels like Old Hollywood crossed with new sensibilities.

70
Chicago Reader
J.R. Jones
Thoughtful and complex.

70
Washington Post
Michael O'Sullivan
Its egotistical, wishy-washy and otherwise flawed protagonists are no less heroic because they look -- and act -- like you and me. On the contrary, they are more so.

70
Time
Richard Corliss
Politics aside, this is a handsome film with orange skies to die for, or under, and a lovely score by Carter Burwell. The picture has some ponderous and snooze-worthy stretches, but it attains a certain melancholic grandeur, with the actors and crew fighting as desperately as Crockett and Bowie to make the best of a fated adventure.

63
USA Today
Mike Clark
Thornton is excellent and now seems genetically incapable of being anything less than great in any role he takes.

63
Philadelphia Inquirer
Carrie Rickey
Except for a handful of scenes, Hancock's film isn't good enough to be memorable. Neither is it bad enough to be entirely forgettable. It's just one of those compromised movies that makes one look forward to the director's cut.

63
Boston Globe
Ty Burr
The real struggle in The Alamo is between historic revisionism and Hollywood notions of sacrifice, and it's not much of a contest: Hollywood wins, as it did in John Wayne's sprawling, factually spurious 1960 film.

60
Dallas Observer
Robert Wilonsky
The result is something that feels very much like an overachieving made-for-TV movie--a history lesson dolled up like an action movie, with the action relegated to the final third, and even then, the battle is over before it really begins.

60
The Hollywood Reporter
Kirk Honeycutt
A respectable and at times an exciting film that should appeal to males of all ages, history buffs and -- yes, it's inevitable -- patriots.

60
Variety
Todd McCarthy
Refreshingly revisionist in the sense that it takes a relatively clear-eyed view of the messy lives and equivocal circumstances of many of the key participants.

60
Film Threat
Rick Kisonak
While the massacre is a wall-shaking and effective bit of high decibel drama, some of the movie's best moments come during the Texans' long brave wait for almost certain death.

58
Portland Oregonian
Karen Karbo
Hancock's direction isn't flashy, and the pacing is a little curious...Still, he has the quiet chutzpah to suggest that a man can be both flawed and heroic, cowardly in his personal life and noble in his public one.

58
Entertainment Weekly
Lisa Schwarzbaum
Never harmonizes into a cinematic experience any more resonant than the average, manly, why-we-fight pic, or coalesces into a stirring cry for freedom.

50
New York Post
Lou Lumenick
Thornton lends gravity, focus and humor that are otherwise in short supply in this serious-minded but meandering, talky and action-deficient epic.

50
TV Guide
Maitland McDonagh
Tries to be all things to all people and winds up a tedious muddle.

50
LA Weekly
Chuck Wilson
Pinned down and smelling death, the men grow into fully realized human beings, which makes for some fine performances, but doesn't exactly propel this epic, richly detailed film forward. The battle, when it finally comes, is brief, admirably non-gory and rather dull.

50
Chicago Tribune
Mark Caro
A professionally made movie, just not an essential one. There's little fresh or provocative here, and if you can't be shaken by this story, why bother?

50
ReelViews
James Berardinelli
The good news first: The Alamo is probably the most historically accurate depiction yet to reach the screen of the famous siege. The bad news is that "historically accurate" does not necessarily translate into "dramatically successful."

50
The Onion (A.V. Club)
Scott Tobias
Turns into an edited-for-TV version of Sam Peckinpah's "The Wild Bunch"--flat, bloodless, and utterly bereft of period grit.

50
Austin Chronicle
Marc Savlov
Its The Alamo, all right, but will anyone want to remember it?

50
The Globe and Mail (Toronto)
Liam Lacey
Rousing? Sort of. Never before, one feels, have so few given so much for so much real estate.

50
Baltimore Sun
Chris Kaltenbach
Thank goodness for Davy Crockett; without him, the Alamo could have proven the blandest heroic siege in movie history.

50
San Francisco Chronicle
Carla Meyer
The brave men who fought and perished at the Alamo believed fervently in their cause. For The Alamo to work, the audience must believe as well. That never really happens.

50
Newsweek
David Ansen
Along the way, not just the storytelling but the original intention has gotten muddled. You leave The Alamo uncertain of what you're meant to feel: is this a celebration of patriotic sacrifice or an illustration of war's futility?

40
Film Threat
Pete Vonder Haar
Deserves credit for beautiful sets and the obvious care that went into reconstructing the old town of San Antonio de Bexar, as well as for Thorntons performance. Unfortunately, the stultifying dialogue and lack of real tension sink the film.

40
Slate
David Edelstein
Thanks to Hancock's evasive storytelling, it's never clear why Houston moved so slowly or why so few Texians came to the Alamo's aid. The middle of the movie is pokey and unfocused--and, given the circumstances, bizarrely lacking in urgency.

40
Village Voice
J. Hoberman
As directed by John Lee Hancock, it's dull, talky, and sometimes maudlin.

40
Empire
Will Lawrence
In spite of two great performances, this is a muddled affair.

40
Wall Street Journal
Joe Morgenstern
A misshapen semi-spectacle that seems to be simulating an epic, and getting away with it only occasionally.
40
Los Angeles Times
Manohla Dargis
Driven by different agendas, history and movies often tell two irreconcilable stories, which is why, despite some glints of talent, Hancock has given us yet another film and another Alamo to forget.

40
The New York Times
A.O. Scott
Thornton's performance is lost in a film that is more of a schematic success than a dramatic one.

38
Charlotte Observer
Lawrence Toppman
As Disney-fied as "Pinocchio," barely challenging the images Americans have treasured for 150 years.

38
Premiere
Peter Debruge
The studio wimped out, and the result is a lesser production on every level: talent, script, content, and purpose.

30
Washington Post
Desson Thomson
These storied 13 days feel like the Hundred Years War.

25
Miami Herald
Rene Rodriguez
There is so much that is wrong with The Alamo that it is easier to begin with what the movie gets right: Davy Crockett. As played by Billy Bob Thornton.

25
Christian Science Monitor
David Sterritt
In short, it's dull, derivative, and as lifelike as a heap of historical figurines. Few will remember this Alamo for long.


The average user rating for this movie is 5.7 (out of 10) based on 35 User Votes
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