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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
57
Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Ali
Columbia Pictures / Sony Pictures Entertainment
FILM:
MPAA RATING: R for some language and brief violence
Starring
Will Smith,
Jamie Foxx,
Jon Voight,
Mario Van Peebles,
Ron Silver,
Jada Pinkett Smith,
Michael Michele,
and
Giancarlo Esposito
Will Smith and director/writer Michael Mann take you into the heart and life of the boxer, the legend and, more importantly, the man. (Columbia Pictures)
| GENRE(S): |
Drama
|
| WRITTEN BY: |
Gregory Allen Howard (story)
Stephen J. Rivele
Christopher Wilkinson
Eric Roth and Michael Mann
|
| DIRECTED BY: |
Michael Mann
|
| RELEASE DATE: |
DVD: April 30, 2002
Video: April 30, 2002
Theatrical: December 25, 2001
|
| RUNNING TIME: |
158 minutes, Color |
| ORIGIN: |
USA |
Will Smith received a 2002 Oscar nomination for his lead role.

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
90
Rolling Stone
Peter Travers
Ali is a bruiser, unwieldy in length and ambition. But Mann and Smith deliver this powerhouse with the urgency of a champ's left hook.

88
Baltimore Sun
Michael Sragow
It's one of the most ambitious biographical films ever made in this country, and one of the most unusual, moving and exciting.

80
Time
Richard Schickel
A thoughtful epic is both a rarity and an oxymoron. But that's what Ali is, and you can't help being drawn sympathetically into its hero's struggle for mastery of himself and his era.
80
LA Weekly
Ella Taylor
Ali boasts a whole tribe of outstanding secondary performances, of which Jon Voight's Cosell, in an outrageous rug and several tons of pasty-face makeup, is easily the funniest.

80
The Onion (A.V. Club)
Keith Phipps
Ali becomes less the story of a boxer than the story of one man hanging onto his soul. With so many wrong ways to dramatize that process, Mann's approach seems all the more right.

80
The New Yorker
David Denby
Michael Mann is a fluent, evocative filmmaker, and the movie is well written, expertly staged, and beautifully edited. [24 & 31 Dec 2001, p. 126]
80
The New York Times
A.O. Scott
We see the movie levitate when Ali and Brown chant, "Float like a butterfly," the slogan that takes on a different meaning in each context, starting off as hopeful and spry, finally becoming rueful and pointed. When the film pulls off moments like these, it's breathtaking -- a near great movie.

75
Boston Globe
Jay Carr
Ali, in short, is far from a seamless success, but it does get the big things right and it respects a subject who commands respect.
75
The Globe and Mail (Toronto)
Rick Groen
It's not Smith's fault that the movie can't quite pry apart the man from the myth from the metaphor. The three may well be inseparable by now and, at this point in his history and ours, that's surely the way we prefer it.

75
Seattle Post-Intelligencer
William Arnold
Could there possibly be a worse time for a movie celebrating a draft-evader who embraces Islam? You wouldn't think so.

75
Christian Science Monitor
David Sterritt
What keeps the movie from championship status is a sense that the filmmakers see Ali's social and political contributions as extra added attractions, ultimately less important than his greatness in the ring.

75
San Francisco Chronicle
Bob Graham
Connects so often and so persuasively that its shortcomings -- the movie goes slack from time to time -- really don't amount to much.

75
Charlotte Observer
Lawrence Toppman
Overlong, entertaining, sense-assaulting drama.

75
Entertainment Weekly
Owen Gleiberman
For everything it gets right, Ali, following its superb first hour, begins to lose the vision, clarity, and structure necessary to bring its hero into full focus.

75
ReelViews
James Berardinelli
Manages to entertain, even though it stays on the surface. It fails to deliver the hoped-for knockout, but also avoids the pitfall of an early-round collapse. While not attaining the greatness of its subject, it rises to a level somewhere above mediocrity.

75
Philadelphia Inquirer
Carrie Rickey
While Smith gets into Ali's head and under his skin, the movie around him has more footwork than punch.

70
Newsweek
David Ansen
I respect it enormously, but it feels like an art film in search of a movie.
70
Variety
Todd McCarthy
Just about everything Mann has chosen to present is valid, substantial and convincing, but by the end, the feeling persists that while certain essences have been grasped, only part of the story has been told.

70
Village Voice
J. Hoberman
Filled with vivid cameos and set to an infectious soul beat that effectively covers the underlying hum of calculated precision.

70
Los Angeles Times
Kenneth Turan
Whatever the reason, the energy and hold-onto-your-seat excitement that Muhammad Ali brought to the sports world is oddly absent from this quite accomplished but finally distant film.

67
Portland Oregonian
Shawn Levy
For all Smith's dedication and Mann's abilities, Ali remains a figure too big for even the big screen to contain.

67
Austin Chronicle
Marc Savlov
Mann's film is beautiful to watch. Cinematogrpaher Emmanuel Lubezki employs a washed-out, harshly lit style that makes everything look vaguely menacing and hyper-real, which is complemented by Lisa Gerrard and Pieter Bourke's Africanized score.

63
New York Post
Jonathan Foreman
Perhaps no movie could do Muhammad Ali justice. But this overlong but sketchy biopic by Michael Mann, in which style repeatedly tramples substance, actually does the great man a disservice.

63
USA Today
Mike Clark
Ali is no disgrace, but it's not much of a performer, especially considering that it is one of the few hyped year-end releases that coulda been a contender.
60
New Times (L.A.)
Bill Gallo
Muhammad Ali's spirit, his life force, is not quite present here, despite Smith's astonishing mimicry and Mann's considerable perspiration.

60
Chicago Reader
Jonathan Rosenbaum
What's lacking here is a sustained thematic focus -- at least five people worked on the script, including Mann, which may account for the absence of a clear through line -- though the spectacle and characters keep one absorbed.

60
Washington Post
Stephen Hunter
For a movie, Michael Mann's Ali is great radio.
It's almost better to squint, so that you see the film in soft focus, just fury and motion and blurred faces; meanwhile, with your ears cranked open wide, everybody sounds much more like they should than looks like they should.

60
TV Guide
Ken Fox
It's a brilliant impersonation; Smith gets Ali's speech patterns and Louisville accent exactly right, and astonishingly convincing facial prosthetics complete the transformation. But he never quite finds the man under the enormous image; those quintessential Mann moments, during which Ali is left alone to brood, feel surprisingly blank.

60
Film Threat
Michael Dequina
Well-acted and skillfully made, the film offers enough that is worth seeing, but its idiosyncratic nature is sure to limit its mainstream appeal.

60
Washington Post
Desson Thomson
Watching Ali, you can be sure of experiencing two opposing things: a sterling performance from Will Smith as Muhammad Ali and a bewilderingly punch-drunk movie from Michael Mann.

50
New York Magazine
Peter Rainer
Ultimately, Ali is a far more complex creature than this movie allows for.

50
Chicago Sun-Times
Roger Ebert
A long, flat, curiously muted film about the heavyweight champion. It lacks much of the flash, fire and humor of Muhammad Ali and is shot more in the tone of a eulogy than a celebration. There is little joy here.

50
Wall Street Journal
Joe Morgenstern
Ali nails its subject's anger and courage, but not his lilt; his swaggering boasts but not his sly self-irony; his power but not his grace; and his inner turmoil but not the outward joyousness that has made us come to love him.
50
New York Daily News
Jack Mathews
It was against all odds that Michael Mann ("The Insider") would make a boring movie focusing on the most eventful decade in the life of the most dynamic athlete in history. But that's what he has achieved with Ali.

50
Chicago Tribune
Mark Caro
Weve seen Ali as the charismatic star of the real-time drama of his life. Ali, for all its flashy filmmaking, just doesnt compare.

40
Salon.com
Charles Taylor
Will Smith flies like a butterfly, but what director Michael Mann does to the greatest fighter of all time just stings.


The average user rating for this movie is 6.1 (out of 10) based on 22 User Votes
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