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Amazing Grace
Samuel Goldwyn Films LLC / Roadside Attractions

Amazing Grace reviews
Critic Score
Metascore: 65 Metascore out of 100
User Score  
8.2 out of 10
based on 29 reviews
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How did we calculate this?
based on 30 votes
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MPAA RATING: PG for thematic material involving slavery, and some mild language

Starring Ioan Gruffudd, Albert Finney, Benedict Cumberbatch, Michael Gambon, Romola Garai, CiarĂ¡n Hinds, and Toby Jones

Amazing Grace is based on the life of antislavery pioneer William Wilberforce, who, as a Member of Parliament, navigated the world of 18th Century backroom politics to end the slave trade in the British Empire. (Samuel Goldwyn Films LLC)


GENRE(S): Drama  
WRITTEN BY: Steven Knight  
DIRECTED BY: Michael Apted  
RELEASE DATE: DVD: November 13, 2007 
Theatrical: February 23, 2007 
RUNNING TIME: 111 minutes, Color 
ORIGIN: UK / USA 

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

91
Seattle Post-Intelligencer William Arnold
An unusually satisfying and inspiring historical epic from one of contemporary cinema's best filmmakers.
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88
Charlotte Observer Lawrence Toppman
The movie is the usual kind of film biography of a respected figure from the distant past - honorable, oversimplified, handsome.
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80
Salon.com Stephanie Zacharek
In the first 10 minutes, I feared the picture would be dull and earnest -- until, about a half-hour later, I realized it was lively and earnest, and also refreshingly, unapologetically movielike.
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80
Los Angeles Times Kenneth Turan
Fortunately, director Michael Apted and his team understand the challenges of this kind of story and have met them with intelligence and energy.
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75
TV Guide Maitland McDonagh
A workmanlike piece of storytelling elevated by fine performances.
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75
The Onion (A.V. Club) Nathan Rabin
Unlike its subject, Amazing Grace won't change the world, but its quasi-religious sense of conviction proves rousing. Apted's unexpected crowd-pleaser is inspirational, but also surprisingly entertaining.
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75
San Francisco Chronicle Mick LaSalle
Anyone who has ever felt morally right and completely in the minority will have a point of entry into this movie.
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75
New York Post Kyle Smith
This is the British way to mingle ideas and entertainment.
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75
Miami Herald Connie Ogle
Apted delivers a fine, righteous climax and packs his film with some of Britain's best character actors.
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75
Philadelphia Inquirer Steven Rea
Apted opts not to show the horrendous cruelty inflicted on thousands upon thousands of captive Africans, shackled and chained, making their way to the Americas in ships. Instead, he has Wilberforce and his fellow abolitionists describe the inhumane conditions - in the precise, passionate language of legislators who believe that human decency is more important than money and power.
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75
New York Daily News Jack Mathews
Compelling and highly informative.
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70
The New Republic Stanley Kauffmann
The dialogue is bright, historically styled yet lithe; the characterizations are graphic even with minor people.
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70
New York Magazine David Edelstein
Michael Apted's Amazing Grace is a beautifully chiseled blunt instrument. No, it's not subtle, but how subtle was slavery?
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70
Variety Eddie Cockrell
Picture reflects the no-nonsense storytelling skills of prolific helmer Michael Apted, whose career-long mix of feature and documentary work holds him in good stead once more.
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70
Wall Street Journal Joe Morgenstern
A case of good works done well.
70
Chicago Reader J.R. Jones
Flawed but ambitious, this biopic of British parliamentarian William Wilberforce closely tracks the political maneuvering of the late 18th and early 19th century as reformers campaign to end Britain's participation in the slave trade.
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70
The New York Times Manohla Dargis
The overall effect is part BBC-style biography, part Hollywood-like hagiography, and generally pleasing and often moving, even when the story wobbles off the historical rails or becomes bogged down in dopey romance.
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67
Baltimore Sun Michael Sragow
Although the structure is clunky, the ensuing parliamentary machinations prove witty and fascinating.
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63
The Globe and Mail (Toronto) Rick Groen
What's missing, in the direction no less than the script, is any real sense of dramatic urgency.
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63
ReelViews James Berardinelli
It's disappointing that so much talent has been assembled with so little to do.
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60
Empire Helen O'Hara
There's so much story here that the characters don't have quite enough room to breathe, but it's still a fascinating look at a time, and a man, worth remembering.
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58
Entertainment Weekly Gregory Kirschling
It's earnest, solemn stuff. The movie sings an old tune -- Albert Finney is the blind minister who wrote the title ditty -- and it leaves the blood unstirred.
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50
Village Voice Ella Taylor
Morally irreproachable and flat as a pancake.
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50
Austin Chronicle Josh Rosenblatt
Unfortunately for Barbara and for us, what makes William Wilberforce a great man is also what makes him a bore.
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50
Chicago Tribune Michael Phillips
Apted and his collaborators are so in awe of their subject they neglect to bring him to full human life.
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50
Premiere Ethan Alter
Earnest, respectful and thoroughly dull.
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50
Washington Post Desson Thomson
If Amazing Grace serves its most superficial purpose -- to educate the viewer -- it's hardly compelling viewing.
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50
Boston Globe Ty Burr
It's a doughty movie, stuck halfway between Masterpiece Theatre and Classics Illustrated, but, to his credit, gifted journeyman director Michael Apted understands he's playing the long game.
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42
Christian Science Monitor Peter Rainer
[Apted] also has an unfortunate penchant for bland stateliness, and never more so than in Amazing Grace, a well-intentioned piece of historical waxworks.
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What Our Users Said

Vote Now!The average user rating for this movie is 8.2 (out of 10) based on 30 User Votes
Note: User votes are NOT included in the Metascore calculation.

Jared B. gave it a10:
I have been hearing nothing but good things about this movie since it came out. Now that I've seen it, I can tell you that all these things are true. This is a wonderful story. As a Christian, I was pleasantly surprised by the amount of time the film spent mentioning God. I especially loved when John Newton made the comment, "I am a great sinner, and Christ is a great savior." This was a very powerful film. Finally, I have a note for the academy. In my opinion, this film deserves no less than two nominations: first as Best Picture and also Albert Finney as Best Supporting Actor for his portrayal of John Newton. Go pick this film up as soon as possible.

Arna S. gave it a10:
Great movie, Great message!! One that we all should watch!! Loved it!

Del & Sharon gave it a9:
This is one of the most outstanding films I've viewed in a long time. The story of what it took one man and his growing band of supporters to change a culture and slave based industry, is insightful and inspiring too. The drama and developement of strength of character in Mr,Wilberforce is profound in it's contrast to todays politics of self centered and pathetic compromising as well as echoing of and pandering to the code of 'real dealism'

Steve S. gave it an8:
It may not suffice as entertainment in the anti-intellectual culture of the 21st Century, but it is an important movie for its messages. I explicitly said messages, because there is a great myth-breaking expose being revealed along with its anti-slavery message. This true story helps illuminate the relationship between evangelical Christianity and the great progressive triumphs of the 18th and 19th centuries and hopefully dispels some of the ignorant assumptions held today about religion and social change. Wilberforce, along with John Wesley, John Newton and many others were able to eradicate much evil in their societies because of their faith in God and I applaud the filmakers for honestly portraying this.

Andrew K. gave it a6:
I thought this was a pretty average film. Not bad, not great (I guess that would leave "good" as a description, but I wouldn't exactly call it required viewing). I think most people have either given this film way too good of a review, or have been way too harsh. It's really straight down the middle. Most of the movies out right now are utter crap, so if you want to see something that is worth your time, this would be a good one to see. Some good points have been made about the lack of actual slaves in the film, and it struck me as odd that I barely noticed. I think it may have had something to do with the fact that I believed these characters to be very far away from the subject which they were addressing. I don't know if it's historically accurate, but I think their absense helped enforce the feeling that many of the men in parliament COULD be incredibly detached from the lives of those they were impacting. An inspiring film? I guess. If you haven't seen a lot of films like this before. Or if you are inspired by every single movie that sets out to inspire. It's nothing new. It IS a story that I was unfamiliar with, and I'm glad to have learned something about it, if not in great detail. All of the acting was superb. Nothing to complain about there. Sometimes the dialogue was a little too precious, but not often enough to make me gag. I thought it was interesting how they chose to end the film with Amazing Grace being played by...a band? I'm not sure what term to use. Anyway, it was different. You first see clips of all of the actors with their name and their character's names, and then you're actually watching the...band...play in front of...I think it was Westminster Abbey. And I wasn't too sure whether they were supposed to be within the context of the film, or if it was present day. But it didn't really matter. Anyway, I could take it or leave it. You should too.

Steve & Betty S. gave it a9:
Well done! The dark side and light side of this movie could have both been overdone, but they weren't. We were thoroughly engrossed by it. Ioan Gruffudd was up to the task of carrying the load of the story. The society of the time was an essential character, and the filmmakers handled its complexities well. My one quibble is with Romola Garai: while she was good, she was a little too precious about it, and you could see her acting (as opposed to seeing Mrs. Wilberforce).

Chad S. gave it a5:
As William Wilberforce(Ioan Gruffudd) lectures from aboard the slave-ship Madagascar, his floating audience(they're in an adjacent rowboat) cover their noses with handkerchiefs. Wilberforce instructs them to remove their cloths and breathe in "the smell of death". "Amazing Grace", however, holds its own nose to the historical stench of forced labor by largely keeping slavery off-screen. The only major black character, Oloudaqh(Youssou N'Dour), doesn't even get to speak. In a film about his ancestry, N'Dour is almost a token. He doesn't even get to sing the title song(at least Mahalia Jackson sings in Douglas Sirk's "Imitation of Life"). Worst yet, Oloudaqh is a profiteer(his slave narrative sells 50,000 copies). He has no rousing "give me free" moment(Djimon Honsou in "Amistad"), just a few silent tears rolling down his cheek. So we're largely stuck with the do-gooder Wilberforce, who is undoubtedly a great man; but as written in this well-meaning film, this earnest samaritan is more symbol than man. It's flaws that brings a character to life. Oskar Schindler was a womanizer. Wilberforce had bad stomach aches. He also says irritating things like, "How can we live in houses like this, while they live in boxes." "Amazing Grace" has one very effective flashback that shows how ugly institutionalized racism is; but it's not enough, not if you're going to canonize Wilberforce with a standing ovation as the musical score swells into histrionics. After all, Wilberforce never actually had to wear those manacles and leg braces.

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