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Stars indicate the most critically-acclaimed movies.

97
4 Months, 3 Weeks and 2 Days
83
Alexandra
43
Anamorph
35
Babysitters, The
32
Backseat
80
Band's Visit, The
62
Battle for Haditha
47
Bella
63
Blind Mountain
71
Blindsight
47
Boarding Gate
60
Body of War
58
Bra Boys
70
Caramel
54
Cashback
44
Chaos Theory
32
Chapter 27
69
Chicago 10
82
Chop Shop
46
CJ7
78
Counterfeiters, The
30
Cover
49
Dark Matter
35
Deal
62
Dhamma Brothers, The
92
Diving Bell and the Butterfly, The
73
Duchess of Langeais, The
20
Expelled: No Intelligence Allowed
58
Fall, The
43
Favor, The
58
First Saturday in May, The
57
Flawless
87
Flight of the Red Balloon, The
xx
From Within
44
Frontier(s)
57
Fugitive Pieces
41
Funny Games
66
George A. Romero's Diary of the Dead
61
Girls Rock!
55
Glass: A Portrait of Philip in Twelve Parts
57
Grand, The
58
Hats Off
68
Honeydripper
xx
Jack and Jill vs. the World
67
Jellyfish
xx
Kiss the Bride
37
Life Before Her Eyes, The
72
Life of Reilly, The
50
Look
65
Married Life
35
Meet Bill
63
Miss Pettigrew Lives for a Day
55
Mister Lonely
52
My Blueberry Nights
71
My Brother Is an Only Child
55
Noise
62
OSS 117: Cairo - Nest of Spies
83
Paranoid Park
55
Pathology
48
Penelope
90
Persepolis
62
Planet B-Boy
xx
Plumm Summer, A
67
Praying with Lior
46
Previous Engagement, A
72
Priceless
17
Prom Night
69
Redbelt
79
Reprise
72
Roman de gare
48
Run, Fat Boy, Run
50
Sangre de mi sangre
85
Savages, The
24
Sex and Death 101
66
Shelter
75
Shotgun Stories
40
Sleepwalking
67
Snow Angels
67
Son of Rambow
71
Standard Operating Procedure
76
Stuff and Dough
64
Surfwise
xx
Tashan
82
Taxi to the Dark Side
57
Teeth
56
Then She Found Me
55
Tracey Fragments, The
57
Turn the River
72
Tuya's Marriage
83
U2 3D
59
Under the Same Moon
76
Unforeseen, The
66
Unsettled
90
Up the Yangtze
55
Vice
79
Visitor, The
64
Water Lilies
45
Where in the World Is Osama Bin Laden?
57
Without the King
75
Witnesses, The
63
XXY
67
Year My Parents Went on Vacation, The
75
Young@Heart
45
Zombie Strippers
97
4 Months, 3 Weeks and 2 Days
92
Diving Bell and the Butterfly, The
90
Up the Yangtze
90
Persepolis
87
Flight of the Red Balloon, The
85
Savages, The
83
Paranoid Park
83
Alexandra
83
U2 3D
82
Chop Shop
82
Taxi to the Dark Side
80
Band's Visit, The
79
Reprise
79
Visitor, The
78
Counterfeiters, The
76
Unforeseen, The
76
Stuff and Dough
75
Young@Heart
75
Shotgun Stories
75
Witnesses, The
73
Duchess of Langeais, The
72
Priceless
72
Roman de gare
72
Tuya's Marriage
72
Life of Reilly, The
71
Standard Operating Procedure
71
My Brother Is an Only Child
71
Blindsight
70
Caramel
69
Redbelt
69
Chicago 10
68
Honeydripper
67
Snow Angels
67
Praying with Lior
67
Jellyfish
67
Year My Parents Went on Vacation, The
67
Son of Rambow
66
George A. Romero's Diary of the Dead
66
Unsettled
66
Shelter
65
Married Life
64
Surfwise
64
Water Lilies
63
XXY
63
Miss Pettigrew Lives for a Day
63
Blind Mountain
62
Planet B-Boy
62
Dhamma Brothers, The
62
Battle for Haditha
62
OSS 117: Cairo - Nest of Spies
61
Girls Rock!
60
Body of War
59
Under the Same Moon
58
First Saturday in May, The
58
Fall, The
58
Hats Off
58
Bra Boys
57
Flawless
57
Teeth
57
Fugitive Pieces
57
Without the King
57
Grand, The
57
Turn the River
56
Then She Found Me
55
Vice
55
Tracey Fragments, The
55
Mister Lonely
55
Noise
55
Pathology
55
Glass: A Portrait of Philip in Twelve Parts
54
Cashback
52
My Blueberry Nights
50
Sangre de mi sangre
50
Look
49
Dark Matter
48
Run, Fat Boy, Run
48
Penelope
47
Bella
47
Boarding Gate
46
CJ7
46
Previous Engagement, A
45
Where in the World Is Osama Bin Laden?
45
Zombie Strippers
44
Frontier(s)
44
Chaos Theory
43
Anamorph
43
Favor, The
41
Funny Games
40
Sleepwalking
37
Life Before Her Eyes, The
35
Meet Bill
35
Babysitters, The
35
Deal
32
Backseat
32
Chapter 27
30
Cover
24
Sex and Death 101
20
Expelled: No Intelligence Allowed
17
Prom Night
xx
Tashan
xx
Plumm Summer, A
xx
Kiss the Bride
xx
Jack and Jill vs. the World
xx
From Within
Stars indicate the most critically-acclaimed movies.
|
American Gangster
Universal Pictures
 |
|
FILM:
MPAA RATING: R for violence, pervasive drug content and language, nudity and sexuality
Starring
Denzel Washington,
Russell Crowe,
Cuba Gooding Jr.,
Josh Brolin,
Yul Vazquez,
Armand Assante,
and
Ted Levine
Nobody used to notice Frank Lucas, the quiet driver for one of the inner city's leading black crime bosses. But when his boss suddenly dies, Frank exploits the opening in the power structure to build his own empire and create his own version of the American Dream. Through ingenuity and a strict business ethic, he comes to rule the inner-city drug trade and floods the streets with a purer product at a better price. Lucas outplays all of the leading crime syndicates and becomes not only one of the city's mainline corrupters, but part of its circle of legit civic superstars. Richie Roberts is an outcast cop close enough to the streets to feel a shift of control in the drug underworld. Roberts believes someone is climbing the rungs above the known Mafia families and starts to suspect that a black power player has come from nowhere to dominate the scene. Both Lucas and Roberts share a rigorous ethical code that sets them apart from their own colleagues, which makes them lone figures on opposite sides of the law. The destinies of these two men will become intertwined as they approach a confrontation in which only one of them can come out on top. (Universal)
| GENRE(S): |
Crime
|
Drama
|
| WRITTEN BY: |
Mark Jacobson (article)
Steven Zaillian
|
| DIRECTED BY: |
Ridley Scott
|
| RELEASE DATE: |
DVD: February 19, 2008
Theatrical: November 2, 2007
|
| RUNNING TIME: |
157 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
New York Post
Lou Lumenick
Denzel Washington dazzles in his best screen performance to date as Frank Lucas.

100
Chicago Sun-Times
Roger Ebert
This is an engrossing story, told smoothly and well, and Russell Crowe's contribution is enormous.

90
Los Angeles Times
Kenneth Turan
Finely made and richly satisfying film.

90
Washington Post
Stephen Hunter
It has the aspirations of an epic of crime and punishment, a superb feel for time and milieu, and an almost subliminal feel for myth.

89
Austin Chronicle
Marc Savlov
Crowe has rarely been better, and the same goes for director Scott, who parallels and then dovetails Lucas and Roberts' stories with sublime, gritty precision, working up to a magnificent "Godfather III"-style crosscutting sequence that electrifies an already explosive tale.

88
Rolling Stone
Peter Travers
Call it the black "Scarface" or "the Harlem Godfather" or just one hell of an exciting movie.

88
Miami Herald
Rene Rodriguez
What American Gangster does have -- what makes it such a commanding, exhilarating movie -- is a consummate love and understanding of story.

88
USA Today
Claudia Puig
The movie, based on a true story, takes surprising twists and turns right up to its chilling ending and is probably the best gangster crime drama of the year.

83
Portland Oregonian
Shawn Levy
This impressive film feels more like a display, if an often dazzling one, than a genuine experience.

83
Seattle Post-Intelligencer
William Arnold
A riveting piece of movie storytelling, mounted with a genuinely epic flair, shot and edited in a no-nonsense, classic style.

83
The Onion (A.V. Club)
Tasha Robinson
Only Washington stands out; he's charming, intense, and charismatic as ever.

80
Wall Street Journal
Joe Morgenstern
In the end, though, the success of American Gangster doesn't flow from the originality of its ideas, or its bid for epic status, as much as from its craftsmanship and confident professionalism. It's a great big gangster film, and a good one.

80
The Hollywood Reporter
Kirk Honeycutt
It's workmanlike and engrossing, but what sticks in the mind are Frank and Richie, not what anybody does.

80
Variety
Todd McCarthy
Absorbing, exciting at times and undeniably entertaining, and is poised to be a major commercial hit. But great it's not.

80
The New Yorker
David Denby
The pace of the movie is rapid, almost hectic, the touch glancing. Until the confrontation between Frank and Richie at the end, nothing stays on the screen for long, although Scott, working in the street, or in clubs and at parties, packs as much as he can into the corners of shots, and shapes even the most casual scenes decisively.

80
Village Voice
J. Hoberman
As archetypal as its title, Ridley Scott's would-be epic aspires to enshrine Harlem dope king Frank Lucas in Hollywood heaven, heir to Scarface and the Godfather. Or, as suggested by the Mark Jacobson article on Lucas that inspired the movie, a real-life Superfly.

80
Time
Richard Schickel
I don't think it attains the Godfather level -- it lacks dark passion and grand-scale irony -- but it is an intelligent, well-made and seductive movie.

75
ReelViews
James Berardinelli
Like in "Training Day" and "Malcolm X," where he portrayed less than perfect individuals, Washington rules the screen. His portrayal is one of many things that elevates this film to the level of being consistently entertaining and occasionally compelling.

75
Entertainment Weekly
Owen Gleiberman
Meticulous and detailed, a drug-world epic that holds you from moment to moment, immersing you in the intricate and sleazy logistics of crime. Yet the movie isn't quite enthralling; it's more like the ghost version of a '70s classic.

75
TV Guide
Maitland McDonagh
Its vivid sense of place and time make it compulsively watchable, even at a running time of two and a half hours.

75
Christian Science Monitor
Peter Rainer
Often best around the edges. Without making a big deal about it, Scott reveals how the Mafia, while putting up a businesslike front, deplored the incursion of black gangsters into the drug trade.

75
San Francisco Chronicle
Mick LaSalle
Ridley Scott gives it the grand treatment, 157 minutes worth, but in the end, it doesn't stack up as the portrait of an era (the 1970s, in this case) or an important tale of a criminal mastermind.

75
The Globe and Mail (Toronto)
Liam Lacey
As an epic, American Gangster doesn't cut it. The reputations of Francis Ford Coppola's "The Godfather," Brian De Palma's "Scarface," Martin Scorsese's "Goodfellas" or Michael Mann's "Heat" are safe. At best, American Gangster is no better than a workmanlike imitation of its betters.

75
Chicago Tribune
Michael Phillips
It’s a big, juicy 1970s period piece, one foot in real life, the other in the movies, the preferred stance of many Hollywood crime sagas.

75
Philadelphia Inquirer
Carrie Rickey
It lacks momentum, and thus the propulsion required to rocket it into the movie mythosphere.

70
The New York Times
Manohla Dargis
Greatness hovers just outside American Gangster, knocking, angling to be let in.

70
Chicago Reader
J.R. Jones
With one of these two alpha males anchoring nearly every scene, Scott really can't go wrong, but the lead characters are pretty thin, a fact highlighted by generic subplots.

70
Slate
Dana Stevens
The movie is never quite pop enough to get audiences hooting and hollering and quoting favorite lines, nor smart enough to inspire passionate post-movie debate. Scene by scene, the film is unassailably well-crafted. But there's something oddly dull, even respectable, about Scott's adherence to the rules of gangster-film grammar.

70
Newsweek
David Ansen
There's a great story here, but it feels like American Gangster hasn't been mined for all its riches.

70
New York Magazine
David Edelstein
For all the sprawl, American Gangster feels secondhand. It’s like "Scarface" drained of blood, at arm’s length from the culture that spawned it.

70
Film Threat
Stina Chyn
The acting is unquestionably strong, the songs are integrated appropriately (functioning as both audio bridges and dramatic enhancements), and yet something is missing in how the individual pieces of the film--the story, the themes, and the violence--fit together.

63
Premiere
Glenn Kenny
The new perspective Scott and Zaillian want to bring to this material never gels convincingly, and despite some effective set pieces, a cast of memorable faces and attitudes, and evocative cinematography by Harris Savides, this would-be epic feels tired and rote.

63
New York Daily News
Jack Mathews
The problem is that the movie spends as much time on the boring detective chasing Lucas as on the drug lord himself.

63
Boston Globe
Wesley Morris
The result is kitschy entertainment that wants to celebrate Lucas's chutzpah and acumen while loosely condemning what they wrought: "Scarface" with a ghost of a conscience.

63
Charlotte Observer
Lawrence Toppman
Steven Zaillian never seems completely at home with these characters, not because he's white but because he's a cerebral screenwriter frustrated with a story that gives him little that's meaningful to say. Like Washington and Crowe, he's a chef functioning here as a short-order cook: The meal's perfectly edible but falls short of delicious.

60
Empire
Ian Freer
An entertaining romp through familiar cop-and-crim cat-and-mousery, bolstered by strong star turns from Washington and Crowe. Still, it has neither the intelligence nor the grip to jump from the merely good to the truly great.

58
Baltimore Sun
Michael Sragow
Misplaced hero-worship and glibness get in the way of its amazing true story.

50
Salon.com
Stephanie Zacharek
Offers only the stingiest platform for its actors, and as a piece of storytelling -- built on the foundation of a great story -- it's an epic that's been sliced and diced into so many little morsels that almost nothing in it has any weight.


The average user rating for this movie is 7.4 (out of 10) based on 156 User Votes
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