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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
57
Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
American Gangster
Universal Pictures
 |
|
FILM:
MPAA RATING: R for violence, pervasive drug content and language, nudity and sexuality
Starring
Denzel Washington,
Russell Crowe,
Cuba Gooding Jr.,
Josh Brolin,
Yul Vazquez,
Armand Assante,
and
Ted Levine
Nobody used to notice Frank Lucas, the quiet driver for one of the inner city's leading black crime bosses. But when his boss suddenly dies, Frank exploits the opening in the power structure to build his own empire and create his own version of the American Dream. Through ingenuity and a strict business ethic, he comes to rule the inner-city drug trade and floods the streets with a purer product at a better price. Lucas outplays all of the leading crime syndicates and becomes not only one of the city's mainline corrupters, but part of its circle of legit civic superstars. Richie Roberts is an outcast cop close enough to the streets to feel a shift of control in the drug underworld. Roberts believes someone is climbing the rungs above the known Mafia families and starts to suspect that a black power player has come from nowhere to dominate the scene. Both Lucas and Roberts share a rigorous ethical code that sets them apart from their own colleagues, which makes them lone figures on opposite sides of the law. The destinies of these two men will become intertwined as they approach a confrontation in which only one of them can come out on top. (Universal)
| GENRE(S): |
Crime
|
Drama
|
| WRITTEN BY: |
Mark Jacobson (article)
Steven Zaillian
|
| DIRECTED BY: |
Ridley Scott
|
| RELEASE DATE: |
DVD: February 19, 2008
Theatrical: November 2, 2007
|
| RUNNING TIME: |
157 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
New York Post
Lou Lumenick
Denzel Washington dazzles in his best screen performance to date as Frank Lucas.

100
Chicago Sun-Times
Roger Ebert
This is an engrossing story, told smoothly and well, and Russell Crowe's contribution is enormous.

90
Los Angeles Times
Kenneth Turan
Finely made and richly satisfying film.

90
Washington Post
Stephen Hunter
It has the aspirations of an epic of crime and punishment, a superb feel for time and milieu, and an almost subliminal feel for myth.

89
Austin Chronicle
Marc Savlov
Crowe has rarely been better, and the same goes for director Scott, who parallels and then dovetails Lucas and Roberts' stories with sublime, gritty precision, working up to a magnificent "Godfather III"-style crosscutting sequence that electrifies an already explosive tale.

88
Rolling Stone
Peter Travers
Call it the black "Scarface" or "the Harlem Godfather" or just one hell of an exciting movie.

88
Miami Herald
Rene Rodriguez
What American Gangster does have -- what makes it such a commanding, exhilarating movie -- is a consummate love and understanding of story.

88
USA Today
Claudia Puig
The movie, based on a true story, takes surprising twists and turns right up to its chilling ending and is probably the best gangster crime drama of the year.

83
Portland Oregonian
Shawn Levy
This impressive film feels more like a display, if an often dazzling one, than a genuine experience.

83
Seattle Post-Intelligencer
William Arnold
A riveting piece of movie storytelling, mounted with a genuinely epic flair, shot and edited in a no-nonsense, classic style.

83
The Onion (A.V. Club)
Tasha Robinson
Only Washington stands out; he's charming, intense, and charismatic as ever.

80
Wall Street Journal
Joe Morgenstern
In the end, though, the success of American Gangster doesn't flow from the originality of its ideas, or its bid for epic status, as much as from its craftsmanship and confident professionalism. It's a great big gangster film, and a good one.

80
The Hollywood Reporter
Kirk Honeycutt
It's workmanlike and engrossing, but what sticks in the mind are Frank and Richie, not what anybody does.

80
Variety
Todd McCarthy
Absorbing, exciting at times and undeniably entertaining, and is poised to be a major commercial hit. But great it's not.

80
The New Yorker
David Denby
The pace of the movie is rapid, almost hectic, the touch glancing. Until the confrontation between Frank and Richie at the end, nothing stays on the screen for long, although Scott, working in the street, or in clubs and at parties, packs as much as he can into the corners of shots, and shapes even the most casual scenes decisively.

80
Village Voice
J. Hoberman
As archetypal as its title, Ridley Scott's would-be epic aspires to enshrine Harlem dope king Frank Lucas in Hollywood heaven, heir to Scarface and the Godfather. Or, as suggested by the Mark Jacobson article on Lucas that inspired the movie, a real-life Superfly.

80
Time
Richard Schickel
I don't think it attains the Godfather level -- it lacks dark passion and grand-scale irony -- but it is an intelligent, well-made and seductive movie.

75
ReelViews
James Berardinelli
Like in "Training Day" and "Malcolm X," where he portrayed less than perfect individuals, Washington rules the screen. His portrayal is one of many things that elevates this film to the level of being consistently entertaining and occasionally compelling.

75
Entertainment Weekly
Owen Gleiberman
Meticulous and detailed, a drug-world epic that holds you from moment to moment, immersing you in the intricate and sleazy logistics of crime. Yet the movie isn't quite enthralling; it's more like the ghost version of a '70s classic.

75
TV Guide
Maitland McDonagh
Its vivid sense of place and time make it compulsively watchable, even at a running time of two and a half hours.

75
Christian Science Monitor
Peter Rainer
Often best around the edges. Without making a big deal about it, Scott reveals how the Mafia, while putting up a businesslike front, deplored the incursion of black gangsters into the drug trade.

75
San Francisco Chronicle
Mick LaSalle
Ridley Scott gives it the grand treatment, 157 minutes worth, but in the end, it doesn't stack up as the portrait of an era (the 1970s, in this case) or an important tale of a criminal mastermind.

75
The Globe and Mail (Toronto)
Liam Lacey
As an epic, American Gangster doesn't cut it. The reputations of Francis Ford Coppola's "The Godfather," Brian De Palma's "Scarface," Martin Scorsese's "Goodfellas" or Michael Mann's "Heat" are safe. At best, American Gangster is no better than a workmanlike imitation of its betters.

75
Chicago Tribune
Michael Phillips
It’s a big, juicy 1970s period piece, one foot in real life, the other in the movies, the preferred stance of many Hollywood crime sagas.

75
Philadelphia Inquirer
Carrie Rickey
It lacks momentum, and thus the propulsion required to rocket it into the movie mythosphere.

70
The New York Times
Manohla Dargis
Greatness hovers just outside American Gangster, knocking, angling to be let in.

70
Chicago Reader
J.R. Jones
With one of these two alpha males anchoring nearly every scene, Scott really can't go wrong, but the lead characters are pretty thin, a fact highlighted by generic subplots.

70
Slate
Dana Stevens
The movie is never quite pop enough to get audiences hooting and hollering and quoting favorite lines, nor smart enough to inspire passionate post-movie debate. Scene by scene, the film is unassailably well-crafted. But there's something oddly dull, even respectable, about Scott's adherence to the rules of gangster-film grammar.

70
Newsweek
David Ansen
There's a great story here, but it feels like American Gangster hasn't been mined for all its riches.

70
New York Magazine
David Edelstein
For all the sprawl, American Gangster feels secondhand. It’s like "Scarface" drained of blood, at arm’s length from the culture that spawned it.

70
Film Threat
Stina Chyn
The acting is unquestionably strong, the songs are integrated appropriately (functioning as both audio bridges and dramatic enhancements), and yet something is missing in how the individual pieces of the film--the story, the themes, and the violence--fit together.

63
Premiere
Glenn Kenny
The new perspective Scott and Zaillian want to bring to this material never gels convincingly, and despite some effective set pieces, a cast of memorable faces and attitudes, and evocative cinematography by Harris Savides, this would-be epic feels tired and rote.

63
New York Daily News
Jack Mathews
The problem is that the movie spends as much time on the boring detective chasing Lucas as on the drug lord himself.

63
Boston Globe
Wesley Morris
The result is kitschy entertainment that wants to celebrate Lucas's chutzpah and acumen while loosely condemning what they wrought: "Scarface" with a ghost of a conscience.

63
Charlotte Observer
Lawrence Toppman
Steven Zaillian never seems completely at home with these characters, not because he's white but because he's a cerebral screenwriter frustrated with a story that gives him little that's meaningful to say. Like Washington and Crowe, he's a chef functioning here as a short-order cook: The meal's perfectly edible but falls short of delicious.

60
Empire
Ian Freer
An entertaining romp through familiar cop-and-crim cat-and-mousery, bolstered by strong star turns from Washington and Crowe. Still, it has neither the intelligence nor the grip to jump from the merely good to the truly great.

58
Baltimore Sun
Michael Sragow
Misplaced hero-worship and glibness get in the way of its amazing true story.

50
Salon.com
Stephanie Zacharek
Offers only the stingiest platform for its actors, and as a piece of storytelling -- built on the foundation of a great story -- it's an epic that's been sliced and diced into so many little morsels that almost nothing in it has any weight.


The average user rating for this movie is 7.4 (out of 10) based on 165 User Votes
Note: User votes are NOT included in the Metascore calculation.
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