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Stars indicate the most critically-acclaimed movies.
American Splendor

Universal acclaim
Based on 42 critic reviews
How did we calculate this?
Based on 41 votes
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Movie Info
Genre(s): Drama
Written by:
Shari Springer Berman
Robert Pulcini
Harvey Pekar (comic book series American Splendor)
Joyce Brabner (comic book series Our Cancer Year)
Directed by:
Shari Springer Berman
Robert Pulcini
Release Date:
Theatrical: August 15, 2003
DVD: February 3, 2004
Running Time: 100 minutes, Color
Origin: USA
Summary
RATING: R for language
Starring Paul Giamatti, Hope Davis, Harvey Pekar, James Urbaniak, and Judah Friedlander
The true saga of a working-class Everyman who pursues self-expression without self-censorship -- and finds a grateful audience, critical admiration, and that most remarkable of happy endings, a loving family. (Fine Line Features)
Also On Metacritic
FILM: The Nanny Diaries
Also On The Web: Internet Movie Database View The Trailer Official Studio Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
San Francisco Chronicle Mick LaSalle
It's a humane and witty treatment of an average life that, incidentally, speaks to the worth and inherent drama of average lives.
Read Full Review >Boston Globe Ty Burr
The movie is pricelessly comic -- the Harvey/Joyce scenes catalog the couple's neuroses with glee -- but it just as often reaches for something richer.
Read Full Review >Wall Street Journal Joe Morgenstern
Pirandello didn't have a patch on its complexities. Here's a popular entertainment with an eclectic soundtrack raising penetrating questions of identity in astonishing sequences that interweave live action with comic-book art.
Read Full Review >USA Today Mike Clark
Produced by HBO but too good not to play theaters, this soon-to-be minor classic is the best movie about society's untrendiest since "Ghost World" exactly two years ago.
Read Full Review >Chicago Sun-Times Roger Ebert
This film is delightful in the way it finds its own way to tell its own story. There was no model to draw on, but Shari Springer Berman and Robert Pulcini, who wrote and directed it, have made a great film by trusting to Pekar's artistic credo.
Read Full Review >Christian Science Monitor David Sterritt
Filmed and acted to near perfection, it's one of the year's most innovative and exciting pictures.
Read Full Review >Entertainment Weekly Lisa Schwarzbaum
American Splendor presents Pekar as drawn on the page, Pekar as brilliantly interpreted by Paul Giamatti, and the actual Pekar, in the double role of narrator and interview subject -- sometimes all at once. The magic act is thrilling, and truly surprising.
Read Full Review >Premiere Glenn Kenny
One of the funniest, smartest, most moving pictures of the year.
Read Full Review >Seattle Post-Intelligencer Sean Axmaker
In the world of comic-book movies, American Splendor is the real deal, the warts-and-all adventures of the most unlikely hero on the comic stands.
Read Full Review >Washington Post Stephen Hunter
The genius of the film is its utter commitment to the Pekar point of view.
Read Full Review >Variety Scott Foundas
Sad, tender, wise and beautiful film... It's a profound tribute to lives lived on the fringes of society -- to the introspective loners who are the most observant chroniclers of our times.
Read Full Review >Film Threat Merle Bertrand
One of the most wildly original, dryly comical, and smartly structured films ever created.
Read Full Review >Salon.com Stephanie Zacharek
A narrative picture with many of the qualities of a documentary, not to mention a comic book -- is one of those rare, inventively made movies that isn't so taken with its own novelty it loses sight of its characters. Its warmth is for real, and it enwraps you.
Read Full Review >The New Yorker Anthony Lane
That is the quiet triumph of American Splendor: behind the playfulness, it cleaves to an oddly old-fashioned belief that a life, even a life as mangy as Mr. Pekars, gains in depth and darkness when it is crosshatched with the imaginary. The nerd needs no revenge. [18 & 25 August 2003, p. 150]
LA Weekly Scott Foundas
Its our great good fortune, and Pekar's, that this movie -- which won the Grand Jury Prize at this year's Sundance Film Festival, followed by the FIPRESCI Award at Cannes -- is as true to the dyspeptic spirit of its source as anyone could have imagined.
Read Full Review >Dallas Observer Robert Wilonsky
A gentle, frank, and often hysterical love story about two people destined, and occasionally doomed, to be together forever. Some of us should be as lucky, as blessed, as Harvey Pekar.
Read Full Review >Newsweek David Ansen
A painfully funny movie. Theres nothing in the history of movie courtship quite like the first meeting between Pekar and his future wife and fellow depressive, Joyce Brabner.
Read Full Review >New York Magazine Peter Rainer
It would be a mistake to regard American Splendor as an anthem for the common man. It is the UNCOMMON that is being celebrated here.
Read Full Review >Film Threat Mark Sells
Though it has many moments of sarcasm and humor, the overall tone, like the comics themselves, is a depressing one.
Read Full Review >Charlotte Observer Lawrence Toppman
A feature film as odd, personal and sometimes mundane as his (Pekar) comics.
Read Full Review >New York Post Lou Lumenick
Davis, a hugely underrated actress..., is deadpan perfection as Joyce, wearing oversized glasses and a wig that makes her look like an older version of Thora Birch's character in "Ghost World."
Read Full Review >Miami Herald Rene Rodriguez
American Splendor reminds you that sometimes, simply getting out of bed each morning can be the most heroic of acts.
Read Full Review >Rolling Stone Peter Travers
Not your typical biopic. But it is one of the best times you'll have at the movies this year.
Read Full Review >New York Daily News Jack Mathews
As inventive as "Being John Malkovich," as psychologically quirky as "Ghost World" and as honest as the day is long.
Read Full Review >ReelViews James Berardinelli
American Splendor is deserving of accolades, not only because it tells an interesting story about a fascinating man, but because it does so with such freedom and freshness. I wish more of the comic book-inspired movies were like this.
Read Full Review >Philadelphia Inquirer Carrie Rickey
The film has the dog-eared look of a homemade valentine and the improvised sound of '60s jazz, courtesy of a score by Mark Suozzo and a spirited soundtrack including Marvin Gaye's "Ain't That Peculiar," which might be the film's anthem.
Read Full Review >The Globe and Mail (Toronto) Liam Lacey
The best American movie so far this year.
Read Full Review >Chicago Tribune Mark Caro
Such a stylistic inconsistency might be bothersome in another film, but here it's just part of the texture.
Read Full Review >Baltimore Sun Michael Sragow
One genuine small triumph of American Splendor is that the title isn't ironic. The movie is a splendid, inventive piece of urban Americana about that hardboiled original, Harvey Pekar.
Read Full Review >Slate David Edelstein
The film isn't in the same key as Pekar's comic: The tempo is buoyant, puckish, and even more "meta" than the original.
Read Full Review >Los Angeles Times Manohla Dargis
Biographies of living people are tricky if for no other reason than a biographer can sometimes feel protective of his or her subject. Berman and Pulcini obviously adore Pekar, but by not getting out of his head more often and taking him on his own harsh terms, they blow the chance to dig as deep as the source.
Read Full Review >The Onion (A.V. Club) Scott Tobias
With a lovably cantankerous sense of humor and an honest strain of hard realism and pathos, the film thrives on the tension that comes from an artist who devotes himself to the truth, but watches his image get away from him.
Read Full Review >The New York Times A.O. Scott
There's as much at stake in the hilarious, moody and cantankerous film adaptation of "Splendor" as there was in this summer's other movies of comic-book antiheroes like "The Hulk" and "The League of Extraordinary Gentlemen."
Read Full Review >Chicago Reader Jonathan Rosenbaum
I can't say that this feature by Shari Springer Berman and Robert Pulcini, about the life and art of Harvey Pekar, made me want to run out and buy his comic books, but it does offer a highly interesting and original introduction to them.
Read Full Review >Empire Caroline Westbrook
It's an hilarious, touching reminder that, sometimes, ordinary folk have the world's most interesting lives.
Read Full Review >TV Guide Maitland McDonagh
Pekar's autobiographical chronicle of day-to-day banality is a rich, if dingy, tapestry of ordinary life in all its infinite, homely peculiarity, which filmmakers Sheri Springer Berman and Robert Pulcini bring to uniquely eccentric life.
Read Full Review >What Our Users Said
The average user rating for this movie is 8.0 (out of 10) based on 41 User Votes
Note: User votes are NOT included in the Metascore calculation.
Christopher J. gave it a4:
I was excited about watching it, but then I didn't like it that much. It seemed to me like to much unjustified bitterness, if I remember correctly. I tried to watch it again, but I fell asleep.
Buttered P. gave it a10:
I've seen this move twice and I have to say, it's one of the best I've seen in some time. A great deal of humor lies just beneath the surface, and often times, it's just the absurdity and irony of the situation that is so unbelievably funny. Very inventive mingling of real people with their onscreen correlatives, and while this may be the one movie you'd think would not stoop to a happy ending.... well, see for yourself.
russell kruz gave it a10:
fantastic film.
R. Dalvi gave it a10:
Excellent. Liked the comedy as well as the dramedy. There was the nerd thing which I liked as well. Good movie.
J. Ryan G. gave it a7:
Technique gets in the way of substance on more than one occasion, but there is plenty of substance here. As a friend once told me, this film is about dreadfully ordinary people becoming something close to extraordinary, looking quite peculiar all the while. If only there were more SCENES - I mean whole, uncut, untouched, straightforward, unabashedly confident and beautiful SCENES.
[Anonymous] gave it a1:
Boring and more annyoing than most. one of the worst films since Prince Valiant.
Mike N. gave it a 10:
The only thing more amazing about this movie than the acting and plot was the way it was filmed. beautiful mix of reality and filming.
