Now Playing
Critics & Publications
Archives: A-Z Index
Advanced Search

Upcoming Release Calendar
Weekend Box Office
Film Awards & Top 10s By Year
All-Time High Scores
All-Time Low Scores
How Metascores Are Calculated
Discuss Film In Our Forums

sort by name

sort by score

20 American Carol, An
26 Babylon A.D.
24 Bangkok Dangerous
41 Beverly Hills Chihuahua
45 Blindness
58 Body of Lies
63 Burn After Reading
58 City of Ember
15 College
82 Dark Knight, The
43 Death Race
15 Disaster Movie
43 Eagle Eye
58 Express, The
49 Family That Preys, The
57 Flash of Genius
36 Fly Me to the Moon
54 Get Smart
72 Ghost Town
55 House Bunny, The
35 How to Lose Friends & Alienate People
65 Indiana Jones and the Kingdom of the Crystal Skull
57 Journey to the Center of the Earth 3D
73 Kung Fu Panda
46 Lakeview Terrace
52 Longshots, The
53 Lucky Ones, The
51 Mamma Mia!
xx Max Payne
43 Meet Dave
37 Miracle at St. Anna
35 Mirrors
34 My Best Friend's Girl
64 Nick and Norah's Infinite Playlist
39 Nights in Rodanthe
53 Quarantine
36 Righteous Kill
53 Rocker, The
52 Secret Life of Bees, The
48 Sex Drive
63 Sisterhood of the Traveling Pants 2, The
36 Space Chimps
35 Star Wars: The Clone Wars
47 Swing Vote
60 Traitor
71 Tropic Thunder
70 Vicky Cristina Barcelona
93 WALL-E
27 Women, The
47 X-Files: I Want to Believe, The

Stars indicate the most critically-acclaimed movies.

sort by name

sort by score

xx All of Us
53 Allah Made Me Funny: Live in Concert
57 Amazing Truth About Queen Raquela, The
63 Appaloosa
68 Ashes of Time Redux
68 August Evening
62 Baghead
83 Ballast
55 Battle in Seattle
xx Beer for My Horses
xx Billy: The Early Years
63 Boogie Man: The Lee Atwater Story
56 Bottle Shock
50 Breakfast with Scot
61 Brick Lane
43 Call and Response
49 Children of Huang Shi, The
47 Choke
43 Choose Connor
41 Cthulhu
62 Duchess, The
85 Edge of Heaven, The
66 Elegy
xx Elephant King, The
80 Encounters at the End of the World
26 Everybody Wants to Be Italian
64 Fall, The
28 Filth and Wisdom
28 Fireproof
65 Flow: For Love of Water
37 Forever Strong
xx Frontrunners
82 Frozen River
73 Girl Cut in Two, A
73 Gonzo: The Life and Work of Dr. Hunter S. Thompson
51 Good Dick
82 Happy-Go-Lucky
44 Henry Poole is Here
31 Hounddog
53 Humboldt County
72 I Served the King of England
68 I.O.U.S. A
40 Igor
64 In Search of a Midnight Kiss
xx Just Buried
62 Kabluey
63 Kit Kittredge: An American Girl
78 Last Mistress, The
xx Lower Learning
63 Man Named Pearl, A
89 Man on Wire
xx Mary
62 Mister Foe
86 Momma's Man
xx Morning Light
80 Moving Midway
53 Nights and Weekends
73 Obscene
xx Phoebe in Wonderland
55 Ping Pong Playa
76 Pool, The
82 Rachel Getting Married
56 Religulous
56 RocknRolla
55 Save Me
72 Secret, A
45 Shoot on Sight
57 Sixty Six
82 Tell No One
63 Thousand Years of Good Prayers, A
57 Towelhead
72 Transsiberian
83 Trouble the Water
xx Tru Loved
83 U2 3D
84 Up the Yangtze
52 Virtual JFK: Vietnam If Kennedy Had Lived
79 Visitor, The
46 W.
61 Wackness, The
52 What Just Happened?
66 When Did You Last See Your Father?

Stars indicate the most critically-acclaimed movies.

Apocalypto
Buena Vista Pictures


7.1

based on 37 reviews
Read critic reviews
How did we calculate this?

based on 285 votes
Read user comments
Rate this movie

FILM:

MPAA RATING: R for sequences of graphic violence and disturbing images

Starring Rudy Youngblood, Dalia Hernandez, Jonathan Brewer, Morris Birdyellowhead, Carlos Emilio Baez, Ramirez Amilcar, Israel Contreras, and Israel Rios

A heart stopping mythic action-adventure set against the turbulent end times of the once great Mayan civilization. (Touchstone)

GENRE(S):	Action \| Adventure \| Drama
WRITTEN BY:	Mel Gibson Farhad Safinia
DIRECTED BY:	Mel Gibson
RELEASE DATE:	DVD: May 22, 2007 Theatrical: December 8, 2006
RUNNING TIME:	136 minutes, Color
ORIGIN:	USA
LANGUAGE(S):	Maya (with English subtitles)

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100

Variety Todd McCarthy

Mel Gibson is always good for a surprise, and his latest is that Apocalypto is a remarkable film. Set in the waning days of the Mayan civilization, the picture provides a trip to a place one's never been before, offering hitherto unseen sights of exceptional vividness and power.

100

LA Weekly Scott Foundas

For those of us who prefer to judge Gibson solely in terms of his art, the movie is a virtuosic piece of action cinema -- particularly in its second half...And while there has been no shortage of recent films that decry the horrors of war and man's inhumanity to his fellow man, I know of none other quite this sickeningly powerful.

100

Chicago Reader J.R. Jones

The production design is superb, and the actors deliver their dialogue in subtitled Yucatecan Maya, but despite all the anthropological drag, this is really just a crackerjack Saturday-afternoon serial.

Seattle Post-Intelligencer William Arnold

For all its excesses, it's an absorbing, disturbing, savagely beautiful "trip" movie, and an extraordinary -- perhaps even outrageous -- personal vision of the one A-list filmmaker who truly deserves the adjective "maverick."

Washington Post Stephen Hunter

Gibson may not be much of a deep thinker, but he's a heck of a storyteller. Apocalypto turns out to be not a case of Montezuma's revenge but of Gibson's: It's something entirely unexpected, a sinewy, taut poem of action.

Rolling Stone Peter Travers

Gibson has made a film of blunt provocation and bruising beauty.

TV Guide Maitland McDonagh

Barbarously beautiful and gut-wrenchingly (literally) violent, it's a mesmerizing vision of the past refracted through the dark obsessions of the present.

Miami Herald Connie Ogle

Awe-inspiring and harrowing, vile and beautiful, as wild and mesmerizing as the Mexican jungle in which it is filmed and one of the most relentlessly thrilling films of the year.

Philadelphia Inquirer Steven Rea

The heart of the matter - and the viscera - is the action, and one man's determination to survive. Apocalypto is primal.

ReelViews James Berardinelli

The best thing I can say about Apocalypto is that, despite belonging to an overpopulated genre, it's unlike any other movie to reach theaters this year and, because it is as visual an experience as it is visceral, it is best seen on a large screen.

The Onion (A.V. Club) Tasha Robinson

The whole film is too reliant on action-movie cuts and zooms, plus James Horner's insistent score, but it's beautifully rendered and convincingly exciting.

Wall Street Journal Joe Morgenstern

By the end I felt sure it was the most obsessively, graphically violent film I'd ever seen, but equally sure that Apocalypto is a visionary work with its own wild integrity. And absolutely, positively convinced that seeing it once is enough for one lifetime.

The Hollywood Reporter Kirk Honeycutt

The guy knows how to make a heart-pounding movie; he just happens to be a cinematic sadist.

Newsweek David Ansen

The film is mostly successful in transporting the viewer to another age: the costumes, the body markings, the fierce Mayan masks, all feel right. And keeping the dialogue in subtitles was a smart move. Even better are the faces, which never fail to fascinate. But for all the anthropological research that went into the movie, what is Apocalypto trying to say?

New York Magazine David Edelstein

Apocalypto turns into the best "Rambo" movie ever made. The worrisome part is that Gibson doesn't think he's making a boneheaded action picture. For him, torture and vengeance are the way of the world. This is Gibsonian metaphysics.

The New Yorker Anthony Lane

That is the thing about Gibson, fool that he is in other ways: he has learned how to tell a tale, and to raise a pulse in the telling. You have to admire that basic gift, uncommon as it is in Hollywood these days.

Austin Chronicle Marjorie Baumgarten

Apocalypto is a dazzling achievement. Not only does it showcase a civilization little seen on the silver screen, the film (which opens with a quote from Will Duant) also advances larger questions about the natural and unnatural life cycles of civilizations.

Entertainment Weekly Lisa Schwarzbaum

There's so much dark material jammed into this complicated, conflicted, challenging, and charismatic man's (Gibson) own noggin that sometimes he knows not, I think, what he's done. Here, behold, Mel Gibson has made the weirdest, most violent movie of the year.

Portland Oregonian Shawn Levy

It's possible for a despicable heart and mind to make great art. And if Gibson hasn't quite done that with Apocalypto, he's nevertheless made an impressive and engrossing film. If you choose out of hand to miss it, which is your right, you'll be missing something.

Boston Globe Ty Burr

Say what you will about Gibson, but he's a genuine filmmaker, and Apocalypto gallops along the thin line between the deluded and the inspired with such conviction that you're yanked into its wake.

Film Threat Pete Vonder Haar

Say what you want about Mel Gibson, but that sadomasochistic anti-Semite knows how to shoot a movie.

New York Daily News Jack Mathews

Apocalypto exists solely as an action-adventure and a deft cinematic demonstration of man's capacity for cruelty. This is the true passion of Mel.

The Globe and Mail (Toronto) Rick Groen

A lotta woe to sit through, with not much to think about and only one matter to address. After the two hours-plus have sped by with brutal alacrity, all that's left is for the survivors of the bloodbath to hose down and suss out a "new beginning." I'm still searching for mine, but you might have better luck.

The New York Times A.O. Scott

Neither Mr. Gibson’s fans nor his detractors are likely to accuse him of excessive subtlety, and the effectiveness of Apocalypto is inseparable from its crudity. But the blunt characterizations and the emphatic emotional cues are also evidence of the director’s skill.

Time Richard Schickel

Gibson is a primitive all right, but so were Cecil B. DeMille and D.W. Griffith, and somehow we survived their idiocies.

Empire Staff (Not credited)

Dextrous with the action-adventure elements but clumsy in its handling of the central message, Apocalypto is a strange but largely entertaining mix of action, bloodletting, chin-rubbing and arthouse trimmings.

Christian Science Monitor Peter Rainer

It's difficult to imagine the target audience for this film. Gangbangers, perhaps?

Los Angeles Times Kenneth Turan

Numerous good things can be said about Apocalypto, the director's foray into the decaying Mayan civilization of the early 1500s, but every last one of them is overshadowed by Gibson's well-established penchant for depictions of stupendous amounts of violence.

Chicago Tribune Michael Phillips

With "Braveheart," "Passion" and now Apocalypto, Gibson clearly has established his priorities as a director. History is gore, plus a few hearthside family interludes. The trick is instilling the audience with enough rageful bloodlust to make the story work.

Slate Dana Stevens

I could go on about the beautifully detailed production design, the fresh performances from unknown and often nonprofessional actors, blabbety blah. But praising the movie's craftsmanship seems less urgent than communicating the overwhelming experience of watching it: the clammy, claustrophobic dread of being trapped in a torture chamber.

New York Post Lou Lumenick

Gibson sure knows how to shoot a sequence, but he also doesn't know when to stop with the blood, gore and maiming.

San Francisco Chronicle Mick LaSalle

Yet Apocalypto has to be respected for the sheer audacity of it, for the commitment and ambition behind it, and for its presentation of a complete other world. It is the furthest thing from a cynical or casual piece of work. It's crazy, and it moves.

Baltimore Sun Michael Sragow

But even those who succumb to his primitive, survivalist vision may resent the way he presents every kind of atrocity at least twice without illuminating any of the exotic details once.

Salon.com Andrew O'Hehir

A relentlessly gruesome, visually impressive and ultimately not very interesting movie with some pretensions to seriousness.

Village Voice J. Hoberman

Not just a walk in the park with Mel and the guys (in this case a large cast of mainly Mexican Indians speaking present- day Yucatec), this lavishly punishing picture is the third panel in Gibson's "Ordeal" triptych. The Martyrdom of the Braveheart and The Passion of the Christ have nothing on The Misadventures of the Jaguar Paw.

USA Today Claudia Puig

The movie is so impressionistic, it obfuscates any sense of history. We expect at least a hint at the causes of the Mayan Empire's demise, but instead we get Mesoamerican Rambo.

Charlotte Observer Lawrence Toppman

It's "Braveheart" without historical significance and "Passion" without spirituality, though it dabbles in both, and it represents as brazen an act of career suicide as I can recall from a star director. If he were a first-timer, he'd never work again.

The average user rating for this movie is 7.1 (out of 10) based on 285 User Votes
Note: User votes are NOT included in the Metascore calculation.

Dion K. gave it a10:
JUST BRILLIANT!!!! Can't get enough of it... Mel Gibson is a genius and for those of you who didn't enjoy it, you should get educated on Mayan culture which was so well pictured. There is brutal violence and it is a hard to watch movie but it IS The HISTORY, this is real, just thank God you didn't live those days. And if you find Jurassic Park, Spiderman, Star Wars, Matrix or Transformers better done, they you need to grow up! This movie is EXCEPTIONALLY inspiring. It blew my mind for daaays now. Just got back from Mayan Riviera and been studying mayan civilization for awhile. It was great to get an ide of what happened their at the ruin sites. Great job on costumes and make-up, they were almost described to a tee. Thank you for making such a GREAT movie. Would love to see the Incas next.

bob c. gave it a10:
Alex S. got it ALL correct..Mel's a great movie maker. I'm sick to death of smarmy so called movie critics who by and large, are self appointed seeing themselves as omnipotent arbiters of our entertainment..I would like to drop them back at the temple altar and see how they'd rate his accuracy. Mel .. love ya work!

Shelby J. gave it a10:
I loved the movie. I think it was exciting and there was never a dull moment. I think that they should have more movies about this.

Dan C. gave it an8:
This is an extremely effective and engrossing piece of story telling. Mel Gibson has a real talent for putting action on the screen within a larger and more meaningful context. The design and visuals are stunning, the action is extremely well done, and the acting is quite good as well. The squeamish critics are a mystery to me - the blood here serves a purpose, tells a compelling story, and is realistic, not gratuitous. All in all, a very good movie experience. Very much worth seeing.

Martina C. gave it a10:
Brilliant, inspiring, and very bloody. But I couldn't take my eyes of the screen. Gibson is brilliant story teller. The point is that while they are killing each other, bigger beast is coming to wipe them out. It's to remind us to live today for the moment, because there may not be another chance to do or say what we always wanted to.

Alex S. gave it a10:
The overwhelming majority of people critiquing the movie have two arguments: excessive gore and lack of insight on the Mayan empire. Guess what, the movie was not about that in the first place. You loath blood, open your eyes, see the R rating and than buzz off. You want documentary on Mayan empire – go to the library and get what you seek. I watched this movie to get thrilled, to lose myself in the time long past, to see characters long dead but brought back to life. Characters infused with more vitality than most people I know surrounding me today possess, and I guess with much more vitality than most of the prudish, pedantic and snobbish vegetables that call themselves critics… As for critics griping about lack of plot… Well there is no clear cut plot line, granted… But you know what, Einstein was a Genius that made silly jokes, stuck his tongue out at people and his personal life was a shambles. I guess you could say that his life had no plot either, but he was a Genius for all that. I mean you don’t have to toe all the conventional lines (like plot development) to be considered great. This movie elicited the same connotation in me… It’s not just blood and wild chase.. You just have to see beyond that, it touches on numerous subjects: real friendship and family values, the ancestral heritage and importance of taking care of your close ones and place you live in, it shows what true love is capable of achieving, it conveys the message that the world has always been cruel and hard and merciless but people that believe in themselves and in good things it brings to us can change it for the better, it warns us to always stay alert and be prepared to protect and defend what we hold dear and what we could lose at the snap of the finger due to complacency etc etc… As they say opinions differ and I don’t expect everybody to like Gibon’s work but the men’s movies are the goods! This is one of the few movies I have ever seen that I wished just would not end as it went on…. Yes I can say that it inspired me…

Acelle J. gave it a10:
This is the GREATEST movie I have ever seen! Mel Gibson is the BESTt actor and director! Much RESPECT!

Apocalypto Buena Vista Pictures

Apocalypto
Buena Vista Pictures