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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
57
Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Assassination of Jesse James by the Coward Robert Ford, The
Warner Bros. Pictures
FILM:
MPAA RATING: R for some strong violence and brief sexual references
Starring
Brad Pitt,
Casey Affleck,
Zooey Deschanel,
Mary-Louise Parker,
Sam Rockwell,
and
Paul Schneider
The Assassination of Jesse James by the Coward Robert Ford delves into the private life and public exploits of America's most notorious outlaw. As the charismatic and unpredictable Jesse James plans his next great robbery, he wages war on his enemies, who are trying to collect the reward money--and the glory--riding on his capture. But the greatest threat to his life may ultimately come from those he trusts the most. (Universal Pictures)
| GENRE(S): |
Action
|
Drama
|
Western
|
| WRITTEN BY: |
Ron Hansen (novel)
Andrew Dominik
|
| DIRECTED BY: |
Andrew Dominik
|
| RELEASE DATE: |
DVD: February 5, 2008
Theatrical: September 21, 2007
|
| RUNNING TIME: |
160 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Entertainment Weekly
Lisa Schwarzbaum
The nervy style of this newfangled Western, with its eerie, insinuating score by Nick Cave and Warren Ellis, is so effective that long after Pitt and Affleck have left the screen, emotional disturbance lingers like gun smoke.

100
USA Today
Claudia Puig
Though there is plenty of gunplay, this is a wondrously contemplative and poetic saga that offers a fresh and bewitching take on a timeworn genre.

100
The Onion (A.V. Club)
Scott Tobias
A peculiar and destabilizing tone that's far from the standard Hollywood oater, but entirely fitting for two larger-than-life characters fulfilling their roles in history.

100
Empire
Ian Nathan
An extraordinary and visionary study of a legendary murderer’s famous fate, within touching distance of Oscars.

91
Seattle Post-Intelligencer
Sean Axmaker
Pitt won the Best Actor award at Venice for his Jesse...Yet it's Affleck who impresses most as the wary, skittish Bob.

90
Variety
Todd McCarthy
One of the best Westerns of the 1970s, which represents the highest possible praise. It's a magnificent throwback to a time when filmmakers found all sorts of ways to refashion Hollywood's oldest and most durable genre.

88
Rolling Stone
Peter Travers
Artfully exciting and compulsively watchable even at a butt-numbing 152 minutes, the film makes good on the promise New Zealand writer-director Andrew Dominik showed with "Chopper" in 2000.

88
Premiere
Glenn Kenny
Proceeds at a very stately pace, hoping the otherworldly mood of its detailed recreation of the old West might seep into the viewer's bones. This viewer did, as it happens, fall under the film's spell.

88
Chicago Sun-Times
Roger Ebert
Here is another Western in the classical tradition.

88
Chicago Tribune
Michael Phillips
It is a film, often breathtaking without settling for being pretty, filled with nervous silence.

83
Portland Oregonian
Shawn Levy
Mournful and moody, crepuscular and poetic, The Assassination of Jesse James by the Coward Robert Ford turns one of cinema's most rehearsed tales into a dreamy inquiry into the nature of sadism, hero-worship and betrayal.

83
Christian Science Monitor
Peter Rainer
I wish this movie wasn't so purposefully elegiac and attenuated – at times it's like a middling Terrence Malick fantasia – but it's well worth sitting through.

78
Austin Chronicle
Josh Rosenblatt
No one in the movie is entirely right in the head, least of all James, whose rapidly disintegrating sanity provides Pitt with his juiciest role since "Snatch," one he chomps into with all the relish of a guy who’s been playing suave leading men for too long.

75
New York Daily News
Jack Mathews
Does something no other Jesse James movie has done: It tells the truth.

70
Film Threat
Matthew Sorrento
In a case where the most dangerous are kept dangerously close, here we have a rarity: a suspenseful, yet dramatic Western.

70
Wall Street Journal
Joe Morgenstern
The language of its narrative, like that of its characters, may be elevated -- a literary Western version of Damon Runyon -- but the words are intriguing, challenging and, occasionally, very funny.

63
Charlotte Observer
Lawrence Toppman
I can tell you in nine words whether you'll want to see The Assassination of Jesse James by the Coward Robert Ford: Writer-director Andrew Dominik wants to be Terrence Malick.

63
Boston Globe
Wesley Morris
The movie dreamily conjures up the outlaw's last months, and it's gorgeous, but long, cumbersome, and slightly shallow.

63
ReelViews
James Berardinelli
It’s far less engaging than the recent "3:10 to Yuma" remake and concentrates more on the details than the broad picture.

63
The Globe and Mail (Toronto)
Liam Lacey
A long, ambitious, fitfully rewarding movie, The Assassination of Jesse James by the Coward Robert Ford is less about the gun-toting outlaws of the 1880s than the filmmaking outlaws of the 1970s.

60
Village Voice
J. Hoberman
Although not as radically defamiliarizing as Jim Jarmusch's avant-western "Dead Man," Jesse James has the feel of an attic ransacked for abandoned knickknacks.

60
Washington Post
Stephen Hunter
Andrew Dominik's long and bizarre movie about the American outlaw appears to stick close enough to the facts so that historians won't be able to complain. But it languishes toward torpor.

50
Salon.com
Stephanie Zacharek
Represents a breakthrough in the moviegoing experience. It may be the first time we've been asked to watch a book on tape.

50
The New Yorker
Anthony Lane
It is no mean feat to make a boring film about Jesse James, but Andrew Dominik has pulled it off in style.

50
San Francisco Chronicle
Peter Hartlaub
Ponderous, repetitive and lacking a single rousing action sequence.

50
Chicago Reader
J.R. Jones
This revisionist western by writer-director Andrew Dominik makes a wan attempt to present the Jesse James legend as the dawn of celebrity culture in America.

50
The New York Times
Manohla Dargis
Mr. Pitt is himself a supernova luminary, of course, and part of the attraction of this film is how his celebrity feeds into that of his character, adding shadings to what is, finally, an overconceptualized if under-intellectualized endeavor.

50
The Hollywood Reporter
Kirk Honeycutt
This fascinating relationship gets smothered in pointlessly long takes, repetitive scenes, grim Western landscapes and mumbled, heavily accented dialogue.

50
Los Angeles Times
Kenneth Turan
A film whose reach exceeds its grasp. Hugely ambitious and not without moments of success, this indulgent 2 hour and 40 minute epic ends up as unwieldy as its elongated title. It's a movie in love with itself, and few things are more fatal than that.

50
TV Guide
Maitland McDonagh
Maybe the life was edited out of it in the two years between shooting and release, or maybe Dominik was simply overwhelmed by the outsized myths of the West, but the film only comes to life after James' death, when Ford quite literally takes center stage.

50
Slate
Dana Stevens
The mere phrase "Brad Pitt as Jesse James" makes for a kind of mini-reflection on the evolution of celebrity culture. It's a shame that The Assassination of Jesse James never goes much deeper than that tag line.

38
New York Post
Lou Lumenick
A gorgeous snooze, somewhere between imitation Terrence Malick and a feature version of star Brad Pitt's notorious Vanity Fair layout with Angelina Jolie and their faux kids.


The average user rating for this movie is 7.4 (out of 10) based on 75 User Votes
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