|

Now Playing
Critics & Publications
Archives: A-Z Index
Advanced Search
Upcoming Release Calendar
Weekend Box Office
Film Awards & Top 10s By Year
All-Time High Scores
All-Time Low Scores
How Metascores Are Calculated
Discuss Film In Our Forums

Stars indicate the most critically-acclaimed movies.

64
Appaloosa
69
Ashes of Time Redux
68
August Evening
54
Battle in Seattle
76
Betrayal - Nerakhoon, The
55
Boy in the Striped Pajamas, The
50
Breakfast with Scot
63
Changeling
47
Choke
84
Christmas Tale, A
41
Cthulhu
81
Dear Zachary: A Letter to a Son About His Father
xx
Dostana
62
Duchess, The
46
Dukes, The
63
Eden
69
Fear(s) of the Dark
26
Filth and Wisdom
28
Fireproof
82
Frozen River
43
Gardens of the Night
73
Girl Cut in Two, A
54
Good Dick
30
Guitar, The
84
Happy-Go-Lucky
31
Hounddog
26
House of the Sleeping Beauties
47
How About You
72
I Served the King of England
70
I.O.U.S. A
40
Igor
78
I've Loved You So Long
63
JCVD
27
Lake City
82
Let the Right One In
89
Man on Wire
84
Momma's Man
51
Morning Light
34
My Name Is Bruce
xx
Nobel Son
40
Other End of the Line, The
34
Otto; or Up with Dead People
75
Pool, The
77
Pray the Devil Back to Hell
82
Rachel Getting Married
56
Religulous
32
Repo! The Genetic Opera
53
RocknRolla
57
Sixty Six
85
Slumdog Millionaire
57
Special
79
Stranded: I Have Come from a Plane That Crashed on the Mountains
67
Synecdoche, New York
82
Tell No One
83
Trouble the Water
43
Tru Loved
83
U2 3D
59
We Are Wizards
55
What Just Happened?
89
Man on Wire
85
Slumdog Millionaire
84
Momma's Man
84
Christmas Tale, A
84
Happy-Go-Lucky
83
Trouble the Water
83
U2 3D
82
Tell No One
82
Rachel Getting Married
82
Frozen River
82
Let the Right One In
81
Dear Zachary: A Letter to a Son About His Father
79
Stranded: I Have Come from a Plane That Crashed on the Mountains
78
I've Loved You So Long
77
Pray the Devil Back to Hell
76
Betrayal - Nerakhoon, The
75
Pool, The
73
Girl Cut in Two, A
72
I Served the King of England
70
I.O.U.S. A
69
Ashes of Time Redux
69
Fear(s) of the Dark
68
August Evening
67
Synecdoche, New York
64
Appaloosa
63
JCVD
63
Eden
63
Changeling
62
Duchess, The
59
We Are Wizards
57
Special
57
Sixty Six
56
Religulous
55
Boy in the Striped Pajamas, The
55
What Just Happened?
54
Battle in Seattle
54
Good Dick
53
RocknRolla
51
Morning Light
50
Breakfast with Scot
47
How About You
47
Choke
46
Dukes, The
43
Tru Loved
43
Gardens of the Night
41
Cthulhu
40
Igor
40
Other End of the Line, The
34
My Name Is Bruce
34
Otto; or Up with Dead People
32
Repo! The Genetic Opera
31
Hounddog
30
Guitar, The
28
Fireproof
27
Lake City
26
House of the Sleeping Beauties
26
Filth and Wisdom
xx
Dostana
xx
Nobel Son
Stars indicate the most critically-acclaimed movies.
|
ATL
Warner Bros. Pictures Inc.
MUSIC:
MPAA RATING: PG-13 for drug content, language, sexual material and some violence
Starring
Tip Harris,
Lauren London,
Antwan Andre Patton,
Mykelti Williamson,
Keith David,
Albert Daniels,
Jackie Long,
and
Evan Ross Naess
Loosely based on the childhoods of Dallas Austin and Tionne "T-Boz" Watkins, TLC tells the story of a close knit group of working-class teens in Atlanta whose lives revolve around hip-hop music and roller skating.
| GENRE(S): |
Comedy
|
Drama
|
| WRITTEN BY: |
Tina Gordon Chism
Antwone Fisher (story)
|
| DIRECTED BY: |
Chris Robinson
|
| RELEASE DATE: |
DVD: July 18, 2006
Theatrical: March 31, 2006
|
| RUNNING TIME: |
105 minutes, Color |
| ORIGIN: |
USA |
Also known as "Jellybeans"

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
78
Austin Chronicle
Marc Savlov
Despite a third-act tendency to gather a few spare genre clichés as it rolls along (Guns! Drugs! Angry siblings!), Robinson's film is a cut above the rest.

75
ReelViews
James Berardinelli
Robinson has assembled an impressive young cast comprised primarily of rappers (such as Tip Harris, a.k.a. T.I.) and fresh faces (newcomer Lauren London).

75
New York Daily News
Jami Bernard
Fresh and unexpected. It feels like a real window on the lives of disenfranchised youths - these are in South Atlanta - as they make their way in a society that doesn't cut them any breaks.

75
New York Post
Kyle Smith
The film mostly avoids easy laughs or simplistic characters, reminding you how few black movies claim the huge middle ground between chardonnay-sipping buppies and hardened criminals.

75
TV Guide
Maitland McDonagh
The story is familiar, but terrific performances and a vivid sense of place elevate it above the average teen-oriented picture.

75
Chicago Sun-Times
Roger Ebert
What I liked most was its unforced, genuine affection for its characters.

75
San Francisco Chronicle
Ruthe Stein
An emotionally charged coming-of-age saga that will make you laugh and cry, maybe at the same time.

75
Miami Herald
Rene Rodriguez
Buoyed by a superlative soundtrack, ATL plays a familiar song about growing up, but hits notes that sound brand new.

70
Village Voice
Peter L'Official
It's entertainment with ambition, but I can't front though; the soundtrack is pretty fly too.

70
Washington Post
Teresa Wiltz
Notwithstanding the melodrama and the often ham-handed directing, ATL somehow works. A large part of this is thanks to Robinson's skill in evoking the hickory-smoked flavor of the ATL.

67
Entertainment Weekly
Lisa Schwarzbaum
The more rink time, the better: As directed by hip-hop music-video king Chris Robinson from a story by "Antwone Fisher's" Antwone Fisher, the skate scenes are a blast.

67
Baltimore Sun
Chris Kaltenbach
Unlike so many movies directed at teens, ATL is not interested in exploiting its audience.

67
Seattle Post-Intelligencer
Sean Axmaker
Robinson makes these characters breathe, and they bring the film to life.

63
Philadelphia Inquirer
Carrie Rickey
Working from a story by Antwone Fisher, screenwriter Tina Gordon Chism is tender toward characters balancing where they come from with where they'd like to go. Fisher was the subject of an inspirational biography by Denzel Washington.

63
Boston Globe
James Parker
Is ATL even a hip-hop movie? There's hip-hop in it, certainly, but unlike the recent vehicles for Eminem and 50 Cent -- respectively, ''8 Mile" and ''Get Rich or Die Tryin' " -- it does not have a rapper hero.

63
Chicago Tribune
Allison Benedikt
If "Roll Bounce" and "Boyz n the Hood" fell in love and had a PG-13 baby, it would be ATL.

60
The New York Times
Neil Genzlinger
The fun here is in seeing a new batch of rappers try acting, and some of them turn out to be eminently watchable.

60
LA Weekly
Tim Grierson
What starts out as a lively reconsidering of the thug-life mentality ends up having as much depth as, well, one of Robinson's videos.

60
Film Threat
Stina Chyn
House definitely put a smile on an insider's face, but outsiders can enjoy the ATL too. The only prerequisite here is the ability to laugh.

60
The Hollywood Reporter
Kirk Honeycutt
Several good ideas for a movie rumble around inside ATL, but they never coalesce.

60
Variety
Justin Chang
Higher on stylistic dazzle than originality or coherence.

58
The Onion (A.V. Club)
Scott Tobias
Ultimately, the film could stand to be more inconsequential, because whenever anything happens to move the story along, it immediately loses its laid-back Southern charm.

58
Portland Oregonian
Marc Mohan
Ultimately, ATL is the same old teenager angst in a mildly novel package.

40
Chicago Reader
J.R. Jones
The movie's first half hour is a barrage of lazy narrative pointers--endless expository voice-over, freeze frames and captions to identify the numerous characters--and by the time screenwriter Tina Gordon Chism decides to write an extended scene, the story is already dead in the water.

38
Charlotte Observer
Lawrence Toppman
Director Chris Robinson moves his camera aimlessly, cutting in and out of speeches as if he were just as bored as I.


The average user rating for this movie is 7.5 (out of 10) based on 32 User Votes
Note: User votes are NOT included in the Metascore calculation.
Read more user comments...
Discuss this movie in our forums |
|