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Stars indicate the most critically-acclaimed movies.

67
$9.99
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24 City
66
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48
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56
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What Goes Up
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Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
ATL
Warner Bros. Pictures Inc.
MUSIC:
MPAA RATING: PG-13 for drug content, language, sexual material and some violence
Starring
Tip Harris,
Lauren London,
Antwan Andre Patton,
Mykelti Williamson,
Keith David,
Albert Daniels,
Jackie Long,
and
Evan Ross Naess
Loosely based on the childhoods of Dallas Austin and Tionne "T-Boz" Watkins, TLC tells the story of a close knit group of working-class teens in Atlanta whose lives revolve around hip-hop music and roller skating.
| GENRE(S): |
Comedy
|
Drama
|
| WRITTEN BY: |
Tina Gordon Chism
Antwone Fisher (story)
|
| DIRECTED BY: |
Chris Robinson
|
| RELEASE DATE: |
DVD: July 18, 2006
Theatrical: March 31, 2006
|
| RUNNING TIME: |
105 minutes, Color |
| ORIGIN: |
USA |
Also known as "Jellybeans"

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
78
Austin Chronicle
Marc Savlov
Despite a third-act tendency to gather a few spare genre clichés as it rolls along (Guns! Drugs! Angry siblings!), Robinson's film is a cut above the rest.

75
ReelViews
James Berardinelli
Robinson has assembled an impressive young cast comprised primarily of rappers (such as Tip Harris, a.k.a. T.I.) and fresh faces (newcomer Lauren London).

75
New York Daily News
Jami Bernard
Fresh and unexpected. It feels like a real window on the lives of disenfranchised youths - these are in South Atlanta - as they make their way in a society that doesn't cut them any breaks.

75
New York Post
Kyle Smith
The film mostly avoids easy laughs or simplistic characters, reminding you how few black movies claim the huge middle ground between chardonnay-sipping buppies and hardened criminals.

75
TV Guide
Maitland McDonagh
The story is familiar, but terrific performances and a vivid sense of place elevate it above the average teen-oriented picture.

75
Chicago Sun-Times
Roger Ebert
What I liked most was its unforced, genuine affection for its characters.

75
San Francisco Chronicle
Ruthe Stein
An emotionally charged coming-of-age saga that will make you laugh and cry, maybe at the same time.

75
Miami Herald
Rene Rodriguez
Buoyed by a superlative soundtrack, ATL plays a familiar song about growing up, but hits notes that sound brand new.

70
Village Voice
Peter L'Official
It's entertainment with ambition, but I can't front though; the soundtrack is pretty fly too.

70
Washington Post
Teresa Wiltz
Notwithstanding the melodrama and the often ham-handed directing, ATL somehow works. A large part of this is thanks to Robinson's skill in evoking the hickory-smoked flavor of the ATL.

67
Entertainment Weekly
Lisa Schwarzbaum
The more rink time, the better: As directed by hip-hop music-video king Chris Robinson from a story by "Antwone Fisher's" Antwone Fisher, the skate scenes are a blast.

67
Baltimore Sun
Chris Kaltenbach
Unlike so many movies directed at teens, ATL is not interested in exploiting its audience.

67
Seattle Post-Intelligencer
Sean Axmaker
Robinson makes these characters breathe, and they bring the film to life.

63
Philadelphia Inquirer
Carrie Rickey
Working from a story by Antwone Fisher, screenwriter Tina Gordon Chism is tender toward characters balancing where they come from with where they'd like to go. Fisher was the subject of an inspirational biography by Denzel Washington.

63
Boston Globe
James Parker
Is ATL even a hip-hop movie? There's hip-hop in it, certainly, but unlike the recent vehicles for Eminem and 50 Cent -- respectively, ''8 Mile" and ''Get Rich or Die Tryin' " -- it does not have a rapper hero.

63
Chicago Tribune
Allison Benedikt
If "Roll Bounce" and "Boyz n the Hood" fell in love and had a PG-13 baby, it would be ATL.

60
The New York Times
Neil Genzlinger
The fun here is in seeing a new batch of rappers try acting, and some of them turn out to be eminently watchable.

60
LA Weekly
Tim Grierson
What starts out as a lively reconsidering of the thug-life mentality ends up having as much depth as, well, one of Robinson's videos.

60
Film Threat
Stina Chyn
House definitely put a smile on an insider's face, but outsiders can enjoy the ATL too. The only prerequisite here is the ability to laugh.

60
The Hollywood Reporter
Kirk Honeycutt
Several good ideas for a movie rumble around inside ATL, but they never coalesce.

60
Variety
Justin Chang
Higher on stylistic dazzle than originality or coherence.

58
The Onion (A.V. Club)
Scott Tobias
Ultimately, the film could stand to be more inconsequential, because whenever anything happens to move the story along, it immediately loses its laid-back Southern charm.

58
Portland Oregonian
Marc Mohan
Ultimately, ATL is the same old teenager angst in a mildly novel package.

40
Chicago Reader
J.R. Jones
The movie's first half hour is a barrage of lazy narrative pointers--endless expository voice-over, freeze frames and captions to identify the numerous characters--and by the time screenwriter Tina Gordon Chism decides to write an extended scene, the story is already dead in the water.

38
Charlotte Observer
Lawrence Toppman
Director Chris Robinson moves his camera aimlessly, cutting in and out of speeches as if he were just as bored as I.


The average user rating for this movie is 7.5 (out of 10) based on 32 User Votes
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