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|
Avenue Montaigne
ThinkFilm
FILM:
MPAA RATING: PG-13 for some strong language and brief sexuality
Starring
Cécile De France,
Valérie Lemercier,
Albert Dupontel,
Laura Morante,
Claude Brasseur,
Christopher Thompson,
and
Sydney Pollack
This film centers around Jessica (de France), a beautiful young woman from the provinces who comes to Paris and lands a job waiting tables at a chic bistro on famed Avenue Montaigne, the city's nexus for art, music, theater and fashion. (ThinkFilm)
| GENRE(S): |
Comedy
|
Drama
|
Foreign
|
Romance
|
| WRITTEN BY: |
Christopher Thompson
Danièle Thompson
|
| DIRECTED BY: |
Danièle Thompson
|
| RELEASE DATE: |
DVD: July 17, 2007
Theatrical: February 16, 2007
|
| RUNNING TIME: |
106 minutes, Color |
| ORIGIN: |
France |
| LANGUAGE(S): |
French (with English subtitles) |
Original title "Fauteuils d'orchestre"; Also known as "Orchestra Seats"; Selected as France's Official Entry for the Best Foreign-Language Film Oscar.

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
83
Seattle Post-Intelligencer
William Arnold
A thoroughly enjoyably and wistfully charming ensemble drama carried off with an irresistible Gallic flair.

83
Portland Oregonian
Marc Mohan
While this sort of thing can easily devolve into bourgeois comfort food, Thompson, a veteran of the genre, knows how to serve it up just about right.

75
The Globe and Mail (Toronto)
Liam Lacey
Avenue Montaigne is not a film to be taken too earnestly, but it would be a mistake to miss its bittersweet undertones. The movie is as airy as a spun-sugar dessert, but Thompson's observations on the artistic life are both affectionate and knowing: Beauty and wealth, though inevitably compelling, are appreciated as means to humane ends, not goals in themselves.

75
Baltimore Sun
Chris Kaltenbach
Director Daniele Thompson gets the point across so airily and pleasantly, in a film cast to perfection, that it's no problem accepting the message with a shrug, while profoundly enjoying the messenger.

75
San Francisco Chronicle
Ruthe Stein
That the film succeeds as well as it does despite a series of coincidences that strain credibility is a credit to a fine cast and a joie de vivre that pervades even the most implausible moments.

75
ReelViews
James Berardinelli
The film uses effective acting, deft dialogue, and a sly wit to entertain, if not educate.

75
TV Guide
Maitland McDonagh
Thompson's stories are familiar, but she weaves them together with such assurance and good humor that they're equally soothing and thoroughly enjoyable.

75
Premiere
Ethan Alter
All of the actors are on point (Dupontel and Morante are particularly good), the individual story arcs are involving, if not exactly complex, and Thompson keeps the proceedings moving along at a comfortable clip.

75
New York Daily News
Elizabeth Weitzman
Rarely has Paris seemed more enchanting than in Danièle Thompson's optimistic ode to Gallic romance.

70
Washington Post
Desson Thomson
Avenue Montaigne transforms an overwhelming metropolis into a user-friendly village with quirkily appealing characters.

70
Los Angeles Times
Kenneth Turan
Avenue Montaigne may not be a centimeter deeper than it needs to be, but you also won't be feeling that your pocket was picked when it's over.

70
Salon.com
Andrew O'Hehir
Avenue Montaigne, is a delicious French pastry, tart and sweet, steeped in Parisian glamour.

70
The New York Times
Manohla Dargis
Avenue Montaigne is a bonbon, not a bouillabaisse. But because this is finally a film about desire, it carries a bittersweet tang.

70
Chicago Reader
Ronnie Scheib
Effortlessly interlinking the stories through the jaunty perambulations of a fresh-faced waitress from a local cafe, Thomson's crowd-pleaser makes up in refined schmaltz what it lacks in innovation or profundity.

70
The Hollywood Reporter
Kirk Honeycutt
Bookending the film is the relationship between Jessica and the grandmother who raised her. This role is delightfully played by Suzanne Flon, who recently died at age 87. The film is dedicated to the veteran actress.

70
Variety
Lisa Nesselson
A well-oiled script is nicely served by a multigenerational cast, a bittersweet and consistently entertaining mainstream comedy that tackles the big themes of Life and Art with unpretentious brio.

70
Village Voice
Ella Taylor
Not that Thompson's films lack for romance. She shoots Paris like Woody Allen shoots New York--ritzy, golden, and packed with chance meetings between highly strung arty types.

67
Entertainment Weekly
Lisa Schwarzbaum
For Yank color in her soap-bubbly movie, director Daniele Thompson has her pal Sydney Pollack appear as...a famous director.

67
Austin Chronicle
Josh Rosenblatt
With her lithe frame and insouciantly boyish mop of blond hair, De France is a particularly French sort of film heroine.

63
Chicago Tribune
Michael Phillips
Originally titled "Orchestra Seats," Montaigne takes a page from the "Amelie" playbook, without the fancy visuals or magical realism.

63
Philadelphia Inquirer
Steven Rea
Has a breezy, Altmanesque air, as it tracks the mini-dramas of its crisscrossing characters.

50
Boston Globe
Ty Burr
Aside from pretty people behaving cutely, there's just not much here, and even devoted Francophiles may nod into their cafe crèmes.

50
Wall Street Journal
Joe Morgenstern
It's formula stuff, to be sure, but full of feeling for the sweep of the past as well as for the unsettled, yearning present.
50
New York Magazine
David Edelstein
Avenue Montaigne would be difficult to stomach if it weren't so light and uninsistent, and if its actors weren't so charming. I still rolled my eyes--but sometimes I do that when I get a really good croissant.

38
New York Post
V.A. Musetto
A lightweight French comedy worth watching only for Cecile de France. The gamine actress - decked out in short reddish hair, black tights and a thigh-high mini - is charming as Jessica.


The average user rating for this movie is 7.3 (out of 10) based on 13 User Votes
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