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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
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Hurt Locker, The
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Goodbye Solo
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Tulpan
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Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
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83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
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62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
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58
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58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
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56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Awesome
ThinkFilm
MPAA RATING: R for language
Starring
Mike D,
Adam Horovitz,
Adam Yauch,
Mix Master Mike,
Money Mark,
and
Doug E. Fresh
A formally innovative feature film experience, the Beastie Boys handed out 50 cameras to audience members at their sold-out performance in New York's famed Madison Square Garden in October 2004. These 50 different passionate perspectives shot from the point-of-view of the audience take the viewer deep inside the world of a live Beastie Boys show, prismatically and kinetically capturing the experience of a live musical performance like no film has ever done. (ThinkFilm)
| GENRE(S): |
Documentary
|
Musical
|
| DIRECTED BY: |
Nathaniel Hornblower (aka Adam Yauch)
|
| RELEASE DATE: |
DVD: July 25, 2006
Theatrical: March 31, 2006
|
| RUNNING TIME: |
90 minutes, Color |
| ORIGIN: |
USA |
Also known as "Awesome; I Fuckin' Shot That!"

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Film Threat
Michael Ferraro
The Beastie Boys have delivered the ultimate gift to their fans and the title couldn't be more perfect.

80
Washington Post
Ann Hornaday
A killer concert film, an ecstatic testament to the joys of fandom and a tribute to the democratizing potential of moviemaking technology.

75
Premiere
Jessica Letkemann
Obviously, if you don't like the Beasties or live music, arena-style, it's unlikely that you'll like their movie. But if you've ever even privately caught yourself nodding your head to "Brass Monkey," or you have a soft spot for the big-venue concert experience, Awesome rocks.

75
TV Guide
Ken Fox
Needless to say, anyone who's not entirely down with the beastly noise of the Beastie Boys will hate every second of it. This one's strictly for -- and, for the most part, by -- the fans.

75
Rolling Stone
Peter Travers
Get ready to be shaken and stirred.

75
The Onion (A.V. Club)
Nathan Rabin
Alternately hypnotic and headache-inducing.

75
Chicago Tribune
Jessica Reaves
The result: a swirling, kaleidoscopic take on a familiar concept, and a raucous, you-are-there atmosphere.

75
Boston Globe
Ty Burr
It's raucous and loud as hell; the hyperactive editing could trigger grand mal seizures.

75
New York Daily News
Elizabeth Weitzman
It's the next best thing to being front and center.

75
Portland Oregonian
Shawn Levy
If you're not a Beasties fan, you'll get almost nothing out of this after about two minutes. But if you like the band and want to see them rock hard in front of their oldest fans, it's a tasty treat.

70
Salon.com
Andrew O'Hehir
After this movie, the Beasties and their fans, camera-totin' or not, are left drenched, exhausted, delighted.

70
LA Weekly
Ernest Hardy
The movie starts to drag near the end and feels longer than its 90 minutes - but that's cool. It's a love letter to the faithful in the first place.

70
Variety
Dennis Harvey
The sense of immediacy and excitement is contagious.

70
Village Voice
Laura Sinagra
With Awesome's insistence on professional sound--only a few times do we get sonically dropped into the cavernous, thumping Garden--and cuts to pristine close-ups of things like Mixmaster Mike's admittedly sick scratch detail work, it plays like a hype victory lap rather than a boundary-smashing study of fan curiosity or pathology.

70
Los Angeles Times
Kevin Crust
Cutting to the beat of the Beasties' propulsive rap, Hörnblowér creates an experience that is simultaneously low-fi and state-of-the-art.

67
Entertainment Weekly
Owen Gleiberman
Boils down to a performance film with abysmal sound in which you rarely get to see a good, revealing close-up of the stars.

60
The Hollywood Reporter
Kirk Honeycutt
Awesome will please fans of the band, but expect little crossover to nonfans. No new ground is broken here. From a cinematic point of view, Awesome represents simply a monumental postproduction salvaging effort.

50
New York Post
Kyle Smith
The film quickly ceases to be of interest to anyone but dedicated fans. The novelty of the deliberate ugliness wears off after a song or two.

50
San Francisco Chronicle
Neva Chonin
The result, although a great idea, doesn't translate into a great movie.

50
The New York Times
Nathan Lee
As for the authorial conceit - assembling the movie from giddy, spastic, amateur photography captured from every part of the arena - at best it yields energetic perspectives on the show, at worst it looks like a cellphone video camera having an epileptic seizure.

50
Chicago Reader
Bob Mehr
Eventually the shaky, grainy visuals grow tiresome, but director Nathaniel Hornblower (aka Beastie Boy Adam Yauch) keeps things lively with a variety of editing tricks and sly humor.

25
Seattle Post-Intelligencer
Bill White
For the most part, the film is a chaotic blur of disconnected movement that re-creates the feeling of an unforgettably bad concert experience.


The average user rating for this movie is 9.0 (out of 10) based on 3 User Votes
Note: User votes are NOT included in the Metascore calculation.
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