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Babel
Paramount Vantage


5.4

based on 38 reviews
Read critic reviews
How did we calculate this?

based on 456 votes
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FILM:

MPAA RATING: R for violence, some graphic nudity, sexual content, language and some drug use

Starring Brad Pitt, Cate Blanchett, Gael García Bernal, Adriana Barraza, Elle Fanning, Nathan Gamble, Rinko Kikuchi, and Kôji Yakusho

In the remote sands of the Moroccan desert, a rifle shot rings out -- detonating a chain of events that will link an American tourist couple's frantic struggle to survive, two Moroccan boys involved in an accidental crime, a nanny illegally crossing into Mexico with two American children and a Japanese teen rebel whose father is sought by the police in Tokyo. (Paramount Vantage)

GENRE(S):	Drama \| Suspense/Thriller
WRITTEN BY:	Guillermo Arriaga (also idea) Alejandro González Iñárritu (idea)
DIRECTED BY:	Alejandro González Iñárritu
RELEASE DATE:	DVD: February 20, 2007 Theatrical: October 27, 2006
RUNNING TIME:	142 minutes, Color
ORIGIN:	USA
LANGUAGE(S):	French / English / Spanish / Japanese / Berber / Arabic (with English subtitles)

Received 7 Academy Award nominations, including Best Picture. Received a 2006-leading 7 Golden Globe nominations, including Best Picture (which it won) and Best Director. Winner, Best Director, Prize of the Ecumenical Jury and Technical Grand Prize (for editing), 2006 Cannes Film Festival; Nominated, Golden Palm, 2006 Cannes Film Festival.

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100

Rolling Stone Peter Travers

In the year's richest, most complex and ultimately most heartbreaking film, Inarritu invites us to get past the babble of modern civilization and start listening to each other.

100

New York Post Lou Lumenick

This is a serious movie overflowing with memorable acting, unforgettable images, searing tragedy, unexpected humor and an eloquent plea for international understanding. And while it's by no stretch of imagination light entertainment, it's fundamentally a more optimistic work than either "Amores Perros" or "21 Grams."

Variety Todd McCarthy

Effectively building dread and emotional tension as tragic incidents triggered by human stupidity and carelessness steadily multiply, this film, like "21 Grams" in particular, employs a deterministically grim mindset in the cause of its philosophical aspirations, but is gripping nearly all the way.

The Hollywood Reporter Ray Bennett

The filmmakers succeed brilliantly in weaving these stories together, taking time to explore depth of character and relationships. The suspense builds throughout as everyone involved becomes lost in a place they don't understand with people they don't know if they can trust.

Austin Chronicle Marc Savlov

It's a masterful film, the kind you itch to see twice or more, as elliptical as a dream and as direct as the short sharp shock of lead kissing flesh.

New York Daily News Jack Mathews

A powerful movie that should win all the year's ensemble acting awards. Pitt has never done better dramatic work, Blanchett is as convincing as always, and - in introducing themselves to American audiences - veteran Mexican actress Barraza and Japan's Kikuchi are revelations.

Chicago Tribune Michael Wilmington

It's a powerhouse, demanding film that sometimes stretches the limits of credibility. But it's done with such consistent technical brilliance--and with such a first-rate cast and company.

ReelViews James Berardinelli

Its complex (yet not mystifying) storytelling, forceful character development, and superb cinematography make this a candidate for one of 2006's best offerings.

USA Today Claudia Puig

Babel may be the most ambitious movie of the year, tackling towering communication barriers, global politics and cultural divides in a structurally complex and fascinating narrative.

Portland Oregonian Shawn Levy

Even as Inarritu has matured as a craftsman, he has stood perhaps one beat too long in the same place as a storyteller. In ways, Babel is his best work, but it's time to move on.

Slate Dana Stevens

Babel has great expectations for itself: It wants to be a movie about big ideas and big emotions at the same time. Aided by gorgeous locations and classy trappings (cinematography by Rodrigo Prieto, theme music by Gustavo Santaolalla), it succeeds for the most part.

Los Angeles Times Carina Chocano

The beauty of this film is in its lapidary details, which sparkle with feeling and surprise.

The New York Times A.O. Scott

In the end Babel, like that tower in the book of Genesis, is a grand wreck, an incomplete monument to its own limitless ambition. But it is there, on the landscape, a startling and imposing reality. It's a folly, and also, perversely, a wonder.

Time Richard Schickel

Babel is a movie that leaves you feeling limp and wrung out, but mysteriously moved by its vivid human encounters with the hot, tightly wired, chancy and coincidental world, ever capable of terrorizing us when we least expect it.

Empire Ian Freer

It may be too slow for some tastes, but Babel remains emotionally bruising but compulsive viewing.

The Globe and Mail (Toronto) Liam Lacey

Though Babel lacks any tragic sense of inevitability, it almost compensates with a handful of vibrant performances and the palpable physical texture of the settings.

Charlotte Observer Lawrence Toppman

It offers razor-sharp editing, first-rate performances, direction that yields maximum emotional effect and a flabby, unconvincing screenplay.

Miami Herald Rene Rodriguez

The movie doesn't quite achieve the transcendent effect it reaches for, saddled with an ending that fails to live up to our expectations. But the experience of watching Babel is undeniably riveting: Even if the film doesn't really lead anywhere, you still can't take your eyes off it.

Premiere Jessica Letkemann

While you can never completely put the fact that you are watching Pitt and Blanchett out of your mind, they both give charged, emotional performances.

TV Guide Maitland McDonagh

The flashy spectacle of intersecting narratives and its crosscutting and fractured chronology nearly overwhelms the film's simple message, in this case that despite divisions of language, race and geography, we're all connected.

Salon.com Andrew O'Hehir

I hate to criticize anybody for artistic ambition, but the problem with Babel isn't that it's a bad movie. It's a good movie, or, more accurately, it's several pieces of good movie, chopped up in service of a pretentious, portentous and slightly silly artistic vision.

LA Weekly Scott Foundas

Repeatedly, Iñárritu and Arriaga stop themselves just short of suggesting that we're all going to hell in a hand basket. Had they not -- well, then Babel might really have been onto something.

Film Threat Pete Vonder Haar

The film is technically superior, and its look and the strength of its performances (Blanchett, Barraza, and Kikuchi especially) carry it above similar fare.

Christian Science Monitor Peter Rainer

Messrs. Iñárritu and Arriaga have played this card one too many times. If they really want to appear radical the next time out, my advice is: Tell a single story and tell it well. What a concept.

The Onion (A.V. Club) Noel Murray

When the best part of the movie is when no one's talking and the anguish relents, it says something. It says that Iñárritu is a great director in need of a screenwriter who has more than one card to play.

Entertainment Weekly Lisa Schwarzbaum

Measured in anything other than biblical cubits, the sum of Babel's many parts turns out to be a picture that suggests Americans ought to stay home and treat their nannies better.

Seattle Post-Intelligencer William Arnold

All told, the movie also is a tremendous downer. The script goes for a vaguely upbeat conclusion, but it has no spiritual dimension that the viewer feels with any emotion, and it conveys a hopeless, pessimistic future for the interconnected world that it portrays.

Baltimore Sun Chris Kaltenbach

Comes across as more willfully clever than profound, leaving us to applaud the message while pondering why the messenger had to strain so hard to get it across.

Boston Globe Ty Burr

Babel is a ziggurat of brilliant pieces built on sand. It's also this season's "Crash," a movie you know is Important because it never stops telling you so.

Philadelphia Inquirer Carrie Rickey

I was shaken, but not stirred, by Babel, a globalist melodrama that careens from Morocco to Mexico like a revved-up "Crash."

San Francisco Chronicle Mick LaSalle

It's a film of unquestioned visual artistry, and the filmmakers' empathy and human understanding are apparent moment to moment, scene by scene. But despite sensitive performances, it's an experiment that fizzles.

Chicago Reader Jonathan Rosenbaum

Unlike many colleagues, I'm not a fan of "Amores Perros" or "21 Grams," scripted by Guillermo Arriaga and directed by Alejandro Gonzalez Iñarritu. This conclusion to their trilogy is easier to follow as a narrative, but it's even more pretentious, generalizing about the state of the modern world.

New York Magazine David Edelstein

In their last collaboration, "21 Grams," the director Alejandro González Iñárritu and screenwriter Guillermo Arriaga did syntactical acrobatics to disguise what a dreary and exploitive little soap opera they’d made. Their new movie, Babel, is more mysterious and less coherent.

The New Yorker David Denby

Babel is an infuriatingly well-made disaster.

Newsweek David Ansen

I might buy Babel if it had any real interest in its characters, but it's too busy moving them around its mechanistic chessboard to explore any nuances or depths.

Village Voice Jim Ridley

Puzzle master Arriaga may be the Will Shortz of globalized hand-wringing, but the by-now-predictable jigsawing of his scripts reeks of desperation.

Wall Street Journal Joanne Kaufman

The ultimate poor judgment: the decision to put Babel before the camera. That defies comprehension in any language.

Washington Post Stephen Hunter

Yet as sophisticated a piece of filmmaking as it is, it seems hamstrung by the banality at its center; that's why it never assembles into a satisfying whole. It's pretty -- oh, what's the word? -- stupid in its dramatization of the silly little connections that unite us, and it's somewhat selective in its choice of them.

The average user rating for this movie is 5.4 (out of 10) based on 456 User Votes
Note: User votes are NOT included in the Metascore calculation.

Mike S. gave it a0:
This is the worst movie I have ever seen! I cannot believe the amount of time I wasted waiting for to get the main plot of the movie and it never happened. Sorry Brad Pitt, good acting but awful sorry line.

Sibu V. gave it a6:
Wonderfully done, but the ending is very vauge.

Cronos A. gave it a10:
A love it or hate it film. You can prove that by seeing all the ratings here: 10 or 0 in most cases. Mine is ten, but why? Simply because this film may be pretentious, but in a good way, or because the job of the actors (Barraza an Kikuchi are outstanding). For those who didn't understand the film, they should pay more atention to the time frames.

Tony B. gave it a5:
This noble failure was one of the more overrated films of 2006. Its slow pace, often pretentious cinematography and occasional incoherence make me wonder what some of the fuss was all about. Easily the highlight of this misbegotten effort was the performance of Adriana Barazza as the Mexican nanny. (Incidentally, who is Brad Pitt talking to in his last scene if she is being detained by immigration authorities?)

Lisa N gave it a0:
Terribly put together. Although you can link how all the parties relate to each other, it was done horribly. I was surprised any big name actors/actresses were willing to put their name to this film.

Michael F. gave it a1:
Probably the most boring and overextended film ever made. It drowns in its own pretentiousness and despite it's attempts to be surprising and thought-provoking it ends up predictable and dry. The bravest critics are the ones who aren't afraid to cut through the art-house buzz and call this movie what it really is: a complete waste of time.

Christopher P. gave it a10:
I think it's a pretty good movie, it's different, but it's not for everyone.

Babel Paramount Vantage

Babel
Paramount Vantage