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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
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48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
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Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
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Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
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Hurt Locker, The
16
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71
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58
Julia
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Lemon Tree
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40
Limits of Control, The
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Little Ashes
64
Lymelife
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Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
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78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
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Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
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Tetro
64
Throw Down Your Heart
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Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Baby Boy
Columbia Pictures
FILM:
MPAA RATING: R for strong sexuality, language, violence, and some drug use
Starring
Tyrese Gibson,
AJ Johnson,
Ving Rhames,
Snoop Dogg,
Taraji Henson,
Omar Gooding,
and
Tamara LaSeon Basszz
Ten years after "Boyz N the Hood," writer and director John Singleton returns to the same inner-city L.A. neighborhood and its complex social and political issues for the story of Jody (Gibson), a misguided, 20-year-old African-American who is really just a "baby boy" finally forced-kicking and screaming -- to face the commitments of real life.
| GENRE(S): |
Drama
|
| WRITTEN BY: |
John Singleton
|
| DIRECTED BY: |
John Singleton
|
| RELEASE DATE: |
DVD: November 6, 2001
Video: November 6, 2001
Theatrical: June 27, 2001
|
| RUNNING TIME: |
100 minutes, Color / BW |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
88
USA Today
Mike Clark
An easy movie to pick apart, but it lives, breathes and switches moods from humor to despair better than any American release this year.

88
Chicago Sun-Times
Roger Ebert
Now Singleton, too, dares to take a hard look at his community. His characters are a little older, and he is older, too, and less forgiving.

80
Rolling Stone
Peter Travers
Lacks the cumulative impact of "Boyz," since Singleton allows repetition and sermonizing to dull his theme about the infantilization of black males. But Baby Boy leaves you shaken.

80
The New York Times
Dana Stevens
Jody's story is told with so much heart -- and his character is acted with such a winning combination of playfulness, vulnerability and sexual dynamism by Mr. Gibson -- that you can forgive the occasionally incoherent storytelling, the overwrought moments and the haphazard, unconvincing excursions into dream and fantasy.

75
New York Post
Lou Lumenick
Sometimes gets repetitive and is slightly overlong. But it's got solid performances.

75
Entertainment Weekly
Owen Gleiberman
What holds the movie together, however, is Gibson's broodingly responsive performance.

75
Christian Science Monitor
David Sterritt
Kicks off the Oedipus theme that gallops through the story.

75
Chicago Tribune
Michael Wilmington
A movie that will act like a smack in the face to some audiences, while others may simply laugh in recognition.

75
Miami Herald
Rene Rodriguez
Raunchy, provocative and often very funny.

60
Los Angeles Times
Kenneth Turan
At once too neat and too messy, but films like this are too rare to leave it at that. Ragged but ambitious, it retains a core of genuine emotion -- this picture is doing the best it can, and although that may not be everything, it ought to count for something.

60
TV Guide
Ken Fox
Superbly acted by everyone involved (Rhames does his best work since "Pulp Fiction"), the film is really more about character than plot, though frankly, at more than two hours, it could have used a bit more of the latter.

60
Chicago Reader
Jonathan Rosenbaum
The characters are so full-bodied and the feelings so raw and complex that I'd call this the best thing he's (Singleton) done to date.

60
Slate
David Edelstein
Rambling and conflicted as it is, it's one of the most entertaining African-American comedies of manners ever made.

60
New Times (L.A.)
Gregory Weinkauf
It's a feel-good movie that happens to have a lot of feel-bad in it. The gratuitous violence sucks, and the pat conclusion prompts one to shout don't believe the hope!.

58
Portland Oregonian
Kim Morgan
Singleton just may be challenging us to laugh at the film or with it and then feel extremely uneasy for doing so. If so, that's admirable; if not, he's made a very strange soap opera.

58
Seattle Post-Intelligencer
Sean Axmaker
It's more ambitious and passionate than thoughtful. Singleton is better at criticizing than understanding, and he leaves too many characters lacking a legitimate voice.

50
Variety
Todd McCarthy
Can be taken to task for its overt point-making, lackluster style and some late-on dramatic contrivances seemingly dragged in to provide a little violence.

50
Washington Post
Stephen Hunter
You may or may not like what you see, but there it is, indisputably, right in your face.

50
San Francisco Chronicle
Bob Graham
It would have been enough that Singleton raise these difficult questions without trying to wrap them up, too, in the last five minutes.

50
New York Daily News
Jack Mathews
Despite the audience pandering -- not just in its violence, but in its wall-to-wall sexual vulgarity -- there are terrific elements in Baby Boy.

40
Washington Post
Desson Thomson
The movie makes an over-long deal about Jody's immaturity and never seems to get beyond it.

40
Village Voice
Amy Taubin
Pretty much a mess, but it also has a couple of long stretches that are extremely daring in that they reveal black family dynamics we've never seen on screen before.

40
Salon.com
Mary Elizabeth Williams
Singleton's words are no fitting match for his visuals, and his metaphors are so heavy-handed -- they undermine the smart subtlety of the direction.

38
Baltimore Sun
Michael Sragow
A mistaken message is a price a filmmaker pays when he tries to load weighty themes like the cycle of violence on an overgrown boy who scoots around on a bicycle.

30
LA Weekly
Ernest Hardy
Singleton has neither the emotional nor intellectual depth to do justice to his thesis. He is too in awe of the stereotypical hood lifestyles and macho posturings that he's trying to critique.

20
Mr. Showbiz
Kevin Maynard
A preachy, monotonous failure hyped as a follow-up to his incendiary 1991 debut, "Boyz N the Hood."

The average user rating for this movie is 8.8 (out of 10) based on 12 User Votes
Note: User votes are NOT included in the Metascore calculation.
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