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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
78
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
60
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
18
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
57
Merry Gentleman, The
65
Moon
xx
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
26
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
61
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
47
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
78
Beaches of Agnes, The
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
65
Sex Positive
65
Moon
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
61
Tony Manero
60
Under Our Skin
60
Girl from Monaco, The
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
47
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
28
Big Shot-Caller, The
26
Surveillance
22
What Goes Up
18
I Hate Valentine's Day
18
Downloading Nancy
xx
Call of the Wild
xx
Home
xx
New York
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Baby Mama
Universal Pictures
 |
|
MPAA RATING: PG-13 for crude and sexual humor, language and a drug reference
Starring
Tina Fey,
Amy Poehler,
Greg Kinnear,
Dax Shepard,
Romany Malco,
Maura Tierney,
Holland Taylor,
and
Sigourney Weaver
Successful and single businesswoman Kate Holbrook has long put her career ahead of a personal life. Now 37, she's finally determined to have a kid on her own. But her plan is thrown a curve ball after she discovers she has only a million-to-one chance of getting pregnant. Undaunted, the driven Kate allows South Philly working girl Angie Ostrowiski to become her unlikely surrogate. Simple enough... After learning from the steely head of their surrogacy center that Angie is pregnant, Kate goes into precision nesting mode: reading childcare books, baby-proofing the apartment and researching top pre-schools. But the executive's well-organized strategy is turned upside down when her Baby Mama shows up at her doorstep with no place to live. An unstoppable force meets an immovable object as structured Kate tries to turn vibrant Angie into the perfect expectant mom. In a comic battle of wills, they will struggle their way through preparation for the baby's arrival. And in the middle of this tug-of-war, they'll discover two kinds of family: the one you're born to and the one you make. (Universal Pictures)
| GENRE(S): |
Comedy
|
| WRITTEN BY: |
Michael McCullers
|
| DIRECTED BY: |
Michael McCullers
|
| RELEASE DATE: |
DVD: September 9, 2008
Theatrical: April 25, 2008
|
| RUNNING TIME: |
96 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
75
Charlotte Observer
Lawrence Toppman
It's the chemistry between the stars that makes the film stand out in a drab spring.

75
TV Guide
Ken Fox
Even though Kinnear is meant to be obvious love interest, it's the relationship between Kate and Angie that becomes the film's central story, making this comedy sweeter -- and more honest in its depiction of class difference -- than one might otherwise expect.

75
USA Today
Claudia Puig
Though the competition hasn't exactly been stiff, Fey and Poehler may well be the best female comedy duo since Lucy and Ethel.

75
Philadelphia Inquirer
Carrie Rickey
Best when skewering New Age entrepreneurs for what might be called Compassionate Capitalism. Steve Martin is sublime as Kate's boss, Barry, purveyor of organic food and Zen koans.

75
Boston Globe
Wesley Morris
In this era of Apatow and Ferrell and Rogen and Wilson, of men monopolizing movie comedy, Baby Mama feels absurdly momentous, and even political. Fey and Poehler aren't just taking back control of their bodies. They're taking back control of their profession.

75
Entertainment Weekly
Lisa Schwarzbaum
Although the big picture itself gets mushy, the small moments, especially involving Fey, are sharp.

70
Time
Richard Corliss
This is a comedy with the old-time blend of wit and sentiment. Years from now, when you stumble across it on TV, you could persuade yourself that, back in the two-thousand-oughts, they made pretty good movies.

70
Salon.com
Stephanie Zacharek
An essentially sweet-natured picture that doesn't go as far as it could.

70
Variety
Todd McCarthy
Fey is a delight to watch throughout.

63
New York Post
Lou Lumenick
Surely, if Fey herself had written Baby Mama, this mild cross between "Baby Boom" and "The Odd Couple" would not be so crushingly predictable.

63
ReelViews
James Berardinelli
There's nothing terribly wrong with Baby Mama but it's probably better suited for viewing on television, where many of the participants cut their teeth. This is small screen stuff masquerading as something bigger.

60
The New Yorker
Anthony Lane
There are gags and scraps of action that give the movie fits of buoyancy, and these tend to come not so much from the younger, eager performers as from the old hands.

60
New York Daily News
Joe Neumaier
In a pleasing contrast to Fey's sharpness, Poehler keeps her performance unpredictable and fuzzy. In this just-add-water comedy, a very funny movie star is born.

60
Los Angeles Times
Carina Chocano
The movie hardly allows itself any sharp moments at all -- it's much too sweet-natured to be cruel, and much too cheerful to be angry. It probably could have pushed a few more buttons, but Baby Mama aims to please and succeeds.

60
The Hollywood Reporter
Michael Rechtshaffen
Baby Boom serves up plenty of smart, knowing laughs early on, but by the time it hits the third act (or would that be trimester?), it barely crawls to the finish line.

58
The Onion (A.V. Club)
Keith Phipps
It's not without laughs--Poehler and Fey, as ever, have strong chemistry, and there's a truly bizarre scene in which Martin offers Fey a strange "reward" for a job well done--but there's a lot of arid space between them.

58
Seattle Post-Intelligencer
Sean Axmaker
Writer/director Michael McCullers sprinkles the film with sight gags and comic characters (the lisping birth coach becomes funny out of sheer doggedness), but his pacing is poor and doesn't know how to showcase the small-screen chemistry of Fey and Poehler on the big screen.

50
San Francisco Chronicle
Mick LaSalle
You could blast for it, and you still won't find 30 uninterrupted seconds of truth in Baby Mama. The characters are lies. Their emotional workings are lies. The jokes are based on lies about human behavior.

50
Portland Oregonian
M. E. Russell
Sporadically funny, bland, talent-wasting junk.

50
Film Threat
Pete Vonder Haar
There’s a lot of talent up there on the screen, and some authentic laughs, but too much of it is comedy territory that was claimed long ago.

50
Washington Post
Ann Hornaday
For those who crave mannerisms and shtick and like their jokes set up and knocked out with plenty of arrows and quote marks, Baby Mama may fall flat. But audiences alive to the modest charms of its take on female friendship will be rewarded with at least a few quiet chuckles.

50
The New York Times
Manohla Dargis
The film never comes fully to term, as it were: the visual style is sitcom functional, and even the zippiest jokes fall flat because of poor timing. But, much like the prickly, talented Ms. Fey, it pulls you in with a provocative and, at least in current American movies, unusual mix of female intelligence, awkwardness and chilled-to-the-bone mean.

50
Christian Science Monitor
Peter Rainer
Poehler is the life of the party and steals just about every scene, although there's not much to steal.

50
Village Voice
Robert Wilonsky
Ultimately, that's all this shrugging disappointment is: a "Saturday Night Live" sketch stretched a good hour past its breaking point of no return.

50
Chicago Tribune
Michael Phillips
Midway through I started wondering why I wasn't laughing more. "Baby Mama" was not written by Fey and/or Poehler, which may be the reason.

50
Slate
Dana Stevens
Baby Mama is the most disappointing movie of the year so far--which, granted, isn't saying a lot in mid-April.

50
Newsweek
David Ansen
Baby Mama is rescued by two scene-stealing veterans: Sigourney Weaver as the smug, patrician owner of the surrogate company, and a priceless, ponytailed Steve Martin as the self-infatuated New Age owner of Round Earth. These two aren't onscreen a lot, but the movie seems most fully alive when they are.

50
Wall Street Journal
Joe Morgenstern
The show is redeemed by its co-stars, up to a point. They struggle womanfully, and sometimes successfully, to find truth in the script's silly symphony of false notes.

50
Chicago Reader
J.R. Jones
The script favors routine "Odd Couple" gags over the sort of comic contemplation of motherhood a writer like Fey might have brought to the subject.

50
Miami Herald
Connie Ogle
Just amusing enough to provoke a few chuckles and just short enough to keep you from glancing at your watch.

50
The Globe and Mail (Toronto)
Liam Lacey
A painfully predictable movie.

50
Baltimore Sun
Michael Sragow
By the time it reaches its supposedly crowd-pleasing finale, Baby Mama may have self-respecting comedy fans (and even Tina Fey fans) crying uncle.

40
Austin Chronicle
Josh Rosenblatt
Just like it is in the world of "SNL" that Fey, Poehler, and McCullers sprang from, the choice gets made time and again to aim not for the high road but for the great, big, fat, juicy, unchallenging, uncontroversial middle ground, where everybody’s laughing but nothing is all that funny.

38
Premiere
Ryan Stewart
An exhausting 90 minutes of SNL-centric mediocrity that gives one the nagging feeling that Tina Fey's inability to cut the cord is going to quickly start to cool interest in her upcoming projects.


The average user rating for this movie is 6.3 (out of 10) based on 36 User Votes
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