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Stars indicate the most critically-acclaimed movies.

67
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83
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83
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83
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82
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82
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82
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82
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81
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81
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80
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80
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79
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78
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78
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77
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77
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75
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74
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74
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74
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74
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74
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71
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71
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70
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70
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70
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69
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69
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67
$9.99
67
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67
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66
Adoration
66
Moon
65
Sex Positive
65
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64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
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63
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63
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63
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63
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63
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62
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62
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61
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60
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59
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58
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58
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57
Away We Go
57
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57
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56
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56
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55
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54
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54
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54
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52
Quiet Chaos
50
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48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Backstage
Strand Releasing
 |
|
MPAA RATING: Not Rated
Starring
Emmanuelle Seigner,
Isild Le Besco,
Noémie Lvovsky,
Valéry Zeitoun,
Samuel Benchetrit,
Édith Le Merdy,
Jean-Paul Walle Wa Wana,
and
Mar Sodupe
Teenager Lucie (Le Besco) is an overly zealous fan of a famous pop diva, Lauren Waks (Seigner). In order to cope with her bleak small-town life with her mother and little brother, Lucie obsesses over the singer, covering her bedroom walls with images and posters of her mysterious, inaccessible idol. One day, a chance situation allows Lucie to meet Lauren and gain access to the star's vastly unstable life. Gradually their lives intertwine as, with near-operatic intensity, the film delves into the emotional dependency on both sides of celebrity culture. (Strand Releasing)
| GENRE(S): |
Drama
|
Foreign
|
Musical
|
| WRITTEN BY: |
Emmanuelle Bercot
Jérôme Tonnerre
|
| DIRECTED BY: |
Emmanuelle Bercot
|
| RELEASE DATE: |
Theatrical: November 22, 2006
|
| RUNNING TIME: |
115 minutes, Color |
| ORIGIN: |
France |
| LANGUAGE(S): |
French (with English subtitles) |
Nominated, Best Supporting Actress (Lvovsky), 2006 César Awards

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
88
TV Guide
Ken Fox
The line separating "fan" from "fanatic" has never seemed as thin or as permeable as it does in this harrowing, and at times surprisingly humorous, case study from actress-turned-director Emmanuelle Bercot.

88
Premiere
Aaron Hillis
Under the clichéd spell of rock-and-roll promiscuity and pills popped, Seigner shows astonishing range as the detached superstar who still fixates on her ex-boyfriend and has mood swings like a manic-depressive on fast-forward.

75
New York Daily News
Jack Mathews
Director Emmanuelle Bercot's film offers a fascinating account of how a vulnerable star might mistake fan worship for something real.

75
New York Post
Kyle Smith
There's a pleasing tension in the air as their relationship comes to seem like something of a contest: With two women this needy, who will out-crazy the other?

60
Variety
Derek Elley
With its booming soundtrack of songs -- written by Laurent Marimbert and sung by Seigner herself -- and good chemistry between Le Besco and Seigner, pic at times has an operatic emotional intensity that will turn off some viewers but provide a guilty pleasure for others.

60
Village Voice
J. Hoberman
An enjoyably overwrought meditation on the consequences of celebrity and the vicissitudes of fandom, Backstage stars Le Besco as the schoolgirl acolyte of Emmanuelle Seigner's pop diva, a singer-songwriter and high priestess of cheese.

50
The New York Times
Stephen Holden
As long as it focuses on its feverishly needy central characters, neither of whom you would ever want to have as a friend, it remains true to itself.

50
Los Angeles Times
Carina Chocano
As a take on celebrity as religious mass derangement, Backstage is nominally interesting. As a study of two characters, it's not very convincing.

50
Chicago Tribune
Michael Wilmington
The results aren't gothic and bloody, as they were in the Lauren Bacall film "The Fan," or elegant and ironic as in the Bette Davis classic "All About Eve"--though the plot suggests a bit of both.

50
Chicago Reader
Jonathan Rosenbaum
The limiting factor, despite serious performances by the two leads, is that neither character is entirely believable.

42
The Onion (A.V. Club)
Noel Murray
Bercot moves the characters up and down like lines on a chart, never granting full access to what any of them are thinking. And access is what Backstage promised.


The average user rating for this movie is 8.0 (out of 10) based on 2 User Votes
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