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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
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Away We Go
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Beaches of Agnes, The
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Big Man Japan
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Big Shot-Caller, The
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Boys: The Sherman Brothers' Story, The
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Brothers Bloom, The
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Burma VJ: Reporting from a Closed Country
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Call of the Wild
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Cheri
62
Cherry Blossoms
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Dead Snow
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Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
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54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
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Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
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Merry Gentleman, The
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Moon
35
New York
62
Not Forgotten
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Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
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Revanche
67
Rudo y Cursi
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Seraphine
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Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
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Surveillance
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Tennessee
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Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Bad Education
Sony Pictures Classics
FILM:
MPAA RATING: Not Rated
Starring
Gael García Bernal,
Fele Martínez,
Daniel Giménez Cacho,
Lluís Homar,
Javier Cámara,
Petra Martínez,
Nacho Pérez,
and
Raúl García Forneiro
In the early 60s, two boys - Ignacio and Enrique - discover love, movies and fear in a Christian school. Father Manolo, the school principal and Literature teacher, both witnesses and takes part in these discoveries. The three characters come against one another twice again, in the late 70s and in 1980. These meetings are set to change the life and death of some of them. (Club Cultura)
| GENRE(S): |
Drama
|
Foreign
|
Suspense/Thriller
|
| WRITTEN BY: |
Pedro Almodóvar
|
| DIRECTED BY: |
Pedro Almodóvar
|
| RELEASE DATE: |
DVD: April 12, 2005
Video: April 12, 2005
Theatrical: November 19, 2004
|
| RUNNING TIME: |
105 minutes, Color |
| ORIGIN: |
Spain |
| LANGUAGE(S): |
Spanish (with English subtitles) |
Original title "La Mala Educación"

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Rolling Stone
Peter Travers
A rapturous masterwork.

100
The New York Times
Stephen Holden
Bad Education is a voluptuous experience that invites you to gorge on its beauty and vitality, although it has perhaps the darkest ending of any of the films by the Spanish writer and director.

100
New York Post
V.A. Musetto
From the Hitchcockian opening credits to the final frame, Almodovar has Hitch on his mind.

100
Premiere
Glenn Kenny
Almodóvar has created a dense, audacious film in which layers of cinematic artifice lovingly camouflage (at least for a while) its characters’ dark, damaged heart.

100
Boston Globe
Wesley Morris
This is a brilliantly structured hall of mirrors that wraps Catholicism and the movie industry into a tasty film noir.

100
Washington Post
Desson Thomson
The result is one of Almodovar's darkest films since the early days of "Law of Desire" and "Matador," and certainly one of his finest.

100
Washington Post
Ann Hornaday
To watch Bad Education is to revel, along with Almodovar, in the power of cinema to take us on journeys of breathtaking mystery and dimension and beauty.

100
Portland Oregonian
Shawn Levy
Bad Education, in this light, is Almodovar's "8-1/2" or "Day for Night," a lens through which all of his movies appear as a seamless whole. It's not the story of his actual life but, more excitingly, the deft, witty, bittersweet story of the life of his art.

100
Austin Chronicle
Marjorie Baumgarten
With Bad Education, the great Almodóvar delivers the finest movie of his career.

91
Entertainment Weekly
Owen Gleiberman
It's a film noir that grows more potent as its secrets are revealed.

90
The New Yorker
David Denby
Complex and devious beyond easy recounting, Bad Education is about the fallout from the ending of a "pure" love between boys, consecrated in an Almodóvaran temple--a movie theatre.

90
Variety
Jonathan Holland
Superbly orchestrated, visually impressive.

90
LA Weekly
Scott Foundas
It's the director's most complexly ordered film to date - a labyrinth of ids, egos and alter egos waiting around blind corners - and may be the movies' most deliriously inventive narrative spiral since "Adaptation."

90
Los Angeles Times
Carina Chocano
With Bad Education, Almodóvar is at his most breathtakingly complex and mature, and at his most pessimistic.

88
Miami Herald
Rene Rodriguez
Almodóvar has never been shy about experimenting with plot structure, but Bad Education is the closest he's ever come to a metamovie, the sort of self-reflective, hall-of-mirrors contraption on which Charlie Kaufman has built his career.

88
New York Daily News
Jami Bernard
In this cross between film noir and melodrama, there's lust, need, camp and betrayal.

88
Philadelphia Inquirer
Carrie Rickey
A masterful epic charting love's labyrinths.

88
Chicago Sun-Times
Roger Ebert
Pedro Almodovar's new movie is like an ingenious toy that is a joy to behold, until you take it apart to see what makes it work, and then it never works again.

80
Chicago Reader
Staff (Not credited)
If you're a fan of professional bad boy and Spanish gender bender Pedro Almodovar, far be it from me to dissuade you from enjoying this elaborate Chinese-box narrative, which boasts an especially resourceful performance by Gael Garcia Bernal.

80
The Onion (A.V. Club)
Scott Tobias
In accounting for Almodóvar's identity as an artist and a man, Bad Education comes together like a bold and far-reaching summation of his career to date.

75
Christian Science Monitor
David Sterritt
Spain's most important living filmmaker isn't at his very best in this complicated tale, but it raises still-timely questions well worth pondering.

75
San Francisco Chronicle
Carla Meyer
Intoxicating and flawed.

75
The Globe and Mail (Toronto)
Liam Lacey
Even when the plots of sexual confusions, transgression and tragedy became absurdly complicated and arbitrary, there was always the mise-en-scène to die for.

75
Seattle Post-Intelligencer
William Arnold
A big change of pace for the bad-boy Spanish director. Like his other work, it's kinky and proudly gay, but this time it's not a comedy. It's a serious neo-film-noir, and a pretty darn good one at that.

70
TV Guide
Maitland McDonagh
By turns enthralling, seductive and deeply disturbing.

70
New York Magazine
Ken Tucker
May be at once too gimmicky and too sincere. But it still exerts an uncanny power: Like the best of Almodóvar’s work, it throws you a first-love sucker punch that will stagger your heart, mind, and soul.

63
ReelViews
James Berardinelli
Ultimately, Bad Education must be considered to be a minor effort from a major director.

63
Chicago Tribune
Robert K. Elder
If only Bad Education engaged the heart as much as the head, Almodovar's fractured tale might have risen above its alienating noir conventions.

60
Dallas Observer
Melissa Levine
Begins as comedy, morphs into drama and only belatedly introduces the noir requisites of subterfuge, cunning and death--none of which, by that time, is necessary or even welcome. There is a great deal of life in this movie, and also promise, but its creepy ending betrays its sincere and painful core.

60
Village Voice
Michael Atkinson
There's something dull and evasive at the film's center--for one thing, contrary to its festival buzz, Bad Education tiptoes around the issue of priesthood pedophilia; lovelorn gazes are as desperate as it gets.

50
Wall Street Journal
Joe Morgenstern
After two flat-out triumphs in a row, "All About My Mother" in 1999 and last year's breathtaking "Talk To Her," Pedro Almodóvar hasn't done it again. Yet lesser Almodóvar -- in this instance "Bad Education" -- is better than most of the movies we see.
50
The New Republic
Stanley Kauffmann
Leaves the viewer with the sense of a writing-directing talent concocting complexities. Everything he touches is well-turned, but he now feels compelled to put the pieces together in something other than a lucid design.

50
Baltimore Sun
Michael Sragow
The movie gets as overblown and masochistic as the worst Joan Crawford vehicle. Its saving grace is that Bernal really does have his own deep-set, smoldering variation on Bette Davis eyes.

10
Film Threat
Phil Hall
Such garbage that taking a shower at the Bates Motel is a more appealing alternative.


The average user rating for this movie is 7.8 (out of 10) based on 40 User Votes
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