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Bad Education
Sony Pictures Classics

Bad Education reviews
Critic Score
Metascore: 81 Metascore out of 100
User Score  
7.8 out of 10
based on 34 reviews
Read critic reviews
How did we calculate this?
based on 40 votes
Read user comments
Rate this movie

MPAA RATING: Not Rated

Starring Gael García Bernal, Fele Martínez, Daniel Giménez Cacho, Lluís Homar, Javier Cámara, Petra Martínez, Nacho Pérez, and Raúl García Forneiro

In the early 60s, two boys - Ignacio and Enrique - discover love, movies and fear in a Christian school. Father Manolo, the school principal and Literature teacher, both witnesses and takes part in these discoveries. The three characters come against one another twice again, in the late 70s and in 1980. These meetings are set to change the life and death of some of them. (Club Cultura)


GENRE(S): Drama  |  Foreign  |  Suspense/Thriller  
WRITTEN BY: Pedro Almodóvar  
DIRECTED BY: Pedro Almodóvar  
RELEASE DATE: DVD: April 12, 2005 
Video: April 12, 2005 
Theatrical: November 19, 2004 
RUNNING TIME: 105 minutes, Color 
ORIGIN: Spain 
LANGUAGE(S): Spanish (with English subtitles) 

Original title "La Mala Educación"

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100
Rolling Stone Peter Travers
A rapturous masterwork.
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100
The New York Times Stephen Holden
Bad Education is a voluptuous experience that invites you to gorge on its beauty and vitality, although it has perhaps the darkest ending of any of the films by the Spanish writer and director.
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100
New York Post V.A. Musetto
From the Hitchcockian opening credits to the final frame, Almodovar has Hitch on his mind.
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100
Premiere Glenn Kenny
Almodóvar has created a dense, audacious film in which layers of cinematic artifice lovingly camouflage (at least for a while) its characters’ dark, damaged heart.
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100
Boston Globe Wesley Morris
This is a brilliantly structured hall of mirrors that wraps Catholicism and the movie industry into a tasty film noir.
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100
Washington Post Desson Thomson
The result is one of Almodovar's darkest films since the early days of "Law of Desire" and "Matador," and certainly one of his finest.
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100
Washington Post Ann Hornaday
To watch Bad Education is to revel, along with Almodovar, in the power of cinema to take us on journeys of breathtaking mystery and dimension and beauty.
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100
Portland Oregonian Shawn Levy
Bad Education, in this light, is Almodovar's "8-1/2" or "Day for Night," a lens through which all of his movies appear as a seamless whole. It's not the story of his actual life but, more excitingly, the deft, witty, bittersweet story of the life of his art.
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100
Austin Chronicle Marjorie Baumgarten
With Bad Education, the great Almodóvar delivers the finest movie of his career.
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91
Entertainment Weekly Owen Gleiberman
It's a film noir that grows more potent as its secrets are revealed.
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90
The New Yorker David Denby
Complex and devious beyond easy recounting, Bad Education is about the fallout from the ending of a "pure" love between boys, consecrated in an Almodóvaran temple--a movie theatre.
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90
Variety Jonathan Holland
Superbly orchestrated, visually impressive.
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90
LA Weekly Scott Foundas
It's the director's most complexly ordered film to date - a labyrinth of ids, egos and alter egos waiting around blind corners - and may be the movies' most deliriously inventive narrative spiral since "Adaptation."
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90
Los Angeles Times Carina Chocano
With Bad Education, Almodóvar is at his most breathtakingly complex and mature, and at his most pessimistic.
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88
Miami Herald Rene Rodriguez
Almodóvar has never been shy about experimenting with plot structure, but Bad Education is the closest he's ever come to a metamovie, the sort of self-reflective, hall-of-mirrors contraption on which Charlie Kaufman has built his career.
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88
New York Daily News Jami Bernard
In this cross between film noir and melodrama, there's lust, need, camp and betrayal.
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88
Philadelphia Inquirer Carrie Rickey
A masterful epic charting love's labyrinths.
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88
Chicago Sun-Times Roger Ebert
Pedro Almodovar's new movie is like an ingenious toy that is a joy to behold, until you take it apart to see what makes it work, and then it never works again.
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80
Chicago Reader Staff (Not credited)
If you're a fan of professional bad boy and Spanish gender bender Pedro Almodovar, far be it from me to dissuade you from enjoying this elaborate Chinese-box narrative, which boasts an especially resourceful performance by Gael Garcia Bernal.
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80
The Onion (A.V. Club) Scott Tobias
In accounting for Almodóvar's identity as an artist and a man, Bad Education comes together like a bold and far-reaching summation of his career to date.
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75
Christian Science Monitor David Sterritt
Spain's most important living filmmaker isn't at his very best in this complicated tale, but it raises still-timely questions well worth pondering.
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75
San Francisco Chronicle Carla Meyer
Intoxicating and flawed.
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75
The Globe and Mail (Toronto) Liam Lacey
Even when the plots of sexual confusions, transgression and tragedy became absurdly complicated and arbitrary, there was always the mise-en-scène to die for.
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75
Seattle Post-Intelligencer William Arnold
A big change of pace for the bad-boy Spanish director. Like his other work, it's kinky and proudly gay, but this time it's not a comedy. It's a serious neo-film-noir, and a pretty darn good one at that.
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70
TV Guide Maitland McDonagh
By turns enthralling, seductive and deeply disturbing.
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70
New York Magazine Ken Tucker
May be at once too gimmicky and too sincere. But it still exerts an uncanny power: Like the best of Almodóvar’s work, it throws you a first-love sucker punch that will stagger your heart, mind, and soul.
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63
ReelViews James Berardinelli
Ultimately, Bad Education must be considered to be a minor effort from a major director.
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63
Chicago Tribune Robert K. Elder
If only Bad Education engaged the heart as much as the head, Almodovar's fractured tale might have risen above its alienating noir conventions.
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60
Dallas Observer Melissa Levine
Begins as comedy, morphs into drama and only belatedly introduces the noir requisites of subterfuge, cunning and death--none of which, by that time, is necessary or even welcome. There is a great deal of life in this movie, and also promise, but its creepy ending betrays its sincere and painful core.
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60
Village Voice Michael Atkinson
There's something dull and evasive at the film's center--for one thing, contrary to its festival buzz, Bad Education tiptoes around the issue of priesthood pedophilia; lovelorn gazes are as desperate as it gets.
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50
Wall Street Journal Joe Morgenstern
After two flat-out triumphs in a row, "All About My Mother" in 1999 and last year's breathtaking "Talk To Her," Pedro Almodóvar hasn't done it again. Yet lesser Almodóvar -- in this instance "Bad Education" -- is better than most of the movies we see.
50
The New Republic Stanley Kauffmann
Leaves the viewer with the sense of a writing-directing talent concocting complexities. Everything he touches is well-turned, but he now feels compelled to put the pieces together in something other than a lucid design.
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50
Baltimore Sun Michael Sragow
The movie gets as overblown and masochistic as the worst Joan Crawford vehicle. Its saving grace is that Bernal really does have his own deep-set, smoldering variation on Bette Davis eyes.
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10
Film Threat Phil Hall
Such garbage that taking a shower at the Bates Motel is a more appealing alternative.
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What Our Users Said

Vote Now!The average user rating for this movie is 7.8 (out of 10) based on 40 User Votes
Note: User votes are NOT included in the Metascore calculation.

Emma D. gave it a9:
The movie pushed the envelope, yes. But in the end, all envelopes must be pushed, and in "Bad Education" it was done beautifully, intelligently, and was one of the most believable movies I've ever seen. The casting was amazing, with actors who didn't foce anyhting, and the intricate plot kept me guessing. The movie ended without fear, boldly and movingly. "Bad Education" made you think, my favorite kind of movie.

Ana R. gave it an8:
I was astonished by this movie. it's a mind game. The actors were great.

Danny C. gave it a2:
not almodovar's best. under its specious smartness there's so little.

Gina S. gave it a10:
Watching it last night, my roommate came home just as end credits rolled. I exclaimed "You have to watch this movie" and started it over again. Just as enthralling on 2nd viewing.

Tony B. gave it a4:
Not much ado about nothing perhaps, just about very little...one of the more overrated films in recent memory.

James E. gave it a1:
I'm not sure what was so special about this other than it pushed the envelope with Catholicism. I was weirded out most of the movie.

Stephen S. gave it a5:
Even if you're a long term Almodovar fan (I am) it's hard to credit the chorus of acclaim for this one. Finally, Pedro produces a perfectly limp parody of his own gender-bending, anti-clerical, post-Bunuel preoccupations. The sharp turns of the interlocking stories are in style, but nobody can raise much interest in what's happening. Even the dramatic highlights only score about 3/10 in intensity. By the way, GG Bernal is Pedro's worst-ever trannie in his lime-green dress.

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