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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
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54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
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Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
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Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
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Sugar
84
Summer Hours
61
Sunshine Cleaning
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Surveillance
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Tennessee
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Tetro
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Throw Down Your Heart
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Tokyo Sonata
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Tokyo!
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Tony Manero
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Treeless Mountain
88
Tulpan
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Two Lovers
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Tyson
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U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
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Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Bartleby
Outrider Pictures
MPAA RATING: PG-13 for some sexual content
Starring
David Paymer,
Crispin Glover,
Glenne Headly,
Joe Piscopo,
Maury Chaykin,
Seymour Cassel,
Carrie Snodgress,
and
Dick Martin
A modern adaptation of Herman Melville's "Bartleby the Scrivener."
| GENRE(S): |
Drama
|
| WRITTEN BY: |
Jonathan Parker
Catherine DiNapoli
Herman Melville (story Bartleby the Scrivener)
|
| DIRECTED BY: |
Jonathan Parker
|
| RELEASE DATE: |
DVD: July 8, 2003
Video: July 8, 2003
Theatrical: May 24, 2002
|
| RUNNING TIME: |
82 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
90
The New York Times
Dana Stevens
Mr. Parker has brilliantly updated his source and grasped its essence, composing a sorrowful and hilarious tone poem about alienated labor, or an absurdist workplace sitcom, as if a team of French surrealists had been put in charge of "The Drew Carey Show."

90
LA Weekly
Chuck Wilson
While Parker and co-writer Catherine di Napoli are faithful to Melvilles plotline, they and a fully engaged supporting cast have made the old boy's characters more quick-witted than any English Lit major would have thought possible.

80
Slate
David Edelstein
The neat thing about Jonathan Parker's modern-day Bartleby (Outsider Pictures) is that it brings out all the vaudeville undercurrents in Melville's dark tale and turns it into a surreal tragi-sitcom for our own era.

75
San Francisco Chronicle
Mick LaSalle
This is a shrewd and effective film from a director who understands how to create and sustain a mood.

63
Chicago Sun-Times
Roger Ebert
The film has been directed by Jonathan Parker; he adapted the Melville story with Catherine DiNapoli. It's his first work, and a promising one. I admire it and yet cannot recommend it, because it overstays its natural running time.

63
Miami Herald
Charles Savage
Though this film can be clumsy, its ambitions are equally -- and admirably -- uncommercial.

60
Variety
Joe Leydon
Although closer in tone to "Office Space" than Herman Melville, Jonathan Parker's absurdist update of Bartleby is surprisingly faithful to the spirit, if not the letter, of the "Moby-Dick" author's 1853 novella about an under-achieving Wall Street copy clerk.

50
TV Guide
Ken Fox
It's a testament to both the timelessness and the prescience of Herman Melville's 1853 story "Bartleby, the Scrivener" that it can be so easily updated with so few changes.

50
Philadelphia Inquirer
Carrie Rickey
It's a parable as timely today as when it was written. But except for Paymer as the boss who ultimately expresses empathy for Bartleby's pain, the performances are so stylized as to be drained of human emotion.

40
New Times (L.A.)
Luke Y. Thompson
A key problem here is that the film is adapting a short story, and, as such, has to pad it out to feature length -- it still comes in at a scant 82 minutes, about 52 minutes too long.

40
Empire
Nick Dawson
A fable that leaves us unenlightened at the end, it is a curious, worthy failure.

40
Los Angeles Times
Kevin Thomas
It's not a bad idea, and it has the right cast and the right look. But, sad to say, it lacks the pace and energy to make it come alive and therefore remains more of a literary conceit than a movie.

40
Film Threat
Ron Wells
Oh, boy. This is not unlike watching one of the movies Jerry Lewis made after that concentration camp/clown epic nearly destroyed his career and his mind.

40
Austin Chronicle
Marrit Ingman
Comes across as stiff and uneven.

38
New York Daily News
Elizabeth Weitzman
Does little more than re-create the oppressive feeling of suffocating employment. And why put yourself through that experience without the promise of a paycheck at the other end?

30
The Onion (A.V. Club)
Keith Phipps
Parker's film is flat beyond the flatness appropriate to the story; the conflict between Glover and Paymer follows Melville's original so squarely that it quickly begins to feel like they're going through the motions.

25
Entertainment Weekly
Owen Gleiberman
It's no insult to Melville to say that he wrote, in effect, the original ''Dilbert.'' This movie, unfortunately, makes ''Dilbert'' look like Melville.

25
New York Post
Megan Lehmann
There's obviously some philosophical comment on the alienating effects of ho-hum toil buried somewhere in this weird mess, which features an irritating, theremin-heavy score. But can you be bothered stifling a yawn and searching for meaning? I would prefer not to.

20
Village Voice
Jessica Winter
The loud, musty production design -- steeped in lime greens and tangerine oranges -- smells of recirculated air and enervated ambition, but unfortunately, so does the movie itself.


The average user rating for this movie is 9.0 (out of 10) based on 1 User Votes
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