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Battle in Heaven
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MPAA RATING: Not Rated
Starring Marcos Hernández, Anapola Mushkadiz, Bertha Ruiz, David Bornstien, and Rosalinda Ramirez
Marcos and his wife kidnap a baby for ransom money, but it goes tragically wrong when the infant dies. In another world is Ana, the daughter of the general he drives for, who prostitutes herself for pleasure. Marcos confesses his guilt to her in his troubled search for relief. And then finds himself on his knees amidst the multitude of believers moving slowly towards the Basilica in honour of the Lady of Guadalupe. (Tartan Films)
| GENRE(S): | Drama | Foreign |
| WRITTEN BY: | Carlos Reygadas |
| DIRECTED BY: | Carlos Reygadas |
| RELEASE DATE: |
DVD: May 9, 2006 Theatrical: February 17, 2006 |
| RUNNING TIME: | 98 minutes, Color |
| ORIGIN: | Mexico / Belgium / France / Germany |
| LANGUAGE(S): | Spanish (with English subtitles) |
Original title "Batalla en el Cielo"; Nominated, Golden Palm, 2005 Cannes Film Festival
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
The average user rating for this movie is 6.5 (out of 10) based on 6 User Votes
Note: User votes are NOT included in the Metascore calculation.
Jim A. gave it a0:
This movie was a complete failure. Sex scenes with no point and actors who don't even know how to play! Finally the end is not explain anything. I know the plot only because I read it somewhere!
Chad S. gave it a7:
As Marcos(Marcos Hernandez) chauffeurs Ana(Anapola Mushkadiz), the boss' daughter, who we soon learn, he covets; that dispassionate face of the general's flunkey is conspicuously framed in the rear-view mirror as he drives his client to work. Marcos appears to have other things ruminating behind his blank visage, but that rear-view mirror(also used in Brian DePalma's "Dressed to Kill") signifies the male gaze(film is largely patriarchial), and if there's a sexually active nubile in the backseat, there's desire. Daddy's little girl is a prostitute who works at an upscale whorehouse(what the Mexicans call a "boutique"). It's never made clear why this privileged girl subjects herself to the sex trade; that's just what Ana does in between the time she's a daughter and a boyfriend. "Battle in Heaven" has Catherine Breillaut's DNA all over it. This provocative film is a very good clone. The controversial woman who introduced graphic sex regularly to contemporary cinema probably wouldn't bother to explain Ana's rebellious attack on bourgeoise values either. Late in the film, there's a shocking act of violence(similar to Breillaut's "Fat Girl") which I interpreted as Marcos' anger that Ana led him into temptation. Such an idea is terribly unfair, of course, because what this implies is that a woman's body was built for sinful thoughts and men are helpless before its erotic design. Marcos makes his pilgrimage to the Basilica by inching forward on bended knees and without the benefit of sight(there's a bag covering his entire head). Since he's blind, women no longer pose a threat to his marriage vows. In the scene preceeding Ana's oral ministrations of Marcos' manhood, we see the flag of Mexico being lowered and folded away. Without the constrictions on free will that government and religion present to Marcos, he is free to prolong his sexual relationship with Ana without guilt. "Battle in Heaven" is anti-woman, but it's also rigorously intellectual.
Ricardo R. gave it a10:
One of the most interesting directors right now. Delivers a MASTERPIECE. I didn't like "Japon", but this one, Oh my god is just incredible.
Louis A. gave it a10:
An amazing film that cuts right to the heart of ideology and cultural apparati in the modern developing country.
Carlinhos B. gave it a10:
There are two options for this fill, "Hate It Or Love It", this is a very hard film to watch, if you watch the original version of course. It really is a great film, there are so many movies out there so much better than this, however none of them have the sincerity and intelligence of this sophmore masterpiece.

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