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9
17
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37
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53
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66
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45
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61
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55
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43
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66
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29
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23
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80
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61
Extract
39
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30
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34
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60
Funny People
32
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27
Gamer
41
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39
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46
Halloween II
73
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78
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55
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66
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69
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58
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47
Jennifer's Body
66
Julie & Julia
34
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33
Love Happens
54
Men Who Stare At Goats, The
67
Michael Jackson's This Is It
51
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42
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28
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63
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86
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35
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48
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30
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53
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24
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83
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33
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45
Surrogates
55
Taking Woodstock
47
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96
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35
Transformers: Revenge of the Fallen
28
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88
Up![]()
71
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67
Whip It
28
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73
Zombieland
Stars indicate the most critically-acclaimed movies.
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96
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56
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72
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78
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66
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xx
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58
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72
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48
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73
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62
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55
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76
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86
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13
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70
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35
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71
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51
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76
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26
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57
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45
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81
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45
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xx
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62
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65
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69
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75
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67
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71
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70
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24
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85
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55
Endgame
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56
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62
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74
Flame & Citron
49
Food Beware: The French Organic Revolution
80
Food, Inc.
28
Free Style
xx
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50
Fuel
25
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50
Give Me Your Hand
58
Gogol Bordello Non-Stop
72
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89
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52
Grace
64
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81
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xx
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63
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73
House of the Devil, The
xx
How to Seduce Difficult Women
74
Humpday
94
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29
I Hope They Serve Beer in Hell
16
If One Thing Matters: A Film About Wolfgang Tillmans
75
In Search of Beethoven
83
In the Loop![]()
61
Intimate Enemies
42
Irene in Time
70
It Might Get Loud
46
Killing Kasztner
19
Labor Day
xx
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41
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41
Little Traitor, The
66
Liverpool
34
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80
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83
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xx
Ministers, The
59
More Than a Game
67
Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers, The
34
Motherhood
62
My One and Only
xx
Mystery Team
48
New York, I Love You
73
Night and Day
66
No Impact Man
47
Ong Bak 2: The Beginning
34
Other Man, The
xx
Painter Sam Francis, The
54
Paper Heart
xx
Paradise
68
Paranormal Activity
68
Paris
44
Peter and Vandy
35
Play the Game
77
Precious: Based on the Novel by Sapphire
xx
Pretty Ugly People
65
Providence Effect, The
76
Rembrandt's J'accuse
69
September Issue, The
79
Serious Man, A
40
Shrink
61
Skin
77
Skin Too Few: The Days of Nick Drake, A
xx
Skiptracers
46
Splinterheads
39
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89
Still Walking![]()
50
Stoning of Soraya M., The
55
Storm
65
Tetro
70
That Evening Sun
72
Thirst
xx
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61
Trucker
xx
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83
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66
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66
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70
Visual Acoustics
55
Walt & El Grupo
67
Way We Get By, The
69
We Live in Public
64
Wedding Song, The
64
Where is Where?
xx
White on Rice
74
Woman in Berlin, A
69
World's Greatest Dad
70
Yes Men Fix the World
69
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xx
You, the Living
Stars indicate the most critically-acclaimed movies.
Big

Generally favorable reviews
Based on 15 critic reviews
How did we calculate this?
Based on 4 votes
Read user comments
Rate this movie >
Movie Info
Genre(s): Comedy | Drama | Family/Kids | Fantasy | Romance
Written by:
Gary Ross
Anne Spielberg
Directed by: Penny Marshall
Release Date:
Theatrical: June 3, 1988
DVD: May 8, 2007
Running Time: 104 minutes, Color
Origin: USA
Summary
RATING: PG
Starring Tom Hanks, Elizabeth Perkins, Robert Loggia, John Heard, David Moscow, Jon Lovitz, and Mercedes Ruehl
At a carnival, young Josh Baskin wishes he was big only to awake the next morning and discover he is! With the help of his friend Billy, Josh lands a job at a toy company. But the more he experiences being an adult, the more Josh longs for the simple joys of childhood. (20th Century Fox)
Also On Metacritic
FILM: Awakenings Renaissance Man Riding in Cars with Boys
Also On The Web: Internet Movie Database Official Studio Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
USA Today Donna Britt
Unpretentious as it is, Big takes you beyond laughter, to where you live. And there's nothing small about that. [3 Jun 1988, p.1D]
TV Guide Staff (Not Credited)
Big is a winning, charming film, primarily because Hanks makes it work. He is extraordinarily convincing as an adolescent who suddenly finds himself dealing with a new, adult body, responsibilities, and a romantic relationship, while simultaneously trying to survive vicious corporate infighting.
Read Full Review >Boston Globe Michael Blowen
Big is an example of what has become rare in Hollywood -- a self-confident comedy that transforms an old gimmick into a new, vivid experience. It's as funny for the kids as it is for adults and, for that reason alone, can't be recommended too highly. [3 Jun 1988, p.33]
The Globe and Mail (Toronto) Rick Groen
Sure, the premise is identical age-reversal comedies, but this one uses a much higher octane, animating a tired idea with a timeless script, and the result is pop humor at its most appealing - wit and charm spiced with a measured pinch of farce and just the right hint of melancholy. [3 Jun 1988, p.E1]
Los Angeles Times Kevin Thomas
The greatest thing about Big is that its makers have known how to end it in a thoroughly satisfying fashion, which is always the challenge-and often the stumbling block-of fantasy. In never confusing what is child-like with childishness, Big is actually a refreshingly grown-up comedy-for the entire family. [3 Jun 1988, p.1]
The New York Times Janet Maslin
Big features believable young teen-age mannerisms from the two real boys in its cast, and this only makes Mr. Hanks's funny, flawless impression that much more adorable. This really is the performance to beat.
Read Full Review >Variety Staff (Not Credited)
A 13-year-old junior high kid Josh (David Moscow) is transformed into a 35-year-old's body (Tom Hanks) by a carnival wishing machine in this pic which unspools with enjoyable genuineness and ingenuity.
Read Full Review >Empire Ian Nathan
As a crowd-pleasing comedy it works. But it really could have been so much more.
Read Full Review >Wall Street Journal Julie Salamon
I am glad to be able to say that all these clever and talented people have actually come up with the goods. The biggest goodie is Tom Hanks as the little boy after his wish has been granted. Much of the comedy in this movie is physical. Without forcing the matter Mr. Hanks has a startling ability to take on the mannerisms and facial expressions of an adolescent. [2 Jun 1988, p.1]
Washington Post Joe Brown
Big is never condescending to or smuttily smirky about kids. And it doesn't make fun of grownups, either. It just feels sorry for them a little. [3 Jun 1988, p.n37]
San Francisco Chronicle Peter Stack
Sappiness and romance always are fine with me, and Big is a good example of a movie that effortlessly blends sweetness and fun - it feels a little like stumbling on a picnic of smiles. [3 Jun 1988, p.E1]
Chicago Tribune Dave Kehr
Big moves with polish and assurance. It's too soon to tell whether Marshall has anything of her own to say, but Big is proof that she can handle the Hollywood machine, and that is no small thing. [3 Jun 1988, p.A]
Washington Post Hal Hinson
Big has a warmhearted sweetness that's invigorating; it makes you want to break out the Legos. It's only near the end of the film, when Hanks has to play the scenes for pathos, that the movie becomes cloying.
Read Full Review >Chicago Sun-Times Llyod Sachs
It's too involved in administering its reversion fantasy to acquisition-guilty yuppies to cast an eye on its own venture status. And the contradictions don't stop there. That this celebration of the Peter Pan syndrome was directed by a woman, Penny Marshall, adds another layer of dishonesty. [3 Jun 1988, p.31]
Chicago Reader Jonathan Rosenbaum
Once again, the overall premise is milked for some mild titillation involving the hero's sexual innocence, making one wonder if the genre's popularity might involve some deeply sublimated form of kiddie porn--arguably the distilled ideological essence of squeaky-clean Reaganism.
Read Full Review >What Our Users Said
The average user rating for this movie is 6.7 (out of 10) based on 4 User Votes
Note: User votes are NOT included in the Metascore calculation.
Jared C. gave it a2:
More like 1-year-old comedy.
