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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
57
Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Birth
New Line Cinema
FILM:
MPAA RATING: R for sexuality
Starring
Nicole Kidman,
Cameron Bright,
Danny Huston,
Lauren Bacall,
Alison Elliott,
Arliss Howard,
Mike Desautels,
and
Anne Heche
A metaphysical love story that explores the space between what we know and what we feel. Like many fairy tales, Birth is part romance, part mystery, and part family drama - woven into a magical whole about love, mortality and the unknown. (New Line Cinema)
| GENRE(S): |
Drama
|
Mystery
|
| WRITTEN BY: |
Milo Addica
Jean-Claude Carrière
Jonathan Glazer
|
| DIRECTED BY: |
Jonathan Glazer
|
| RELEASE DATE: |
DVD: April 19, 2005
Theatrical: October 29, 2004
|
| RUNNING TIME: |
100 minutes, Color |
| ORIGIN: |
USA |
Nominated, Golden Lion, 2004 Venice Film Festival

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Christian Science Monitor
David Sterritt
The eerie tale is steeped in brooding atmosphere and psychological suspense thanks to Glazer's hugely imaginative visual style and creative use of music, sound, and silence.

88
Chicago Sun-Times
Roger Ebert
An effective thriller precisely because it is true to the way sophisticated people might behave in this situation. Its characters are not movie creatures, gullible, emotional and quickly moved to tears. They're realists, rich, a little jaded.

88
Premiere
Kevin Allison
There are moments so beautifully composed and so resonant in Jonathan Glazer's (Sexy Beast) sophomore effort, I can at least propose it's a "near-great."

80
The New York Times
Dana Stevens
Without Ms. Kidman's brilliantly nuanced performance, Birth might feel arch, chilly and a little sadistic, but she gives herself so completely to the role that the film becomes both spellbinding and heartbreaking, a delicate chamber piece with the large, troubled heart of an opera.

80
Los Angeles Times
Kenneth Turan
What the intelligently spooky Birth does best is disturb us.

80
Variety
David Rooney
While it veers heavily toward pretentiousness, this striking metaphysical mystery is intensely compelling, conjuring a mood between European high-arthouse and the unsettling psychological horror of "Rosemary's Baby."

75
USA Today
Claudia Puig
Birth presents an intriguing premise about death and the possibility of rebirth in an elegant, melancholy and deliberate fashion.

75
Philadelphia Inquirer
Steven Rea
Birth makes its oddball supernaturalism seem completely, compellingly real.

75
Rolling Stone
Peter Travers
The best of what's onscreen is a mesmerizing mind-teaser.

70
Film Threat
Rick Kisonak
A fine cast, understated treatment and tantalizing premise make for a movie well worth seeing even if you don't come away believing.

63
New York Daily News
Jack Mathews
It's corny, plodding, implausible and - on occasion - seriously creepy. At the same time, it contains a couple of this movie year's most sublime sequences, and features one of Nicole Kidman's bravest and best performances.

63
Miami Herald
Rene Rodriguez
The dialogue is sparse but well used -- it's refreshing to see a movie where people don't feel compelled to talk all the time.

60
Village Voice
Dennis Lim
If Birth succeeds more as a source of visual and aural enthrallment than as supernatural narrative, it's largely because the final third hovers uncomfortably between the mystical and the earthbound.

60
Empire
Ian Nathan
Imagine if Stanley Kubrick had made Ghost and you're some way to this classily restrained oddity, but its morbid preoccupations and ambiguity might prove too cuckoo for most.

60
Newsweek
David Ansen
Ridiculous, and oddly unforgettable.

60
The New Yorker
David Denby
This movie, taken all together, is one of the most bizarre combinations of distinguished talent and inane ideas that I've ever seen.

60
TV Guide
Ken Fox
Terrific acting and fearless direction transform what might have been a silly exercise in the slightly spooky into a somber and deeply romantic mystery.

58
Seattle Post-Intelligencer
William Arnold
Kidman's performance is the best thing in the movie, but it's not at all appealing.

50
New York Post
Megan Lehmann
Kidman gives an other stunning performance in Birth, but it is a riddle wrapped in a mystery inside an enigma that ultimately reveals . . . not much.

50
Chicago Tribune
Allison Benedikt
For awhile, the stately symphonic score, urbane setting and understated dress make Birth feel powerful--until it feels empty, lacking what Glazer so furiously exhibited in his equally stylized freshman endeavor: heart.

50
Austin Chronicle
Marjorie Baumgarten
It's a spooky movie without anything really scary in it, a ghost story without any spirits, a romance that displays scant affection, a reincarnation tale that never uses that particular word nor engages in anything terribly transcendental.

50
Chicago Reader
Hank Sartin
In this eerily tranquil psychological thriller, Nicole Kidman's placid countenance is like a Rorschach: you'll project onto it what you want to see.

50
The Globe and Mail (Toronto)
Rick Groen
Despite its trappings, despite its style, Birth is just a tall tale with a short reach.

50
San Francisco Chronicle
Mick LaSalle
Begins like a penetrating exploration of love, grief and suffering and ends looking like a highbrow version of "Bride of Chucky."

50
Salon.com
Stephanie Zacharek
A little like the '80s crowd-pleaser "Ghost," but way artier.

42
Entertainment Weekly
Owen Gleiberman
When Kidman slithers into a bathtub with her young ''husband,'' the scene, in its soft-pedaled way, is the definition of exploitation: It appears to have been cooked up for no other purpose than to conjure creepy child-porn overtones.

40
The Onion (A.V. Club)
Keith Phipps
The ick-factor deepens as the story progresses, but the mystery never does.

38
ReelViews
James Berardinelli
Stay away from Birth not because of what goes on (or doesn't) in a bathtub, but because this is not a very good movie.

38
Boston Globe
Ty Burr
Such a meticulously wrought piece of hokum that it's both easy to admire and impossible to warm up to.

33
Portland Oregonian
Shawn Levy
Handsomely photographed, artfully edited and acted with skill and conviction. It is also so stupid that you expect to see strings of drool dripping from the corner of the screen.

30
Washington Post
Teresa Wiltz
For all its art-house posturing, for all its exploration of the taboo topic, Birth is anything but good.

30
Dallas Observer
Robert Wilonsky
You're almost tempted to laugh at Birth by the end, but by then you're too busy cursing it to bother.

30
LA Weekly
Ella Taylor
Birth may be the most futile application of cinematic and acting skill I've seen all year. A little "Twilight Zone" flummery would have livened up the proceedings to no end.

30
The Hollywood Reporter
Ray Bennett
A paranormal mystery without a spine. It has no suspense because it has no belief in itself.

25
Charlotte Observer
Lawrence Toppman
Birth, which should never have been conceived, is obscure in every way: visually, philosophically and psychologically.

20
Wall Street Journal
Joe Morgenstern
Might have qualified as dumb fun if they hadn't left out the fun.
20
Washington Post
Michael O'Sullivan
Too highbrow for the multiplex and too literal for the hipsters, it's unsatisfying both as gothic camp and serious cinema.

20
The New Republic
Stanley Kauffmann
Birth is one of those films occasionally encountered that make me question my nativity or that of the film-makers. Were they and I born on the same planet? If so, how could we now have such vastly different criteria of a film story's believability?


The average user rating for this movie is 5.4 (out of 10) based on 45 User Votes
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