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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
57
Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Blow
New Line Cinema
FILM:
MPAA RATING: R for pervasive drug content and language, some violence and sexuality
Starring
Johnny Depp,
Penélope Cruz,
Franka Potente,
Rachel Griffiths,
Paul Reubens,
Jordi MollĂ ,
Ray Liotta,
and
Jacque Lawson
A high-velocity look at George Jung's (Depp) spectacular rise and fall -- based on the true story of how powder cocaine turned into America's biggest drug problem and how one man from the blue-collar suburbs became the 35 billion-dollar a-year conduit to the Colombian cartels. Ted Demme directs this riveting look at the manic allure -- and dangerous reality -- of a drug smuggler's everyday life, and unfolds one of the great untold stories from the recent annals of American crime and culture. (New Line Cinema)
| GENRE(S): |
Drama
|
| WRITTEN BY: |
Bruce Porter (book)
David McKenna
Nick Cassavetes
|
| DIRECTED BY: |
Ted Demme
|
| RELEASE DATE: |
DVD: September 11, 2001
Video: September 11, 2001
Theatrical: April 6, 2001
|
| RUNNING TIME: |
124 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Rolling Stone
Peter Travers
Scorches the screen with a badass bravado all its own. Smart, sexy, funny and dangerous this high-wire act is a movie and a half.

88
New York Post
Lou Lumenick
Rarely since the tale of the Corleones has a movie presented such a compelling, sympathetic portrait of a criminal lowlife.
83
Seattle Post-Intelligencer
William Arnold
Melancholy, haunting and riveting true-crime saga.

75
USA Today
Mike Clark
Consistently compelling without being truly memorable.

75
Entertainment Weekly
Owen Gleiberman
Carries little in the way of passion or revelatory charge.

70
New Times (L.A.)
Gregory Weinkauf
It's basically your above-average nice drug movie.

70
TV Guide
Maitland McDonagh
Seductive, funny, whip-smart and ultimately tragic.

70
Film.com
Ernest Hardy
Funny, immediately and consistently engaging, and -- well done on almost every level.

63
New York Daily News
Jack Mathews
Ends up a portrait through a rose-colored lens, turning a social parasite into a Greek hero.

63
Chicago Tribune
Michael Wilmington
It's a real disappointment: too hasty, too scattered and superficial, and, in the end, disappointingly sappy and sentimental.
63
Chicago Sun-Times
Roger Ebert
Take away the drugs, and this is the story of a boring life in wholesale.

63
Baltimore Sun
Michael Sragow
Too soft on its lead character and too willing to chalk up America's drug appetites to the times-that-were-a-changin' in the '60s.
60
Variety
Dennis Harvey
Respectable but unmemorable end result may suffer from comparison with the similarly themed, albeit differently angled, “Traffic.”

60
Village Voice
J. Hoberman
Hopefully ambitious yet hopelessly lightweight.

50
Christian Science Monitor
David Sterritt
Inherently stale.

50
Charlotte Observer
Lawrence Toppman
The acting is solid.

50
San Francisco Chronicle
Edward Guthmann
It's an honest portrayal, but it leaves the audience stranded, without the emotional hook of a character we can care about.

50
Miami Herald
Rene Rodriguez
A facile treatment of a complicated subject.
50
The New York Times
Dana Stevens
Depp's witty, spare performance gives the picture a poignancy -- a depth of feeling, if you'll allow the pun -- that Mr. Demme's hectic direction and the hurried script by David McKenna and Nick Cassavetes don't quite earn.

50
LA Weekly
John Patterson
If as much thought had been expended on character and consequences as was lavished on bell-bottom diameters, collar widths and soundtrack selection, Blow might have been a richer, more intelligent experience, and much more Demme's movie than a carbon copy of other people's.

50
Los Angeles Times
Kenneth Turan
This single cautionary tale of how drug innocence gives way to woeful, hung-over experience proves to be way too predictable to effectively caution or even involve anyone.

50
Boston Globe
Jay Carr
Blew its chance to be an epic drug opera. It's only nostril-deep.
50
New York Magazine
Peter Rainer
It downplays the effects of George's drug trafficking, not so much on himself and his cronies as on the wrecked lives of the generation of customers we never get to see.

50
Wall Street Journal
Joe Morgenstern
A textbook case of a film that's befuddled by its subject.
50
Salon.com
Stephanie Zacharek
Depp aside, the movie is higher on style than it is on substance.

50
Philadelphia Inquirer
Steven Rea
The real problem is that there's nothing to George but the movie's props.
50
Chicago Reader
Reece Pendleton
Only Depp and Ray Liotta (as Jung's father) manage to animate this tired formula.

50
Mr. Showbiz
Michael Atkinson
A watchable mediocrity at best.
50
Newsweek
David Ansen
When George’s fortunes start to go from bad to worse, so does the movie.
40
Washington Post
Desson Thomson
If any element takes us through the movie, it's him (Depp).

40
Austin Chronicle
Marc Savlov
We've just been to this party before and we know how it ends, again and again and again.

30
Washington Post
Stephen Hunter
You can't make an epic about a mouse.

30
Time
Richard Corliss
Blow works for a scene or two, then stalls.
30
Slate
David Edelstein
This is an extraordinary -- and unfathomable -- piece of whitewashing: a true snow job.


The average user rating for this movie is 8.1 (out of 10) based on 27 User Votes
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