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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
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91
Hurt Locker, The
16
I Hate Valentine's Day
81
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54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
57
Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Bound
Gramercy Pictures
FILM:
MPAA RATING: R for strong sexuality, violence and language
Starring
Jennifer Tilly,
Gina Gershon,
Joe Pantoliano,
John P. Ryan,
Christopher Meloni,
Richard C. Sarafian,
Mary Mara,
and
Susie Bright
A provocative and passionate thriller from the creators of the Matrix series.
| GENRE(S): |
Crime
|
Romance
|
Suspense/Thriller
|
| WRITTEN BY: |
Andy Wachowski
Larry Wachowski
|
| DIRECTED BY: |
Andy Wachowski
Larry Wachowski
|
| RELEASE DATE: |
DVD: June 19, 2001
Video: October 17, 1997
Theatrical: October 4, 1996
|
| RUNNING TIME: |
108 minutes, Color |
| ORIGIN: |
USA |
Outstanding Film, 1997 GLAAD Media Awards

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
San Francisco Chronicle
Mick LaSalle
It's a complex, satisfying piece of entertainment, a succession of unexpected, outrageous scenes.

100
Chicago Sun-Times
Roger Ebert
It's pure cinema, spread over several genres. It's a caper movie, a gangster movie, a sex movie and a slapstick comedy.

90
Dallas Observer
Jimmy Fowler
The writing-directing team of brothers Larry and Andi Wachowski has chosen as its filmmaking debut a tightly constructed, stylishly (but rarely self-consciously) executed, gripping little noir parable that couldn't be more firmly grounded in American movie tradition if the filmmakers created a wacky romantic farce about mismatched paramours.

88
ReelViews
James Berardinelli
From the first scene, however, it's obvious that the writing/directing team of Andy and Larry Wachowski are aiming for something considerably higher than rudimentary titillation. And, by taking chances and twisting conventions, they have hit paydirt.

88
TV Guide
Staff(not credited)
The result is flashy -- first-time directors Larry and Andy Wachowski never miss an opportunity to show us red, red drops of blood against brilliant white -- but pretty good fun, especially if the thought of Tilly in a succession of thigh-high bandage dresses makes you sweat.

88
USA Today
Mike Clark
Some caper movies build suspense, while others tweak the genre with tongue lancing cheek. But this lesbian caper pic (how's that for a rarefied subgenre?) often pulls off both feats in the same scene, even simultaneously. [04 Oct 1996 Pg.04.D]
83
Entertainment Weekly
Lisa Schwarzbaum
The true pleasures of Bound lie in the Wachowskis' inventive updated take on film noir traditions, sensuously realized by cinematographer Bill Pope ("Clueless").

80
Empire
Kim Newman
Lovingly designed in black and white, and played with a nice sense of irony, this offers the not unappealing spectacle of gorgeous, funny, clever women making fools of hard-boiled Mafia guys.

80
Los Angeles Times
Kevin Thomas
In short, Bound is admittedly derivative, but it's such an amusing low-down entertainment it really doesn't matter.

75
San Francisco Examiner
Barry Walters
The Wachowski brothers are to be applauded for a film that is also nearly as stylishly funny as it is sexy and fast-paced.

70
Washington Post
Rita Kempley
Bound, a diabolically clever caper, isn't nearly so deep as the genre it kids.

70
Chicago Reader
Jonathan Rosenbaum
This gets very suspenseful (as well as fairly gruesome) in spots, and if it never adds up to anything profound, it's still a welcome change to have a lesbian couple as the chief identification figures.

70
Time
Richard Schickel
The Wachowskis have the predilection for loopy camera setups common to first-time directors, but their hearts are in the right transgressive place, and their film will tide some of us over until Quentin gets...well...unbound.

67
Austin Chronicle
Marjorie Baumgarten
What's more, they toss a few original twists into a familiar generic set-up and thereby create a thoroughly entertaining and stylish thriller.

50
The New York Times
Elvis Mitchell
The film is shot by Bill Pope with such enterprising flair that it never looks claustrophobic, but the action inevitably stalls in such close quarters.

50
Washington Post
Bruce Walker
Like so many other rob-the-mob movies, the plan seems pretty far-fetched, and the ending isn't much of a surprise. But if you like your films sprinkled liberally with sex, violence and humor, then you're bound to like Bound.

25
Christian Science Monitor
David Sterritt
Larry and Andy Wachowski directed this lurid, sexually explicit thriller.

10
LA Weekly
Staff(not credited)
While the women go through a few of the motions, shifting decorously under the sheets and sucking face, there's no lust in their coupling, just choreography and the conceit of two filmmakers with nothing more on their minds than fake dykes and bloodshed.

10
Variety
Todd McCarthy
Debuting writer-directors Larry and Andy Wachowski come off like Coen brothers wannabes with no sense of humor.


The average user rating for this movie is 8.6 (out of 10) based on 3 User Votes
Note: User votes are NOT included in the Metascore calculation.
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