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Bourne Supremacy, The

Generally favorable reviews
Based on 39 critic reviews
How did we calculate this?
Based on 107 votes
Read user comments
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Movie Info
Genre(s): Action | Adventure | Drama | Mystery | Suspense/Thriller
Written by:
Tony Gilroy
Robert Ludlum (novel)
Directed by: Paul Greengrass
Release Date:
Theatrical: July 23, 2004
DVD: December 7, 2004
Running Time: 120 minutes, Color
Origin: USA
Summary
RATING: PG-13 for violence and intense action, and brief language
Starring Matt Damon, Franka Potente, Brian Cox, Julia Stiles, Karl Urban, Gabriel Mann, Joan Allen, and Marton Csokas
The Bourne Supremacy re-enters the shadowy world of expert assassin Jason Bourne (Damon), who continues to find himself plagued by splintered nightmares from his former life. The stakes are now even higher for the agent as he coolly maneuvers through the dangerous waters of international espionage - replete with CIA plots, turncoat agents and ever-shifting covert alliances - all the while hoping to find the truth behind his haunted memories and answers to his own fragmented past. (Universal Studios)
Also On Metacritic
FILM: Bloody Sunday The Bourne Identity The Bourne Ultimatum
Also On The Web: Internet Movie Database View The Trailer Official Studio Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Entertainment Weekly Owen Gleiberman
A conventionally heightened series of escapes and clashes and hide-and-seek gambits, yet the way the film has been made, nothing that happens seems inevitable -- which is to say, anything seems possible. There's a word for that sensation. It's called excitement.
Read Full Review >The New York Times Stephen Holden
This is high-speed action realism carried off with the dexterity of a magician pulling a hundred rabbits out of a hat in one graceful gesture. The crowning flourish is an extended car chase through the streets and tunnels of Moscow that ranks as one of the three or four most exciting demolition derbies ever filmed.
Read Full Review >Salon.com Charles Taylor
As a piece of craft, and with the exception of "Harry Potter and the Prisoner of Azkaban," it's miles beyond any studio film this summer.
Read Full Review >Slate David Edelstein
The sequel is simply a tour-de-force of thriller filmmaking.
Read Full Review >Baltimore Sun Chris Kaltenbach
Greengrass has a fine sense of pacing, keeping events moving. It's rarely hard to guess what's going to happen next, but events unfold with such gusto that there's barely time to notice that.
Read Full Review >USA Today Claudia Puig
Taut, tightly paced and thrilling, with some of the best chase sequences -- whether by foot, taxi or Jeep -- in recent memory.
Read Full Review >Chicago Tribune Michael Wilmington
Close to perfect example of an expertly designed and executed thriller.
Read Full Review >Charlotte Observer Lawrence Toppman
Trumping its predecessor with a tauter plot, a lower body count and just as many edge-of-the-seat jolts.
Read Full Review >Rolling Stone Peter Travers
If you've forgotten the kick you get from watching a globe-trotting, butt-kicking, whiplash-paced action movie done with humor, style and smarts, take a ride with The Bourne Supremacy.
Read Full Review >Seattle Post-Intelligencer Sean Axmaker
Delivers the expected adrenaline-driven thrills with a fresh eye and a refreshing attitude.
Read Full Review >The Onion (A.V. Club) Scott Tobias
Goes through its airport-thriller paces with dazzling kinetics and style.
Read Full Review >Chicago Reader Staff (Not credited)
The action sequences are expert studies in controlled chaos.
Read Full Review >Dallas Observer Luke Y. Thompson
Plot matters more here than spectacle; the film's real climax involves no demolition, but rather two characters in a room quietly discussing devastating events in their past.
Read Full Review >Empire Chris Hewitt
The Bourne Supremacy builds on and exceeds the original, delivering, quite simply, one of the finest big-budget thrillers in years.
Read Full Review >Portland Oregonian Marc Mohan
Solid summer entertainment set in a recognizably real world.
Read Full Review >Boston Globe Ty Burr
The way Greengrass lets you feel the violence is impressive. Most movie heroes punch through armies without scraping their knuckles, but Bourne's a believable wreck by midpoint.
Read Full Review >New York Post Megan Lehmann
The strapping Damon's lived-in performance makes us happy to follow Bourne wherever he may go.
Read Full Review >Chicago Sun-Times Roger Ebert
That the director, Paul Greengrass, treats the material with gravity and uses good actors in well-written supporting roles elevates the movie above its genre, but not quite out of it.
Read Full Review >The Globe and Mail (Toronto) Leah McLaren
Directed by Paul Greengrass, the unflinching eye behind "Bloody Sunday," The Bourne Supremacy not only lives up to the promises of the novel by Robert Ludlum, but in many ways manages to improve on the first film.
Read Full Review >Miami Herald Rene Rodriguez
Achieves an assaultive intensity that adds a level of visceral excitement to car chases, mano-a-mano showdowns -- even simple conversations. It's a style that takes some getting used to -- the images flit by at near-subliminal speeds -- but proves tremendously effective.
Read Full Review >Variety Todd McCarthy
The action is confusing at first and the hyperventilated editing style at times goes beyond the pale, so pic ultimately emerges as an erratic but not unworthy sequel to its gritty, genre-invigorating predecessor.
Read Full Review >Wall Street Journal Joe Morgenstern
Supremacy certainly works on its own terms, but those terms are limiting. It's an entertainment machine about a killing machine.
Film Threat Pete Vonder Haar
Supremacy is, minor quibbles aside, a worthy successor to The Bourne Identity.
Read Full Review >Film Threat Rick Kisonak
Over all, though, the picture fires on all pistons. The globetrotting's a good time-I can't think of another spy film that's featured as delightful an assortment of seamy international undersides.
Read Full Review >The New Yorker David Denby
Putting it mildly, this style of shallow, panting composition isn't the way Id like movies to go, but, of its kind, The Bourne Supremacy is incredibly skilled--much more exciting than its predecessor.
Read Full Review >Austin Chronicle Kimberley Jones
All herky-jerky camera movements and no pussyfooting around with the interior lives of these characters.
Read Full Review >Philadelphia Inquirer Carrie Rickey
Supremacy has thrills, but without Potente's presence, it loses its soul.
Read Full Review >Village Voice Michael Atkinson
The loss of the first film's hurtling who-am-I? story engine is keenly felt, and too much time is spent observing the characters get on and off planes, trains, and automobiles.
Read Full Review >The Hollywood Reporter Michael Rechtshaffen
Like its various post-Cold War European locations, the film remains chilly and distant. Every time you feel like you're finally grabbing hold of something involving, the picture once again spins frustratingly out of reach.
Read Full Review >TV Guide Maitland McDonagh
A refreshing alternative to the hypertrophied spy thrillers in which exaggerated action sequences, over-the-top super-villainy and high-tech gadgetry trump character and plot.
Read Full Review >LA Weekly Joe Donnelly
In Supremacy, Damon is left to play basically one droning, humorless note, which, unfortunately, he does with his eyes closed.
Read Full Review >Premiere Aaron Hillis
Whats missing here is the amnesiac hook that made "The Bourne Identity" such a sleeper hit.
Read Full Review >New York Daily News Jami Bernard
The movie is mostly a series of frenetic clashes, dubious near misses and car chases. It lacks the human interest and snowy splendor of the first movie, directed by Doug Liman.
Read Full Review >San Francisco Chronicle Mick LaSalle
Almost everything that made "The Bourne Identity" refreshing -- the wit, the irony, the suspense, the novelty of its premise -- is gone in The Bourne Supremacy, and what's left is the spectacle of Matt Damon, with perfect posture and senses primed like a cat, making his way through a routine action thriller.
Read Full Review >Christian Science Monitor David Sterritt
This time it's just chasing, fistfighting, and shooting. A disappointment from the director of "Bloody Sunday."
Read Full Review >Washington Post Stephen Hunter
I had some trouble with the plot, but I'm not the only one -- so did the screenwriter.
Read Full Review >What Our Users Said
The average user rating for this movie is 7.0 (out of 10) based on 107 User Votes
Note: User votes are NOT included in the Metascore calculation.
jack s. gave it a5:
I wouldn't take any extremist sides, but overall the story was fairly straightforward (which is a blessing for this kind of genre), and yes, while the camera could indeed induce nausea, it was a very obvious character of the film itself. Natural/ambient light should be the prerequisite for every film made. Unrealistic car chases coupled with insane walk-aways are unforgivable, but tight, choreographed fisticuffs were passable as the real deal. A bit of a quick-ending wrap up made it somewhat hurried, but characters remained true, and almost a bit stereotyped (unbeatable Bourne, bumbling crony, maiden-in-distress, et al.). A solid mediocre rating.
Jason H gave it a5:
This movie probably could have been much, much better. The camera simply sucked, saying that it made the experience more "real" and that it's "creative" is a load of crock. All that it does is give me a headache, a stomache ache, and no idea what the hell is going on. Another poor feature of the movie was it's lack of humor. Identity had a perfect balance of humor and action, which fit well with a character slowly uncovering his past and incredible abilities. In this movie, suddenly bourne is a master at what he does. He no longer discovers himself, he no longer makes jokes. He's become a flat character by comparison.
atomzer0 gave it a6:
Camera action made me sick. It was like the cameraman was trying to rollerblade on gravel and kept falling and turning and jerking. I understand why they did it that way, but it didn't work for me. I'd give it a 9 if not for the "creative" camera motion.
Randy H. gave it a2:
Seemed like a great movie. I'm not really sure, because I had to look away through much of it or squint one eye shut to try and stem the nausea that the shaking, frentetic camera views inspired. Who thought this was a good way to film a movie? This artsy-fartsy director should be banned from any future filmmaking. Even the quiet moments in the movie when two people were just talking, the camera was moving and zooming in and out like the cameraman was smoking crack. I was looking forward to this third installment of the Bourne series, but by the end of the film I was looking forward to some Pepto Bismol. Complete waste of time and money, in my opinion.
Simon B. gave it an8:
I frankly don't get how people review movies on this site. I've seen the most preposterous of comments on movies that are straight out excellent. The Bourne Supermacy follows what Bourne said in the first movie. He threatens Treadstone by saying they won't know what's coming until the counter-strike is finished. That promises a fast-paced movie ON THE START. Plot-lines that were VERY obvious seem to be so oblivious to others that they decide to pluck their thought-motor out and call it a day. If some complain about the camera movement, well to them I would answer: "How would you imagine yourself in a fight?" ... Exactly. When you're in a fight like Jason gets into, you don't see everything around you. It's a fast-paced blur without conscience. Everything becomes instinct. And this is what this movie is about: Instinct. Instinct of survival. If the movie is too fast for you, try watching it in slow-motion.
Joey K. gave it a0:
This movie is absolutely horrible. The first one was great. This one was an insult. Frankly, I'm downright outraged that this one got a better metcritic score, because it is utter garbage. There is very little actual action. 3/4 of the movie is just footage of Matt Damon walking really fast and looking beihind him. Seriously. And when ther actually IS something that SHOULD be interesting, you can't see it because whenever there's a fight, the first thing they do is kick the epileptic camera man in the balls. If you like faked, boring "suspense," see this movie. If you like action movies, or liked the first one, for the love of God stay away from this crap.
Sterling C. gave it a10:
This movie is the perfect sequel to The Bourne Identity and is mandatory for fast-action fans.
