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73
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72
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71
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71
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|
Brave One, The
Warner Bros. Pictures
 |
|
FILM:
MPAA RATING: R for strong violence, language and some sexuality
Starring
Jodie Foster,
Terrence Howard,
Naveen Andrews,
Mary Steenburgen,
and
Nicky Katt
New York radio host Erica Bain has a life that she loves and a fiancé she adores. But all of it is taken from her when a brutal attack leaves Erica badly wounded and her fiancé dead. Unable to move past the tragedy, Erica begins prowling the city streets at night to track down the men she holds responsible. Her dark pursuit of justice catches the public's attention, and the city is riveted by her anonymous exploits. But with the NYPD desperate to find the culprit and a dogged police detective hot on her trail, she must decide whether her quest for revenge is truly the right path or if she is becoming the very thing she is trying to stop. (Warner Bros. Pictures)
| GENRE(S): |
Crime
|
Drama
|
| WRITTEN BY: |
Bruce A. Taylor (& story)
Roderick Taylor (& story)
Cynthia Mort
|
| DIRECTED BY: |
Neil Jordan
|
| RELEASE DATE: |
DVD: February 5, 2008
Theatrical: September 14, 2007
|
| RUNNING TIME: |
119 minutes, Color |
| ORIGIN: |
USA / Australia |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
88
ReelViews
James Berardinelli
Not since "The Crying Game" has Jordan crafted as compelling a motion picture.

88
Chicago Sun-Times
Roger Ebert
Where did Hollywood get the conviction that audiences demand an ending that lets them off the hook? Foster doesn't let herself off the hook in The Brave One, and we should be as brave as she is.

88
Premiere
Glenn Kenny
An intense New York-set thriller that manages to be both commercial and contemplative, kick-ass and quietly, disturbingly insinuating.

83
The Onion (A.V. Club)
Tasha Robinson
The moody tone and carefully balanced drama turn a grubby premise into something unexpectedly elegant.

75
New York Post
Lou Lumenick
The way-too-neat ending of The Brave One especially strains credulity, but it's worth watching for Foster's fiercely arresting performance.

75
Chicago Tribune
Michael Phillips
The Brave One is "Death Wish" with a guilty conscience, and while it may be a bit of a hypocrite as vigilante thrillers go, the internal contradictions of the thing make for a very interesting picture.

70
Washington Post
Stephen Hunter
It's hard to hate, because as a rabble-rouser it is superbly effective, driven forward by two powerhouse actors.

70
The Hollywood Reporter
Michael Rechtshaffen
A vigilante drama boasting a powerful Jodie Foster performance and carefully weighted direction by Neil Jordan.

70
Village Voice
Scott Foundas
Taken literally, almost everything that follows in The Brave One so seriously strains credibility (even by the standards of the genre) as to enter the realm of the absurd. Taken on the level of a menacing urban fairy tale, however--something akin to what Jane Campion was aiming for with "In the Cut"--it's strangely fascinating.

70
Salon.com
Stephanie Zacharek
There's a lot to admire in The Brave One. It just doesn't cut as deeply as it needs to.

67
Austin Chronicle
Steve Davis
A confounding movie on many levels. For all its sophistication and sensitivity, it turns out to be little more than an upscale B-movie about getting even.

67
Seattle Post-Intelligencer
Andy Spletzer
With The Brave One, Jodie Foster and director Neil Jordan shift the genre to the murky left, where right and wrong are not so black and white. In doing so, they have taken away the very thing that makes a vigilante movie work.

63
USA Today
Claudia Puig
If only The Brave One had captured more of the complex nature of the fear and paranoia plaguing society since 9/11. Instead, it is a well-made but predictable take on the revenge fantasy thriller, with a female twist.

63
TV Guide
Ken Fox
Regardless of the artistry involved (though the street-level anxiety of post-9/11 New York is far better evoked in Jane Campion's underrated "In the Cut," The Brave One ultimately never really strays from the same moral low road as "Death Wish."

63
Rolling Stone
Peter Travers
Foster is electrifying as ego and id clash and the movie fires up with genuine provocation.

63
New York Daily News
Jack Mathews
Not enough to overcome the proven axiom that although you can make a bad movie from a good script, you can't make a good one from a bad one.

63
Boston Globe
Wesley Morris
The movie itself isn't nearly as interesting as whatever it is Foster is trying to work out for its two hours.

63
Miami Herald
Rene Rodriguez
As far as its plot mechanics go, The Brave One belongs to the hallowed (if less-than-respectable) genre of exploitative revenge pictures.

60
Empire
William Thomas
It wants to be a modern "Taxi Driver"; it manages to be the new Falling Down, with Foster as fierce as ever.

60
Variety
Justin Chang
Foster’s pistol-packing turn as an avenging dark angel nearly sustains director Neil Jordan’s grim vigilante drama through a string of implausibilities and occasionally trite psychological framing devices, with deft support from Terrence Howard as a sympathetic cop.

58
Entertainment Weekly
Lisa Schwarzbaum
Everything about Foster's ocular intensity is riveting, but little in this hushed vigilante drama makes sense.

58
Portland Oregonian
Shawn Levy
As the film builds toward a ludicrous finale, it poses a question: Foster is a far better actor than Charles Bronson, and Jordan a much better director than Michael Winner, so why is The Brave One so much less satisfying than "Death Wish"?

50
Philadelphia Inquirer
Carrie Rickey
At the film's inconclusive conclusion, the filmmakers strand Erica and Sean in the moral twilight.

50
Chicago Reader
J.R. Jones
What might have been a serious drama about coming to terms with violence and loss turns into a crowd-pleasing and increasingly far-fetched remake of "Death Wish."

50
Baltimore Sun
Michael Sragow
The whole thing turns into trash with flash.

50
San Francisco Chronicle
Ruthe Stein
Jodie Foster and Terrence Howard are incredibly compelling and hold your attention despite Jordan's deliberately slow pacing.

50
Film Threat
Pete Vonder Haar
Formulaic and creaky as a Harrison Ford action sequence, but sufficiently gussied up with good actors and a decent director so that you don’t entirely mind.

40
The New York Times
A.O. Scott
Don’t be fooled. The Brave One, though well cast and smoothly directed, is just as crude and ugly as you want it to be.

40
New York Magazine
David Edelstein
Foster’s feminist victimization complex seems to be looping around to meet Nixon and Agnew. Next she’ll be hunting Commies for the FBI.

40
Los Angeles Times
Kenneth Turan
Trapped in a no man's land between seriousness and pulp trash, it plays like a combination of "Death Wish" and "The Hours." If that sounds like an awkward fit, it is.

33
Christian Science Monitor
Peter Rainer
The end result, at best, is high-toned pulp.

30
Wall Street Journal
Joe Morgenstern
The drama is repetitive rather than resonant, an over-calculated, under-ventilated studio production -- even paranoid thrillers need to breathe -- whose plot machinery grinds grim and coarse.

25
The Globe and Mail (Toronto)
Liam Lacey
The film moves from cliché to cliché and hemorrhages blood and logic at an alarming rate.


The average user rating for this movie is 6.7 (out of 10) based on 49 User Votes
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