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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
57
Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Break-Up, The
Universal Pictures
FILM:
MPAA RATING: PG-13 for sexual content, some nudity and language
Starring
Jennifer Aniston,
Vince Vaughn,
Jon Favreau,
Joey Lauren Adams,
Ann-Margret,
Cole Hauser,
Judy Davis,
and
Vincent D'Onofrio
Vince Vaughn and Jennifer Aniston star in The Break-Up, which starts where most romantic comedies end: after boy and girl have met, fallen in love, moved in to start their happily-ever-after -- and right when they wind up driving each other crazy. (Universal Pictures)
| GENRE(S): |
Comedy
|
Romance
|
| WRITTEN BY: |
Jeremy Garelick (also story)
Jay Lavender (also story)
Vince Vaughn (story)
|
| DIRECTED BY: |
Peyton Reed
|
| RELEASE DATE: |
DVD: October 17, 2006
Theatrical: June 2, 2006
|
| RUNNING TIME: |
105 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
75
Charlotte Observer
Lawrence Toppman
A movie that's smarter than its trailer - in fact, totally different in tone and content? That's news, and it's why The Break-Up is a pleasant surprise to the open-minded.

75
Baltimore Sun
Chris Kaltenbach
It's easier to accept a breakup when it's clear that the two parties are mismatched, but a better, braver film would reveal what caused the initial attraction.

75
New York Daily News
Jack Mathews
Newly minted celebrity couple Vince Vaughn and Jennifer Aniston don't have many opportunities to demonstrate their romantic chemistry in Peyton Reed's funny, heart-wrenching The Break-Up, but they still give what may be the best performances of their careers.

67
Portland Oregonian
M. E. Russell
It's an ambitious idea that monkeys with your expectations: make a whole movie about the ugly, hurt-feelings part of the relationship that's usually disposed of in a romantic-comedy musical montage. Unfortunately, like a bad boyfriend, The Break-Up has a problem with consistency.

63
Miami Herald
Connie Ogle
Listening to people bicker for almost two hours wears thin, especially when the comedy is never quite so funny as you had hoped it would be.

63
Rolling Stone
Peter Travers
Vaughn and Favreau are so money, just like they were in "Swingers."

63
Chicago Tribune
Jessica Reaves
It's Aniston's return to the emotional authenticity that surfaced too briefly in "Friends With Money" and made "The Good Girl" such a revelation.

60
Empire
Tony Horkins
The Break-Up doesn't turn the rom-com on its head, but with its focus on the darker side of love manages to gently tip it on its side.

60
Chicago Reader
Jonathan Rosenbaum
It's full of pain and quirky characters standing at oblique angles to one another, and while it doesn't add up it held me throughout.

50
TV Guide
Maitland McDonagh
Done in by its tone.

50
Chicago Sun-Times
Roger Ebert
Since the scenes where they're together are so much less convincing than the ones where they fall apart, watching the movie is like being on a double-date from hell.

50
Philadelphia Inquirer
Carrie Rickey
This one has some originality, even though it unfolds like Ingmar Bergman's divorce melodrama "Scenes From a Marriage" - without the marriage.

50
San Francisco Chronicle
Mick LaSalle
Imagine watching Bergman's "Scenes From a Marriage," except without good scenes, without a marriage (legal or spiritual) and without people worthy of anybody's attention, even each other's. Now imagine something even worse.

50
The Globe and Mail (Toronto)
Rick Groen
Although possessed of a laudable desire not to be yet another run-of-the-mill, wacky-impediment, I'm-nobody-and-you're-the-Prez's-daughter romance comedy, damned if the picture can figure out how to be an anti-romance comedy.

50
Slate
Michael Agger
With this genial bunch, and the occasional good line, there's no reason not to see The Break-Up, but there's also no reason, assuming the date is going well, not to skip it and order dessert.

50
The New York Times
Dana Stevens
The script (by Jeremy Garelick and Jay Lavender) strains hard after a few easy jokes, and the whole movie feels dull and trivial.

50
Premiere
Marie Iida
Peyton Reed's The Break-Up proves there is nothing particularly funny or charming about two people splitting up, even if the couple is played by Vince Vaughn and Jennifer Aniston.

50
Los Angeles Times
Carina Chocano
I'd be happy to see it listed in an in-flight magazine, but "Annie Hall" it's not.

50
USA Today
Claudia Puig
The Break-Up is not comical or romantic, and it's certainly not a date movie. Sitting through it is almost as painful as going through the demise of a relationship.

50
The Hollywood Reporter
Michael Rechtshaffen
Audiences expecting a good time will instead be rewarded with wildly unsympathetic lead characters and uncomfortably long stretches without a laugh in sight.

50
Variety
Brian Lowry
Sporadic rays of sunshine emanate from the broad and gifted supporting cast, but the core story is almost relentlessly unpleasant, like sitting through a dinner party where the host couple does nothing but bicker.

50
New York Magazine
David Edelstein
A routine, stereotype-stuffed sitcom with pretensions.

50
Entertainment Weekly
Owen Gleiberman
The best bits are incidental: Vaughn's chats with Jon Favreau as his bartender buddy, which are delightful interludes of jostling ego, and Judy Davis, looking like Anna Wintour redesigned by Tim Burton as an undead marionette, laying down the law as Aniston's boss.

50
ReelViews
James Berardinelli
The Break-Up is like Danny DeVito's "The War of the Roses," but without the wit, the acid, and the blacker-than-black humor.

50
Austin Chronicle
Marrit Ingman
Everybody’s sleepwalking here. Vincent D'Onofrio is fantastic with Vaughn in a small part as his brother, but it's as if he’s running in during a break from "Law & Order: Criminal Intent."

42
Seattle Post-Intelligencer
William Arnold
The filmmakers have wildly miscalculated the chemistry these real-life lovers generate on film.

40
Washington Post
Desson Thomson
Nobody likes a fixed fight, except the backroom boys making the deal. Which is why The Break-Up may have its share of laughs, but isn't much fun.

40
Dallas Observer
Luke Y. Thompson
Is The Break-Up worth your time? Let's put it this way: Whenever Vaughn is onscreen, it is. When he's not, it ain't. The movie's a comedy, but it's also about a breakup, so it gets a bit maudlin toward the end.

40
Salon.com
Stephanie Zacharek
The Break-Up doesn't know whether it wants to be a facile, enjoyable date movie or an unnerving examination of the dark, pockmarked underbelly of everything we expect out of romantic relationships, and it settles for a deeply unsatisfying nowheresville.

40
LA Weekly
Joe Donnelly
Sadly, The Break-Up is simply an exercise in confusion. To call it erratic would be to imply there was a course it went off, but the film's intentions are impossible to fathom.

40
Film Threat
Pete Vonder Haar
While The Break-Up fancies itself the heir apparent to other vindictive failed relationship movies like "Modern Romance" and "War of the Roses," its lead actors lack the comparable appeal to hold our interest

38
Boston Globe
Ty Burr
The biggest unresolved question here is why we're paying $9.50, plus popcorn, for something we can presumably get at home for free.

38
New York Post
Lou Lumenick
There are precious few laughs in this poorly written and directed "unromantic comedy" - the sort of dire date movie you'd take somebody to if you wanted it to be a LAST date.

33
The Onion (A.V. Club)
Keith Phipps
A lot of The Break-Up doesn't work. Actually, apart from some funny moments between old Swingers sparring partners Favreau and Vaughn, and a nice scene with Jason Bateman as the couple's realtor, virtually none of it works.

33
Christian Science Monitor
Peter Rainer
If, as the ads would lead you to believe, you go to see The Break-Up expecting a romantic comedy, you will be severely disappointed. If you go to it expecting a good movie, you will also be severely disappointed.

30
Village Voice
Carla Blumenkranz
Faced with a long and miserable road on which they make each other sorry or crazy, both Brooke (Aniston) and Gary (Vaughn) dig in hard on the least appealing parts of their stock characters.

20
Wall Street Journal
Joe Morgenstern
It's not a good sign when a movie is called The Break-Up and you can't wait for the couple to split so they'll get some relief from one another, and give the audience some relief from them.

The average user rating for this movie is 5.9 (out of 10) based on 94 User Votes
Note: User votes are NOT included in the Metascore calculation.
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