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82
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73
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72
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71
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70
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65
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64
Nick and Norah's Infinite Playlist
63
Sisterhood of the Traveling Pants 2, The
62
Burn After Reading
60
Traitor
58
Body of Lies
58
Express, The
58
Quarantine
57
City of Ember
57
Journey to the Center of the Earth 3D
57
Flash of Genius
55
House Bunny, The
54
Get Smart
53
Rocker, The
53
Lucky Ones, The
52
Longshots, The
51
Mamma Mia!
49
Family That Preys, The
47
Swing Vote
47
X-Files: I Want to Believe, The
46
Lakeview Terrace
45
Blindness
43
Meet Dave
43
Death Race
43
Eagle Eye
41
Beverly Hills Chihuahua
39
Nights in Rodanthe
37
Miracle at St. Anna
36
Space Chimps
36
Righteous Kill
36
Fly Me to the Moon
35
How to Lose Friends & Alienate People
35
Star Wars: The Clone Wars
35
Mirrors
34
My Best Friend's Girl
27
Women, The
26
Babylon A.D.
24
Bangkok Dangerous
20
American Carol, An
15
Disaster Movie
15
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83
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83
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82
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82
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82
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82
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81
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80
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80
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79
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78
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76
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73
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73
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73
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72
Secret, A
72
Transsiberian
72
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71
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68
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68
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66
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66
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65
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64
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64
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63
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63
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63
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63
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63
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62
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62
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62
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62
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61
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61
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57
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57
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57
Sixty Six
57
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56
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55
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55
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53
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52
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50
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49
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47
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45
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41
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Lower Learning
Stars indicate the most critically-acclaimed movies.
|
Brideshead Revisited
Miramax Films
MPAA RATING: PG-13 for some sexual content
Starring
Matthew Goode,
Ben Whishaw,
Hayley Atwell,
Emma Thompson,
and
Michael Gambon
A provocative and suspenseful drama, Brideshead Revisited tells an evocative story of forbidden love and the loss of innocence set in the pre-WWII era. In the film, Charles Ryder becomes entranced with the noble Marchmain family, first through the charming and provocative Sebastian Flyte, and then his sophisticated sister, Julia. The rise and fall of Charles' infatuations reflect the decline of a decadent era in England between the wars. (Miramax Films)
| GENRE(S): |
Drama
|
| WRITTEN BY: |
Jeremy Brock
Andrew Davies
Evelyn Waugh (novel)
|
| DIRECTED BY: |
Julian Jarrold
|
| RELEASE DATE: |
Theatrical: July 25, 2008
|
| RUNNING TIME: |
135 minutes, Color |
| ORIGIN: |
UK |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
91
The Onion (A.V. Club)
Sam Adams
It's rare to find a work that explores issues of faith without veering into religious fundamentalism or militant atheism, which is reason enough to revisit Brideshead one more time.

88
TV Guide
Ken Fox
It shifts the focus from Charles and Sebastian's youthful idyll to the stronger, more provocative relationship between Charles and Julia, wherein lies Waugh's concerns with materialism and velvet-gloved dual grip of family and religion.

83
Christian Science Monitor
Peter Rainer
It's a great piece of work in a movie that, whatever its failings, deserves to be seen even if you swear undying allegiance to the BBC mini-series.

83
Portland Oregonian
Shawn Levy
You could wish for more, but for that there's still the epic-length miniseries. If you want just two hours of mournful, lovely melodrama of manners, this is a fine choice.

80
Variety
Dennis Harvey
Offers lush and compelling drama drawn from Evelyn Waugh's beloved novel. Purists may blanch at the screenplay's changes to the source material's narrative fine points, but its spirit survives intact.

78
Austin Chronicle
Kimberley Jones
The film, a distinctly secular take on Waugh's religiosity, is far more interested in the battle of blind faith vs. rigid unbelief and its devastating effects. Herein, everyone is complicated – by their station, their philosophy, their God – and everyone is complicit.

75
Charlotte Observer
Lawrence Toppman
Often powerful, though presented throughout with British understatement.

75
ReelViews
James Berardinelli
There are times when Brideshead Revisited shows its seams. For those with an affinity for this kind of movie - and you know whether this applies to you - Brideshead Revisited is a worthy, although not superior, motion picture.

75
Philadelphia Inquirer
Carrie Rickey
The film is plush and passionate and graced with elegant performances. Best is that of Emma Thompson as Brideshead's matriarch, Lady Marchmain, who resembles a cross between Helen Mirren's Queen Elizabeth II and Pope Benedict.

75
The Globe and Mail (Toronto)
Liam Lacey
Overnuanced, a world of delicate cruelty, where most of the wounds take place without breaking the skin or even a sweat.

75
USA Today
Claudia Puig
The saga ultimately lacks the emotional wallop of the TV version. But its clever writing, strong performances and sumptuous production design make for a rich experience nonetheless.

75
Chicago Sun-Times
Roger Ebert
While elegantly mounted and well acted, the movie is not the equal of the TV production, in part because so much material had to be compressed into such a shorter time. It is also not the equal of the recent film "Atonement," which in an oblique way touches on similar issues.

75
Entertainment Weekly
Owen Gleiberman
The one performer who seems at home with the gravity of it all is Emma Thompson.

70
Washington Post
Michael O'Sullivan
The real question is whether the film moves the "Brideshead" ball down the playing field in any meaningful way since the acclaimed miniseries. And I'd have to say that it doesn't so much advance it as it shrinks it into a golf-ball-size nugget.

70
NPR
Bob Mondello
This is a world of dinner jackets and evening gowns, casual jaunts to Venice and Morocco; it's about elegance, style, money and perhaps too heady a mix of drink, religion and intrigue.

70
Village Voice
Ella Taylor
Though I can imagine Waugh rolling his eyes at the very idea of Brideshead Revisited as "a heartbreaking romantic epic," this remake is, often inadvertently, closer to the novel's spirit than the sepulchral television series, albeit still not half as waggishly Waugh-ish as "Bright Young Things," Stephen Fry's delightfully naughty interpretation of "Vile Bodies."

70
Newsweek
David Ansen
The remarkable thing about Jarrold's movie is how much of the book it manages to capture.

70
Time
Richard Schickel
Brideshead Revisited is untaxing, pleasant enough to watch. But I'm still waiting to be seriously discomfited by it.

67
Seattle Post-Intelligencer
William Arnold
Bound to seem, at best, a kind of CliffsNotes guide to the novel's highlights, especially if the casting is not all that inspired.

63
Chicago Tribune
Michael Phillips
The new film seems a little nervous about the religious content; it's more interested in the swoony bits between Charles and Julia.

63
New York Post
Kyle Smith
As familiar as the costumes and decoration are, the conflicts are unsettlingly vivid and strange.

63
Miami Herald
Connie Ogle
This new Brideshead Revisted, though imperfectly revised, is not entirely regrettable.

60
Los Angeles Times
Mark Olsen
That the film is neither a true triumph nor a total disaster makes it somewhat difficult to justify revisiting "Brideshead," apart from the hope it will inspire someone somewhere to pick up the book.

60
The Hollywood Reporter
Michael Rechtshaffen
Although it has its involving moments, the watered-down Waugh fails to make any kind of lasting connection.

60
Chicago Reader
Albert Williams
Julian Jarrold's adaptation of the Evelyn Waugh novel isn't entirely faithful, but it conveys the book's universal themes.

50
San Francisco Chronicle
David Wiegand
A very noble movie, which makes it interesting at times, but not often enough.

50
Boston Globe
Wesley Morris
The film plays fast and loose with the book, until its emotional depths, spiritual conflicts, and Waugh's discreet humor have been wrung out.

50
Baltimore Sun
Michael Sragow
Jarrold's reduction of the story is so archetypal that it's indistinguishable from soap opera.

40
Empire
Angie Errigo
Okay for those who dote on ‘classics illustrated’ in the Merchant Ivory line, but not as fluid as all that.

40
The New York Times
A.O. Scott
Mr. Goode shows all the charisma of a stalk of boiled asparagus molded into the likeness of Jeremy Irons.

40
New York Daily News
Joe Neumaier
May feel especially like a statue covered in drapery. Unfortunately, the movie's attempts to steam things up feel about as exciting as an after-dinner mint.

40
Wall Street Journal
Joe Morgenstern
The world didn't need a superficial big-screen adaptation of a rich, dense book that's about, among many other things, the passage of time. The perplexity is why the film is so lifeless and remote.


The average user rating for this movie is 5.1 (out of 10) based on 20 User Votes
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