Movies
Weekend Box Office
Film Awards & Top 10s By Year
All-Time High Scores
All-Time Low Scores
Best / Worst of the Decade
Wide Releases
Now In Theaters
49
2012
41
Alvin and the Chipmunks: The Squeakquel
84
Avatar![]()
69
Bad Lieutenant: Port of Call New Orleans
53
Blind Side
53
Book of Eli, The
55
Christmas Carol, A
57
Daybreakers
43
Dear John
27
Did You Hear About the Morgans?
55
Edge of Darkness
45
Extraordinary Measures
83
Fantastic Mr. Fox![]()
42
From Paris with Love
65
Imaginarium of Doctor Parnassus, The
74
Invictus
57
It's Complicated
34
Law Abiding Citizen
33
Leap Year
33
Legion
42
Lovely Bones, The
54
Men Who Stare At Goats, The
34
Ninja Assassin
19
Old Dogs
xx
Percy Jackson & The Olympians: The Lightning Thief
39
Planet 51
79
Precious: Based on the Novel by Sapphire
73
Princess & the Frog, The
64
Road, The
57
Sherlock Holmes
27
Spy Next Door, The
36
Tooth Fairy
44
Twilight Saga: New Moon, The
83
Up in the Air![]()
xx
Valentine's Day
25
When in Rome
71
Where the Wild Things Are
xx
WolfMan, The
63
Youth in Revolt
Stars indicate the most critically-acclaimed movies.
Limited Releases
Now In Theaters
46
44 Inch Chest
83
Ajami![]()
73
Amreeka
xx
Barefoot to Timbuktu
19
Bitch Slap
24
Boondock Saints II: All Saints Day, The
76
Broken Embraces
64
Cloud 9
65
Coco Before Chanel
84
Cove, The![]()
84
Crazy Heart![]()
21
Crazy on the Outside
48
Creation
xx
Daddy Long Legs
81
Damned United, The![]()
68
Departures
62
District 13: Ultimatum
85
Education, An![]()
71
Eyes Wide Open
24
Falling Awake
81
Fish Tank![]()
56
For My Father
xx
From Mexico with Love
43
Frozen
68
Girl on the Train, The
52
Killing Kasztner
74
Last Station, The
43
Little Traitor, The
51
Loss of a Teardrop Diamond, The
73
Me and Orson Welles
76
Messenger, The
57
Missing Person, The
67
Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers, The
xx
My Name is Khan
49
Nine
63
North Face
xx
October Country
67
Off and Running
52
Paranoids, The
49
Pop Star on Ice
49
Private Lives of Pippa Lee, The
xx
Promised Lands (Re-release)
69
Red Riding Trilogy, The
29
Saint John of Las Vegas
69
September Issue, The
36
Serious Moonlight
63
Shinjuku Incident, The
77
Single Man, A
xx
Still Bill
76
Terribly Happy
74
That Evening Sun
19
To Save a Life
68
Town Called Panic, A
59
Until the Light Takes Us
xx
Videocracy
65
Waiting for Armageddon
82
White Ribbon![]()
43
Women in Trouble
xx
Word is Out
64
Young Victoria, The
Stars indicate the most critically-acclaimed movies.
Bridget Jones: The Edge of Reason

Mixed or average reviews
Based on 37 critic reviews
How did we calculate this?
Based on 24 votes
Read user comments
Rate this movie >
Movie Info
Genre(s): Comedy | Drama | Romance
Written by:
Andrew Davies
Helen Fielding (also novel)
Richard Curtis
Adam Brooks
Directed by: Beeban Kidron
Release Date:
Theatrical: November 12, 2004
DVD: March 22, 2005
Running Time: 108 minutes, Color
Origin: UK
Summary
RATING: R for language and some sexual content
Starring Renée Zellweger, Colin Firth, Hugh Grant, Jacinda Barrett, Gemma Jones, Jim Broadbent, Shirley Henderson, and Sally Phillips
Bridget Jones: The Edge of Reason takes our beloved Bridget on a hilarious and unexpected new journey as she navigates the treacherous territory of modern love without ever losing her inimitable sense of humor. (Universal)
Also On Metacritic
FILM: Bridget Jones's Diary
Also On The Web: Internet Movie Database View The Trailer Official Studio Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
LA Weekly Ella Taylor
If you liked "Love, Actually," you'll love this too, another small jewel in the crown of unabashedly commercial, cheerfully middlebrow, eminently exportable British fluff.
Read Full Review >Chicago Sun-Times Roger Ebert
A jolly movie and I smiled pretty much all the way through, but it doesn't shift into high with a solid thunk the way "Bridget Jones' Diary" did.
Read Full Review >Entertainment Weekly Lisa Schwarzbaum
A triumph of performance, production, and adaptation over the empty-calorie dither of its source material.
Read Full Review >Chicago Tribune Allison Benedikt
The trouble with Bridget redux is also simple: Thai jail.
Read Full Review >New York Post Lou Lumenick
Doesn't have nearly enough Hugh Grant and is a little short on laughs, but it gets by on Renée Zellweger's charms.
Read Full Review >Baltimore Sun Michael Sragow
Too bad Kidron, Fielding and company pay only cafe lip service to satire.
Read Full Review >USA Today Claudia Puig
The Bridget Jones characters are worth revisiting. It's just too bad the story that connects them in The Edge of Reason is less fresh and clever than its predecessor.
Read Full Review >Chicago Reader J.R. Jones
Carefully re-creates the first movie's lightweight romance and mildly cheeky gender comedy.
Read Full Review >Variety Derek Elley
Second time round, Bridget is still fat, funny and endearing -- but "all a bit, um, familiar, actually."
Read Full Review >Village Voice Jessica Winter
Improbably, the sequel only ups the ante on its predecessor's comedy-of-embarrassment quotient.
Read Full Review >Time Richard Schickel
We forgive Bridget the movie its obvious flaws because of its equally inescapable charm.
Read Full Review >Washington Post Teresa Wiltz
Yes, it is v. funny. It's just not v. clever. And clever is what made the original Bridget Jones movie such a hoot.
Read Full Review >Premiere Sara Brady
Bloated with too many pratfalls yet too little plot, and neutered of its most viciously hysterical moments.
Read Full Review >Austin Chronicle Marrit Ingman
Final verdict: Cast is excellent; movie is OK; men and women are soooo different.
Read Full Review >Wall Street Journal Joe Morgenstern
In case you were holding your breath, Renée Zellweger's Bridget Jones is still sweetly earnest, chronically overweight and swinging once again from lovestruck to lovelorn.
The Hollywood Reporter Kirk Honeycutt
Begins by repeating many gags from the previous film. Only now they feel lame and routine.
Read Full Review >Boston Globe Wesley Morris
The director, Beeban Kidron, handles the proceedings with an episodic aimlessness on par with Bridget's.
Read Full Review >The Globe and Mail (Toronto) Leah McLaren
Rather than being one of us, this stumpy-legged dingbat is a realization of our worst social fears. Before we were laughing with her, and now we're laughing at her.
Read Full Review >ReelViews James Berardinelli
Die-hard fans are advised to wait for the video. Everyone else would be better off pretending that this movie doesn't exist. In the long run, you'll have a higher opinion of everyone involved.
Read Full Review >Christian Science Monitor David Sterritt
The movie catches occasional fire when Bridget suddenly says what's really on her mind. The rest is silliness.
Read Full Review >Miami Herald Connie Ogle
An uninspired, sporadically funny adaptation that falls short of the book's winsome, frisky chaos.
Read Full Review >Empire Caroline Westbrook
For the most part, Edge Of Reason is as saggy and well-worn as Bridget's big knickers.
Read Full Review >New York Daily News Jack Mathews
Takes the worst and most annoying elements of the first film and treats them like grand assets.
Read Full Review >Charlotte Observer Lawrence Toppman
This picture has an ugly habit of humiliating Bridget, which "Diary" did not.
Read Full Review >The Onion (A.V. Club) Keith Phipps
When a sequel has to hit the reset button and take all its characters back to where they started, it probably didn't need to be made.
Read Full Review >Washington Post Michael O'Sullivan
One singularly unbecoming character, who should, by rights, forever remain a "singleton."
Read Full Review >Film Threat Pete Vonder Haar
Audiences enjoyed the original Bridget Jones because it hit close to home...But the sequel has about as much emotional depth as a sitcom
Read Full Review >Salon.com Charles Taylor
So clumsy and crass that it makes you doubt the pleasure of the first movie.
Read Full Review >San Francisco Chronicle Mick LaSalle
A great role becomes an unenviable chore, in which a superb comic actress finds herself trying to sell a series of unfunny comic situations by mugging and pushing with all her might. It's an unflattering spectacle for all concerned.
Read Full Review >Rolling Stone Peter Travers
Is it the clumsy script or the switch in directors -- Beeban Kidron in for Sharon Maguire -- that has sucked out the charm of the original and replaced it with crude pratfalls and enough shag gags to stuff the next three Austin Powers movies?
Read Full Review >Seattle Post-Intelligencer William Arnold
Absurdly over the top and not especially funny.
Read Full Review >The New York Times Manohla Dargis
Man, does this one make the first movie look like a masterpiece. What was Renée Zellweger thinking? It can't have been fun to put on all that weight, especially for a film as ghastly as this.
Read Full Review >What Our Users Said
The average user rating for this movie is 4.3 (out of 10) based on 24 User Votes
Note: User votes are NOT included in the Metascore calculation.
Mark B. gave it a3:
A failed attempt to recreate the fizz of 2000's charming and entertaining Bridget Jones' Diary that follows the all-too-typically-followed path also trodden by such sequels as Barbershop 2: Back in Business and Legally Blonde 2: Red, White and Blonde: let's give 'em More Of The Same, only to prove again that more is less. Unlike the Reese Witherspoon and Ice Cube second go-rounds, you can't totally make the criticism that Bridget Jones: The Edge of Reason is an UNNECESSARY sequel; Helen Fielding, the author of the book on which the original was baseddid indeed write a followup, but the adapters seemed about as interested in following Fielding's plotline as they were in following that of James Joyce's Ulysses. Even so, the original ended perfectly and organically with insecure-in-love-work-and-everything-else Bridget dumping Mr. Wrong, embracing Mr. Right and finding True Love At Last. As played so endearingly by Renee Zellweger in the original, Bridget (a British lass whose rough American equivalent is the comic strip character Cathy) was both hilariouly awkward AND tremendously empathy-inducing; you laughed at her multiple faux pas but also felt hugely protective of her and had a real rooting interest in her well-being. Well, good-bye to all that: it's not Renee's fault; she's still an excellent actress and terrific farceur who's doing what the script tells her to--but Bridget in the sequel has gone from appealingly vulnerable to so ridiculously insecure and needy, endlessly embarrassing and humiliating boyfriend Mark (Colin Firth) that I found myself constantly wondering something that was the furthest thing from my mind while watching the original: namely, "Why in God's name doesn't he toss this shrill Looney Tune out on her ear and change all the locks?"
matt a. gave it an8:
Cannot understand why the critics were so harsh with this. Just as good as the first one. There are some seriously classic scenes here and although Hugh Grant's limited screen time was unfortunate, it was still a very funny, romantic movie.
Susan M. gave it a6:
Falls far short of the first BJ movie.
AC gave it a9:
This movies is ADORABLE - lighten up, people! Now I'M in love with Bridget!
[Anonymous] gave it a0:
An atrocity. Richard Curtis should have taken his name off this mess. It bears none of his humanity and wit. The first one was a charming, light comedy about recognizable human types, who were just made a bit more extreme. This is a moronic slapstick disaster. The Bridget of the first film, who was flawed but lovable, becomes a total buffoon. Worse, the director, a woman, makes Bridget the laughingstock of every scene and camera angle. "Boy, isn't that fat cow stupid," every scene seems to say. I saw this with an audience that was probably 80% female, and even more sadly, they were laughing at all this. Did they not get how patronizing it was? And a sing-along in a Thai jail? What world does this garbage take place in? Clearly not our own, or even the slightly heightened world of the first. Hopefully Beeban Kidron will never be allowed near a camera again after unleashing this cinematic Hindenburg.
Chris R. gave it a4:
Bridget Jones: The Edge of Reason, stars the same cast as the first go around (Renee Zellweger, Colin Firth, Hugh Grant) -- indeed, this movie begins where the first movie ended and seems to explore the question: does a couple who finds "true love" in a movie really live happily ever after. I thoroughly enjoyed Bridget Jones' Diary and anticipated this one would be just as good. And while there were the same comic scenes and heart warming moments that were contained in the first and it was interesting to see what further happened to three characters, in the end I really kind of wondered if it were all worth the effort. Basically, the producers made a four hour movie with a three year intermission --- nothing new was really added this time around that wasn't already examined initially. I give this movie a 4.00
Andy R. gave it a1:
One of the worst and most boring movies of the year. A terrible script with a collection of the most unfunny slapstick routines. Relationships that were touching in the first movie make no sense in this one.
