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Bright Star

EMAILPRINTApparition

Bright Star reviews
81
6.6 User Score:

Movie Info

Genre(s): Drama  |  Romance

Written by: Jane Campion

Directed by: Jane Campion

Release Date:
Theatrical: September 16, 2009
DVD: January 26, 2010

Running Time: 119 minutes, Color

Origin: UK | Australia | France

Summary

RATING: PG for thematic elements, some sensuality, brief language and incidental smoking

Starring Ben Whishaw, Abbie Cornish, Paul Schneider, and Kerry Fox

London 1818: a secret love affair begins between 23 year old English poet, John Keats, and the girl next door, Fanny Brawne, and outspoken student of fashion. This unlikely pair started at odds, he thinking her a stylish minx, she unimpressed by literature in general. It was the illness of Keats' younger brother that drew them together. Keats was touched by Fanny's efforts to help and agreed to teach her poetry. By the time Fanny's alarmed mother and Keats' best friend Brown realized their attachment, the relationship had an unstoppable momentum. Intensely and helplessly absorbed in each other, the young lovers were swept into powerful new sensation, "I have the feeling as if I were dissolving," Keats wrote her. Together they rode a wave of romantic obsession that deepened as their troubles mounted. Only Keats' illness proved insurmountable. (Apparition)

What The Critics Said

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...

100

Los Angeles Times Kenneth Turan

Masterfully put-together, made with confidence, intelligence and command.

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100

San Francisco Chronicle Amy Biancolli

A fine-boned, luminous tribute to Keats and the sufferings of love.

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100

Philadelphia Inquirer Carrie Rickey

Intimate as a whisper, immediate as a blush, and universal as first love, the PG-rated film positively palpitates with the sensual and spiritual.

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100

Slate Dana Stevens

The rare film about the life of an artist that is itself a work of art.

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91

Entertainment Weekly Lisa Schwarzbaum

Campion's big-sisterly encouragement of Cornish's lovely, openhearted performance -- and Whishaw's well-matched response -- results in a character instantly, intimately recognizable to anyone remembering her own first love.

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90

The New Yorker David Denby

What makes the movie extraordinary, however, is not so much the portrait of a poet as the accuracy and the detail of the period re-creation.

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90

The New York Times A.O. Scott

Ms. Campion, with her restless camera movements and off-center close-ups, films history in the present tense, and her wild vitality makes this movie romantic in every possible sense of the word.

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90

Salon.com Stephanie Zacharek

The film works on its own as an unfussy, passionate and gently erotic love story that never tips into sentimentality.

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90

The Hollywood Reporter Ray Bennett

Bright Star may not be a joy forever but it will do until the next joy comes along.

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90

Variety Todd McCarthy

Breaking through any period-piece mustiness with piercing insight into the emotions and behavior of her characters, the writer-director examines the final years in the short life of 19th-century romantic poet John Keats through the eyes of his beloved, Fanny Brawne, played by Abbie Cornish in an outstanding performance.

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90

Wall Street Journal Joe Morgenstern

Jane Campion has performed her own feat of romantic imagination.

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90

Chicago Reader J.R. Jones

Its great distinction lies in re-creating an age when thoughts and feelings were to be carefully considered and precisely enunciated. The best costumers, set designers, and property masters can’t conjure up the mental and emotional spaces of a simpler era; that requires a filmmaker who knows the virtue of quiet, patience, and attentiveness.

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89

Austin Chronicle Marjorie Baumgarten

Campion’s story of a tubercular poet and his lady love recasts the hackneyed old stanza in refreshing new verse.

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88

Baltimore Sun Michael Sragow

Bright Star delivers a prismatic depiction - tart, funny and piercing - of the romance between poet John Keats and Fanny Brawne in the three years before he died, in 1821, at age 25.

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88

Boston Globe Ty Burr

Bright Star is a thing of beauty and a joy for a movie season that needs it.

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88

Chicago Sun-Times Roger Ebert

What Campion does is seek visual beauty to match Keats' verbal beauty. There is a shot here of Fanny in a meadow of blue flowers that is so enthralling it beggars description.

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83

Christian Science Monitor Peter Rainer

For a movie so sensuously mounted, it's remarkably grounded.

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83

The Onion (A.V. Club) Keith Phipps

It’s a studied movie that gives itself over to bursts of intensity, and between them sometimes threatens to become as spellbound by its subjects as they become with each other.

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80

New York Magazine David Edelstein

Young Edie Martin, with her chaotic swarm of red ringlets and deadpan dutifulness (she has few lines, but they’re goodies), is the movie’s sign of eternal spring--the butterfly atop the just-opened blossom.

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80

Washington Post Ann Hornaday

That rare, genuinely transporting movie that creates an alternate universe, invites the audience in and lets them sink ever deeper into its particular, sublime reverie.

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80

Empire Liz Beardsworth

Campion has created another resonant paean to love’s pain and joy, and gives new life to John Keats, too often now associated with dusty school books.

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75

St. Louis Post-Dispatch Joe Williams

What animates this dramatically constrained film are the lively words and the vitality of nature. An image of butterflies blooming in a bedroom is Keats' worldview in miniature.

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75

Portland Oregonian Shawn Levy

There are nice bits throughout, and your heart can’t help but go out to these impassioned young lovers whom you know are doomed. But Bright Star is too often tarnished by the ordinary.

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75

USA Today Claudia Puig

What the film does best is remind us of the brilliance of Keats flame and how it was extinguished far too early.

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75

The Globe and Mail (Toronto) Rick Groen

Mainly, though, it's the exquisite restraint - both of Cornish's performance and Campion's direction - that gives the film its power.

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75

ReelViews James Berardinelli

Bright Star is a nice ode to the poet, the love of his life, and the period in which he lived.

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75

New York Post Lou Lumenick

Catnip for the art-house crowd.

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75

Rolling Stone Peter Travers

Bright Star is the New Zealand writer-director's raw, sensual attempt to render Keats as experienced by a young girl who couldn't understand the genius of his verse.

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70

Village Voice J. Hoberman

It's more conventionally romantic than wildly Romantic--but no less touching for that.

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63

Chicago Tribune Michael Phillips

In its way Campion’s film is a thing of beauty, but its characters’ inner lives must be taken on faith.

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60

Film Threat Matthew Sorrento

Masterpieces of literature-to-film are a rare breed; this film falls short with satisfaction.

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60

New York Daily News Elizabeth Weitzman

There's nothing exceptional about Jane Campion's historical biography, but it's a sufficiently lovely tale to suit romantics with a taste for intimate period dramas.

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50

Miami Herald Connie Ogle

A well-acted, well-crafted but excruciatingly tepid romantic film about a subject that will attract poetry lovers and yet test even their considerable patience.

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40

Time Out New York Keith Uhlich

Writer-director Jane Campion approaches the tale with an artiste’s respectful solemnity, but it too often comes off like "Twilight" transplanted across oceans and centuries.

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What Our Users Said

The average user rating for this movie is 6.6 (out of 10) based on 45 User Votes

Note: User votes are NOT included in the Metascore calculation.

Scott P gave it a9:
Elemental and achingly beautiful, this is Jane Campion at her very best. Craft and emotion woven into poetry. Beautifully cast and acted down to the smallest role.

MSB gave it a1:
Sorry John V, but anyone who gives this movie more than a 1 knows nothing about Keats' life, his relationship with Fanny, his poetry, film-making in general, and the incredibly inept and pathetic Jane Campion. I should have known better than to see this film, considering I thought "The Piano" over-wrought and pompous. Sad that Campion knows nothing about Keats and yet chose to make a film about him. Those of us who have studied Keats' life and his poetry, and who are familiar with his letters to Fanny (she saved all of them, so why didn't Campion read them), who have written critically/analytically about the poetry, and who have taught Keats' work, either are or should be appalled at this incredibly inaccurate and simple-minded film. A pox on Jane Campion. She needs to go back to school---film-making school as well as a decent undergraduate liberal arts college.

Katherine S gave it a5:
Tepid, boring, and precious. I din't, actually, find the period detail convincing. It was distracting, and many of the scene reminded me of advertisers' idealizations or lifestyle images showing children of different ages all engaging in idyllic pastimes on large green lawns that only the priveleged can access. I also thought that both Cornish and Wishaw were miscast. Wishaw was turnoff and Cornish was stolid. I also couldn't catch a fair amount of the dialogue. An generally overrated film, I would say. I wonder what the UK reviews say.

Diana B gave it a7:
Disappointing although beautifully rendered. Sort of static. They meet, they love, he dies.

Elaine S gave it a10:
Beautiful film, loved Abbie Cornish as Fanny. It is so nice to see such an outstanding performance from an actress these days espcially in a time piece. The visual aspects and scenery were stunning.

Bill D gave it an8:
It's dry in a PBS sort of way, but it delivers exactly what it promises. And Abbie Cornish was (is) amazingly beautiful and talented.

Ken G gave it a7:
I don't know if the true life version of this love story was as chaste as this movie makes it seem, but otherwise this film does solid work all around.

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