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45
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71
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Stars indicate the most critically-acclaimed movies.
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86
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71
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44
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75
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49
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65
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xx
White on Rice
59
William Kunstler: Disturbing the Universe
74
Woman in Berlin, A
43
Women in Trouble
69
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Stars indicate the most critically-acclaimed movies.
Bringing Out the Dead
Generally favorable reviews
Based on 34 critic reviews
How did we calculate this?
Based on 10 votes
Read user comments
Rate this movie >
Movie Info
Genre(s): Horror
Written by:
Joe Connelly (novel)
Paul Schrader
Directed by: Martin Scorsese
Release Date:
Theatrical: October 22, 1999
DVD: May 9, 2000
Running Time: 120 minutes, Color
Origin: USA
Summary
RATING: R for gritty violent content, drug use and language
Starring Nicolas Cage, Patricia Arquette, John Goodman, Ving Rhames, Tom Sizemore, Marc Anthony, Mary Beth Hurt, and Aida Turturro
Surrounded by the injured and the dying, EMS paramedic Frank (Cage) is dwelling in an urban night-world, crumbling under the accumulated weight of too many years of saving and losing lives. The film follows Frank over the course of fifty-six hours in his life - two days and three nights on the job - as he reaches the very brink of spiritual collapse and redemption. (Paramount Pictures)
Also On Metacritic
FILM: Cape Fear Casino Gangs of New York Goodfellas Kundun My Voyage to Italy Raging Bull Taxi Driver The Age of Innocence The Aviator The Departed The Last Temptation of Christ The Last Waltz
TV: No Direction Home: Bob Dylan
Also On The Web: Internet Movie Database View The Trailer Official Studio Site
What The Critics Said
All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
Chicago Tribune Michael Wilmington
Blazes up constantly with a stunning, off-kilter brilliance, an incandescent force that sometimes explodes the space between us and the screen.
Chicago Sun-Times Roger Ebert
To look at Bringing Out the Dead --to look, indeed, at almost any Scorsese film--is to be reminded that film can touch us urgently and deeply.
Read Full Review >San Francisco Chronicle Bob Graham
Potentially oppressive subject matter is redeemed by impeccable moral integrity and stunning artistry.
Read Full Review >Newsweek David Ansen
Full of bravura moments and high-wire performances.
Rolling Stone Peter Travers
Cage, who gives a blazing, imposive performance, uses his haunted eyes to reveal the emotional scars that Frank can't heal.
New York Daily News Jack Mathews
It's a slice of life, with all the trimmings, and one of the strongest films of the year.
USA Today Mike Clark
In a role as tailor-made for him as the story is for its writer and director, Nicolas Cage anchors the movie with one of his best performances.
Chicago Reader Lisa Alspector
A text that provokes thought more than directs it, which should fascinate new and repeat viewers for a long time.
Read Full Review >Time Richard Schickel
Like its title -- blunt, thruthful, uncompromising. It is hard on an audience, even harrowing. But that's exactly what Martin Scorsese was put on earth to do.
The New York Times Elvis Mitchell
An intense, volatile film full of sorrow and wild, mordant humor.
Read Full Review >Austin Chronicle Marc Savlov
This is Martin Scorsese, and in the end, it's his town, and his show.
Read Full Review >San Francisco Examiner Wesley Morris
An ecstatic sensory experience so overloaded it hardly matters that the narrative has been placed on a back burner.
Read Full Review >Christian Science Monitor David Sterritt
Equally fascinated by the afflictions of life and the usually squandered opportunities these afford for courage and self-sacrifice.
Read Full Review >Philadelphia Inquirer Carrie Rickey
Develops microclimates of mood without fully developing the same shadings of character.
New York Post Jonathan Foreman
Downbeat and at times strangely slow-moving despite all its beautifully shot high-speed ambulance rides.
Baltimore Sun Ann Hornaday
Filled with so much heartbreaking beauty, Bringing Out the Dead might be best described as an artist's sketchbook, a series of tableaux and ideas that provide a telling glimpse of a director whose work is always evolving.
Mr. Showbiz Richard T. Jameson
There's talent to burn in this movie. But the flame is cold.
Village Voice J. Hoberman
The mood is less angst-ridden than hypercaffeinated, as Scorsese keeps cranking the velocity-bloodbath in the reggae inferno, exploding skyline pietà, climactic white light of redemption.
Read Full Review >TNT RoughCut Christopher Brandon
Fans of the greatest working film director will be pleased.
Seattle Post-Intelligencer William Arnold
Has a certain morbid fascination, but it has no real bite, and finally seems so contrived and pointless it borders on being out-and-out exploitation.
Read Full Review >Portland Oregonian Shawn Levy
Although it tries continually to focus on the heart, it ultimately fails to ignite it.
Boston Globe Jay Carr
While heartfelt and beautifully crafted, Bringing Out the Dead is too freighted with its protagonist's failed savior complex and is surprisingly lacking in primal impact.
Read Full Review >Dallas Observer Gregory Weinkauf
Despite moments of gritty greatness that rival Scorsese's best, the movie is severely hampered by please-everyone syndrome, especially in the editing and choice of music.
Read Full Review >LA Weekly Ella Taylor
(Cage's) performance feels embalmed in the accumulated shtick of an actor trapped in excess.
Read Full Review >Miami Herald Rene Rodriguez
A relentless descent into a psychedelic hell, a rambunctious feel-bad epic.
Los Angeles Times Kenneth Turan
Dances on the edge of flat-lining just like the DOAs that are Frank's stock-in-trade.
Read Full Review >Washington Post Rita Kempley
Doesn't pack the punch of Schrader and Scorsese's career-best collaborations ("Raging Bull," "Taxi Driver").
Read Full Review >Film.com Ernest Hardy
We don't really care about this everyman's moral dilemna and spiritual crisis because -- for all the poetic insights he offers in his philosophical voice-over -- he never transcends the details to become an engrossing character.
Read Full Review >What Our Users Said
The average user rating for this movie is 6.5 (out of 10) based on 10 User Votes
Note: User votes are NOT included in the Metascore calculation.
Jimmy P. gave it a10:
I thought that this might be maybe one of if not Scorsese's most overlooked film. I thought it had a powerful message, gripping direction, and standout performances, from Nicolas Cage, and Ving Rhames. Lookout for Scorsese's voice on the dispatch, and also Queen Latifah's.
Barry w. gave it a10:
This movie is excellent.the acting is superb,and the story deep and full of humor,love,and spritual lessons.i loved the movie.
Victoria m gave it a4:
I tought it was mildly entertaining but the whole story of urban decay destroying someone to the brink of insanity still revites me to the core.
Pat C. gave it a 7:
A unique premise and a lot of tongue-in-cheek gallows humor distinguish this film. It has little in the way of teachings worth retaining, but is quite instructive in pointing out which ones to discard.
Yoon C. gave it a 7:
A spiritual ambulance chase, the movie's too hectic and hyperbolic(while Cage is too lifeless and dopey) to arrive at any sobering conclusion, moral or otherwise. Highly impressive in terms of camera movement and visual flair, the movie has little to show or say when at rest. Perhaps, most similar to After Hours, another movie that tried to compensate for the thinness of material or lack of compelling core with constant movement and distractions.
Ryan M. gave it a 1:
A hopeless, pathetic, show off of intense hospital scenes and bad performances.
Steve K. gave it a 4:
I didnt understand this POS movie at all. Prepare yourself for alot of boredom if you decide to watch this movie. Tom Sizemore's character was cool though.
