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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
57
Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Bringing Out the Dead
Paramount Pictures
FILM:
TV:
MPAA RATING: R for gritty violent content, drug use and language
Starring
Nicolas Cage,
Patricia Arquette,
John Goodman,
Ving Rhames,
Tom Sizemore,
Marc Anthony,
Mary Beth Hurt,
and
Aida Turturro
Surrounded by the injured and the dying, EMS paramedic Frank (Cage) is dwelling in an urban night-world, crumbling under the accumulated weight of too many years of saving and losing lives. The film follows Frank over the course of fifty-six hours in his life - two days and three nights on the job - as he reaches the very brink of spiritual collapse and redemption. (Paramount Pictures)
| GENRE(S): |
Horror
|
| WRITTEN BY: |
Joe Connelly (novel)
Paul Schrader
|
| DIRECTED BY: |
Martin Scorsese
|
| RELEASE DATE: |
DVD: May 9, 2000
Video: May 9, 2000
Theatrical: October 22, 1999
|
| RUNNING TIME: |
120 minutes, Color |
| ORIGIN: |
USA |

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Chicago Tribune
Michael Wilmington
Blazes up constantly with a stunning, off-kilter brilliance, an incandescent force that sometimes explodes the space between us and the screen.
100
Chicago Sun-Times
Roger Ebert
To look at Bringing Out the Dead --to look, indeed, at almost any Scorsese film--is to be reminded that film can touch us urgently and deeply.

100
San Francisco Chronicle
Bob Graham
Potentially oppressive subject matter is redeemed by impeccable moral integrity and stunning artistry.

90
Newsweek
David Ansen
Full of bravura moments and high-wire performances.
90
Film.com
Tom Keogh
Certainly one of his (Scorsese's) most profound works.

90
Rolling Stone
Peter Travers
Cage, who gives a blazing, imposive performance, uses his haunted eyes to reveal the emotional scars that Frank can't heal.
88
New York Daily News
Jack Mathews
It's a slice of life, with all the trimmings, and one of the strongest films of the year.
88
USA Today
Mike Clark
In a role as tailor-made for him as the story is for its writer and director, Nicolas Cage anchors the movie with one of his best performances.
80
Chicago Reader
Lisa Alspector
A text that provokes thought more than directs it, which should fascinate new and repeat viewers for a long time.

80
Variety
Emanuel Levy
Achieves a poetic, quasi-religious tone.

80
Time
Richard Schickel
Like its title -- blunt, thruthful, uncompromising. It is hard on an audience, even harrowing. But that's exactly what Martin Scorsese was put on earth to do.
80
The New York Times
Elvis Mitchell
An intense, volatile film full of sorrow and wild, mordant humor.

78
Austin Chronicle
Marc Savlov
This is Martin Scorsese, and in the end, it's his town, and his show.

75
San Francisco Examiner
Wesley Morris
An ecstatic sensory experience so overloaded it hardly matters that the narrative has been placed on a back burner.

75
Christian Science Monitor
David Sterritt
Equally fascinated by the afflictions of life and the usually squandered opportunities these afford for courage and self-sacrifice.

75
Philadelphia Inquirer
Carrie Rickey
Develops microclimates of mood without fully developing the same shadings of character.
75
New York Post
Jonathan Foreman
Downbeat and at times strangely slow-moving despite all its beautifully shot high-speed ambulance rides.
75
Baltimore Sun
Ann Hornaday
Filled with so much heartbreaking beauty, Bringing Out the Dead might be best described as an artist's sketchbook, a series of tableaux and ideas that provide a telling glimpse of a director whose work is always evolving.
74
Mr. Showbiz
Richard T. Jameson
There's talent to burn in this movie. But the flame is cold.
70
Village Voice
J. Hoberman
The mood is less angst-ridden than hypercaffeinated, as Scorsese keeps cranking the velocity-bloodbath in the reggae inferno, exploding skyline pietà, climactic white light of redemption.

70
TNT RoughCut
Christopher Brandon
Fans of the greatest working film director will be pleased.
67
Seattle Post-Intelligencer
William Arnold
Has a certain morbid fascination, but it has no real bite, and finally seems so contrived and pointless it borders on being out-and-out exploitation.

67
Portland Oregonian
Shawn Levy
Although it tries continually to focus on the heart, it ultimately fails to ignite it.
67
Entertainment Weekly
Ty Burr
Works more in your head than on the screen.

63
Boston Globe
Jay Carr
While heartfelt and beautifully crafted, Bringing Out the Dead is too freighted with its protagonist's failed savior complex and is surprisingly lacking in primal impact.

60
Dallas Observer
Gregory Weinkauf
Despite moments of gritty greatness that rival Scorsese's best, the movie is severely hampered by please-everyone syndrome, especially in the editing and choice of music.

60
LA Weekly
Ella Taylor
(Cage's) performance feels embalmed in the accumulated shtick of an actor trapped in excess.

50
Miami Herald
Rene Rodriguez
A relentless descent into a psychedelic hell, a rambunctious feel-bad epic.
50
Los Angeles Times
Kenneth Turan
Dances on the edge of flat-lining just like the DOAs that are Frank's stock-in-trade.

50
Washington Post
Rita Kempley
Doesn't pack the punch of Schrader and Scorsese's career-best collaborations ("Raging Bull," "Taxi Driver").

50
Film.com
Ernest Hardy
We don't really care about this everyman's moral dilemna and spiritual crisis because -- for all the poetic insights he offers in his philosophical voice-over -- he never transcends the details to become an engrossing character.

50
Film.com
John Hartl
Doesn't seem to have anything to say.

50
Salon.com
Stephanie Zacharek
Curiously and disappointingly lethargic.

40
TV Guide
Maitland McDonagh
Falls far short of its grim potential.


The average user rating for this movie is 6.5 (out of 10) based on 10 User Votes
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