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Stars indicate the most critically-acclaimed movies.

67
$9.99
75
24 City
66
Adoration
74
Afghan Star
48
Alien Trespass
56
American Violet
82
Anvil! The Story of Anvil
57
Away We Go
81
Beaches of Agnes, The
62
Big Man Japan
28
Big Shot-Caller, The
78
Boys: The Sherman Brothers' Story, The
55
Brothers Bloom, The
82
Burma VJ: Reporting from a Closed Country
xx
Call of the Wild
63
Cheri
62
Cherry Blossoms
63
Dead Snow
65
Departures
18
Downloading Nancy
58
Easy Virtue
70
End of the Line, The
77
Every Little Step
64
Examined Life
80
Food, Inc.
38
Gigantic
56
Girl from Monaco, The
67
Girlfriend Experience, The
87
Gomorrah
89
Goodbye Solo
63
Great Buck Howard, The
79
Harvard Beats Yale 29-29
xx
Home
82
Hunger
91
Hurt Locker, The
16
I Hate Valentine's Day
81
Il Divo
54
Is Anybody There?
71
Jerichow
58
Julia
74
Lemon Tree
36
Life is Hot in Cracktown
40
Limits of Control, The
42
Little Ashes
64
Lymelife
50
Management
57
Merry Gentleman, The
66
Moon
35
New York
62
Not Forgotten
xx
Offshore
78
O'Horten
64
Outrage
40
Paris 36
54
Pontypool
71
Pressure Cooker
52
Quiet Chaos
83
Revanche
67
Rudo y Cursi
86
Seraphine
65
Sex Positive
70
Shall We Kiss?
77
Sin Nombre
59
Sleep Dealer
74
Song of Sparrows, The
54
Stoning of Soraya M., The
82
Sugar
84
Summer Hours
61
Sunshine Cleaning
28
Surveillance
42
Tennessee
63
Tetro
64
Throw Down Your Heart
80
Tokyo Sonata
63
Tokyo!
70
Tony Manero
74
Treeless Mountain
88
Tulpan
74
Two Lovers
83
Tyson
83
U2 3D
60
Under Our Skin
69
Unmistaken Child
69
Valentino: The Last Emperor
22
What Goes Up
45
Whatever Works
57
Youssou Ndour: I Bring What I Love
91
Hurt Locker, The
89
Goodbye Solo
88
Tulpan
87
Gomorrah
86
Seraphine
84
Summer Hours
83
U2 3D
83
Revanche
83
Tyson
82
Burma VJ: Reporting from a Closed Country
82
Sugar
82
Hunger
82
Anvil! The Story of Anvil
81
Il Divo
81
Beaches of Agnes, The
80
Food, Inc.
80
Tokyo Sonata
79
Harvard Beats Yale 29-29
78
Boys: The Sherman Brothers' Story, The
78
O'Horten
77
Every Little Step
77
Sin Nombre
75
24 City
74
Treeless Mountain
74
Afghan Star
74
Two Lovers
74
Song of Sparrows, The
74
Lemon Tree
71
Pressure Cooker
71
Jerichow
70
Shall We Kiss?
70
Tony Manero
70
End of the Line, The
69
Valentino: The Last Emperor
69
Unmistaken Child
67
$9.99
67
Rudo y Cursi
67
Girlfriend Experience, The
66
Adoration
66
Moon
65
Sex Positive
65
Departures
64
Outrage
64
Examined Life
64
Throw Down Your Heart
64
Lymelife
63
Tokyo!
63
Cheri
63
Dead Snow
63
Tetro
63
Great Buck Howard, The
62
Cherry Blossoms
62
Big Man Japan
62
Not Forgotten
61
Sunshine Cleaning
60
Under Our Skin
59
Sleep Dealer
58
Julia
58
Easy Virtue
57
Away We Go
57
Merry Gentleman, The
57
Youssou Ndour: I Bring What I Love
56
Girl from Monaco, The
56
American Violet
55
Brothers Bloom, The
54
Is Anybody There?
54
Pontypool
54
Stoning of Soraya M., The
52
Quiet Chaos
50
Management
48
Alien Trespass
45
Whatever Works
42
Little Ashes
42
Tennessee
40
Limits of Control, The
40
Paris 36
38
Gigantic
36
Life is Hot in Cracktown
35
New York
28
Big Shot-Caller, The
28
Surveillance
22
What Goes Up
18
Downloading Nancy
16
I Hate Valentine's Day
xx
Call of the Wild
xx
Home
xx
Offshore
Stars indicate the most critically-acclaimed movies.
|
Brokeback Mountain
Focus Features
 |
|
FILM:
MPAA RATING: R for sexuality, nudity, language and some violence
Starring
Jake Gyllenhaal,
Heath Ledger,
Michelle Williams,
Anne Hathaway,
Randy Quaid,
Linda Cardellini,
Anna Faris,
and
Scott Michael Campbell
Set against the sweeping vistas of Wyoming and Texas, the film tells the story of two young men -- a ranch-hand and a rodeo cowboy -- who meet in the summer of 1963, and unexpectedly forge a lifelong connection, one whose complications, joys, and tragedies provide a testament to the endurance and power of love. (Focus Features)
| GENRE(S): |
Drama
|
Romance
|
| WRITTEN BY: |
Larry McMurtry
Diana Ossana
E. Annie Proulx (short story)
|
| DIRECTED BY: |
Ang Lee
|
| RELEASE DATE: |
DVD: April 4, 2006
Theatrical: December 9, 2005
|
| RUNNING TIME: |
134 minutes, Color |
| ORIGIN: |
USA |
Led all movies with eight Academy Award nominations for 2005, including Best Picture, Lead Actor (Ledger) and Director (Lee, who won the award). Received seven Golden Globe nominations, including Best Picture (Drama), for which it won. Named Best Picture of 2005 by the New York Film Critics Circle, Los Angeles Film Critics Association, Southeastern Film Critics Association, and Boston Society of Film Critics. Winner, Golden Lion, 2005 Venice Film Festival.

All critic scores are converted to a 100-point scale. If a critic does not indicate a score, we assign a score based on the general impression given by the text of the review. Learn more...
100
Entertainment Weekly
Owen Gleiberman
Brokeback Mountain is that rare thing, a big Hollywood weeper with a beautiful ache at its center. It's a modern-age Western that turns into a quietly revolutionary love story.

100
Rolling Stone
Peter Travers
Ang Lee's unmissable and unforgettable Brokeback Mountain hits you like a shot in the heart. It's a landmark film and a triumph for Heath Ledger and Jake Gyllenhaal.

100
The Hollywood Reporter
Ray Bennett
Anne Proulx's 1997 short story in the New Yorker has been masterfully expanded by screenwriters Larry McMurtry and Diana Ossana to provide director Lee with his best movie since "Sense and Sensibility" in 1995.

100
Premiere
Glenn Kenny
Lee and company handle the particulars of the tale with the requisite meticulousness and exquisite taste that marks all the director's films.

100
San Francisco Chronicle
Mick LaSalle
Carries a lot of emotional power.

100
Christian Science Monitor
Peter Rainer
Brokeback Mountain is a tragedy because these men have found something that many people, of whatever sexual persuasion, never find - true love. And they can't do anything about it.

100
The New York Times
Stephen Holden
Mr. Ledger magically and mysteriously disappears beneath the skin of his lean, sinewy character. It is a great screen performance, as good as the best of Marlon Brando and Sean Penn.

100
Los Angeles Times
Kenneth Turan
Confidently directed by Ang Lee and featuring sensitive and powerful performances by Jake Gyllenhaal and a breathtaking Heath Ledger, this film is determined to involve us in the naturalness and even inevitability of its epic, complicated love story.

100
Wall Street Journal
Joe Morgenstern
Brokeback Mountain aspires to an epic sweep and achieves it, though with singular intimacy and grace.
100
USA Today
Mike Clark
It's a heart-wrenching portrayal of unfulfilled Wyoming love, but this time, we don't mean Alan Ladd and Jean Arthur in "Shane."

100
New York Daily News
Jami Bernard
Gently unfolds into an epic, heartbreaking love story that's far greater than the sum of its parts.

100
Newsweek
David Ansen
There's neither coyness nor self-importance in Brokeback Mountain--just close, compassionate observation, deeply committed performances, a bone-deep feeling for hardscrabble Western lives. Few films have captured so acutely the desolation of frustrated, repressed passion.

100
Empire
Staff (Not credited)
The real revelation here is Heath Ledger as the bruised and sometimes brutal Ennis. His tortured secret is the tragedy and the ecstasy of this powerful and moving film, a smart study of relationships that could but can't and never will be.

100
Chicago Sun-Times
Roger Ebert
Brokeback Mountain has been described as "a gay cowboy movie," which is a cruel simplification. It is the story of a time and place where two men are forced to deny the only great passion either one will ever feel. Their tragedy is universal.

100
Miami Herald
Rene Rodriguez
This poignant, wise and subtle picture -- which, yes, happens to be the best movie of the year -- should be approached with humble expectations. Lee's approach to this delicate material is suffused with melancholy, metaphors and small, telling touches that favor subtlety over exclamation points and rough-hewn simplicity over grandiloquence.

100
Charlotte Observer
Lawrence Toppman
An experience as tender and troubling as any you're likely to get - or not likely, if this subject puts you off.

100
The New Republic
Stanley Kauffmann
So in all the tumult about this film, the eruption of its subject into wide attention and the consequent revelations about cowboys' lives in the past, let us--without forgetting the American sources of the screenplay--acknowledge the anomaly that the director is Chinese.

91
Portland Oregonian
Shawn Levy
Beautiful, poetic, mournful, at once rich and spare, Brokeback Mountain takes a daring conceit and creates of it an overwhelming work of art that should speak to anyone capable of love.

91
Seattle Post-Intelligencer
William Arnold
It's by far the most uncompromising and unapologetic gay-themed drama ever made for a wide release by a major Hollywood studio with name stars.

90
LA Weekly
Ella Taylor
Brokeback Mountain is at once the gayest and the least gay Hollywood film I've seen, which is another way of saying that Lee has a knack for culling universality from the most specific identities.

90
Dallas Observer
Bill Gallo
If, in its groundbreaking assault on the mythology of the American West, Brokeback Mountain gets a lot of people into a furious lather, so be it.

90
New York Magazine
Ken Tucker
The remarkable thing director Ang Lee has done is to have made a film that remains firmly in the Western genre while never retreating from its portrayal of a tragic love story.

90
The New Yorker
Anthony Lane
This slow and stoic movie, hailed as a gay Western, feels neither gay nor especially Western: it is a study of love under siege.

89
Austin Chronicle
Marjorie Baumgarten
It's possible to point to some weak spots in Brokeback – its seeming multiple endings, the lack of clarity about certain images, some digressions – but there is no movie this year that has moved my heart more than Brokeback Mountain.

88
Boston Globe
Ty Burr
Brokeback may be too polished for some people, too elegantly dispassionate in its study of choked passion.

88
Chicago Tribune
Michael Phillips
A good and eloquent Wyoming-set love story with a great performance at its heart.

88
TV Guide
Ken Fox
While Gyllenhaal is a competent actor, Ledger - surprisingly enough - is becoming a great one, and the levels of intensity they bring to their roles render this romantically star-crossed relationship emotionally lopsided.

88
Philadelphia Inquirer
Carrie Rickey
While Gyllenhaal has playful puppy eyes and energy, his performance as Jack is a blur of mustaches, sideburns and spurs that never achieves the weight of Ledger's.

80
The Onion (A.V. Club)
Keith Phipps
It allows Lee to draw out a theme that's been present in his films from the start: the notion that repressed passion does no one any good. In Brokeback Mountain, it turns vibrant men ghostly.

80
Variety
Todd McCarthy
This ostensible gay Western is marked by a heightened degree of sensitivity and tact, as well as an outstanding performance from Heath Ledger.

75
New York Post
Kyle Smith
This is one of the best serious films about homosexuality ever made, but though it's sad and sobering it's still only a rough draft of a great movie.

75
ReelViews
James Berardinelli
Isn't for everyone, but for those who are not bothered by the homosexual relationship, it offers a study in yearning, love, and loss. It didn't affect me as deeply as either "The Bridges of Madison County" or "The Remains of the Day," but it evokes some of the same feelings.

75
The Globe and Mail (Toronto)
Rick Groen
Ledger proves what we've suspected all along -- this is his picture, and he steals it brilliantly.

70
Chicago Reader
Jonathan Rosenbaum
This is the kind of tasteful tearjerker that's often overrated and smothered with prizes because it flatters our tolerance and sensitivity.

70
Washington Post
Ann Hornaday
Brokeback Mountain possesses handsome and sympathetic lead players, magnificent scenery, heartbreaking melodrama, righteousness and cultural import. But as a testament to the importance of following one's passion, it's devoid of one crucial thing: passion.

70
Village Voice
J. Hoberman
The most straightforward love story--and in some ways the straightest--to come out of Hollywood, at least since "Titanic."

70
Time
Richard Schickel
For all its brave beginnings and real achievements--its assault on western mythology, its discovery of a subversive sexual honesty in an unexpected locale--Brokeback Mountain finally fails to fully engage our emotions.

60
Slate
David Edelstein
Brokeback Mountain could use a little more of it--by which I mean more sweat and other bodily fluids. Ang Lee's formalism is so extreme that it's often laughable, and the sex is depicted as a holy union: Gay love has never been so sacred.

50
Salon.com
Stephanie Zacharek
Takes great pains to be a compassionate love story; but the filmmaking itself, self-consciously restrained and desiccated, is inert and inexpressive.

50
Baltimore Sun
Michael Sragow
Romanticism fights stoicism to a draw, and the movie grows ever more static, too. Down to the quasi-ambiguous hate-crime finish, Brokeback Mountain comes as close to being a still life as you can get with human characters.

40
Film Threat
Phil Hall
This much-ballyhooed gay cowboy melodrama is an inert disappointment.


The average user rating for this movie is 8.2 (out of 10) based on 1004 User Votes
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